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Arturo García Bustos was a Mexican painter and print maker. He is known as one of “Los Fridos” students who studied under Frida Kahlo at her home in Coyoacán.
Olga Costa was a painter and cultural promoter who immigrated to Mexico from Germany when she was twelve. She began to study art at the Academy of San Carlos but left after only three months to help support her family. However, she met her husband, artist José Chávez Morado during this time. Her marriage to him involved her in Mexico's cultural and intellectual scene and she began to develop her ability to paint on her own, with encouragement from her husband. She had numerous exhibitions of her work in Mexico, with her work also sent to be sold in the United States. She was also involved in the founding and development of various galleries, cultural societies and three museums in the state of Guanajuato. She received the Premio Nacional de Ciencias y Artes among others for her work.
José Chávez Morado was a Mexican artist who was associated with the Mexican muralism movement of the 20th century. His generation followed that of Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros. Although Chávez Morado took classes in California and Mexico, he is considered to be mostly self-taught. He experimented with various materials, and was an early user of Italian mosaic in monumental works. His major works include murals at the Ciudad Universitaria, Secretaría de Comunicaciones y Transportes and Museo Nacional de Antropología in Mexico City as well as frescos at the Alhóndiga de Granaditas, which took twelve years to paint. From the 1940s on, he also worked as a cultural promoter, establishing a number of cultural institutions especially in his home state of Guanajuato including the Museo de Arte Olga Costa - José Chávez Morado, named after himself and his wife, artist Olga Costa.
Fanny Rabel, born Fanny Rabinovich, was a Polish-born Mexican artist who is considered to be the first modern female muralist and one of the youngest associated with the Mexican muralism of the early to mid 20th century. She and her family arrived to Mexico in 1938 from Europe and she studied art at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where she met and became friends with Frida Kahlo. She became the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. She also worked as an assistant and apprentice to Diego Rivera and David Alfaro Siqueiros, painting a number of murals of her own during her career. The most significant of these is "Ronda en el tiempo" at the Museo Nacional de Antropología in Mexico City. She also created canvases and other works, with children often featured in her work, and was one of the first of her generation to work with ecological themes in a series of works begun in 1979.
Luis Arenal Bastar was a Mexican painter, engraver and sculptor. He was a founding member of the Liga de Escritores y Artistas Revolucionarios, the Taller de Gráfica Popular and the Salón de la Plástica Mexicana. In addition, he created murals and other monumental works in Mexico City and Guerrero.
Amador Lugo Guadarrama was a Mexican painter, graphic artist, writer and cultural promoter, best known for his landscape painting and the founding of several cultural institutions. He began painting when still a child, attending the Escuela al Aire Libre de Pintura in Taxco then developing his career in Mexico City. At that time, the Mexican muralism school was still dominant. Lugo related to its aesthetics but not so much to its politics, so he participated in the founding of various institutions such as the Sociedad Mexicana de Grabadores and the Salón de la Plástica Mexicana which provided opportunities for artists outside the dominant movement. He also worked as an educator, writer and cultural promoter, mostly in Mexico City and his home state of Guerrero.
Angelina Beloff was a Russian-born artist who did most of her work in Mexico. However, she is better known as Diego Rivera’s first wife, and her work has been overshadowed by his and that of his later wives. She studied art in Saint Petersburg and then went to begin her art career in Paris in 1909. This same year she met Rivera and married him. In 1921, Rivera returned to Mexico, leaving Beloff behind and divorcing her. She never remarried. In 1932, through her contacts with various Mexican artists, she was sponsored to live and work in the country. She worked as an art teacher, a marionette show creator and had a number of exhibits of her work in the 1950s. Most of her work was done in Mexico, using Mexican imagery, but her artistic style remained European. In 1978, writer Elena Poniatowska wrote a novel based on her life.
Arturo Estrada Hernández is a Mexican painter, one of a group of Frida Kahlo’s students called “Los Fridos.” Estrada is mostly known for his mural work, which remains faithful to the figurative style and ideology of Mexican muralism. He has created murals in various parts of Mexico in both public and private places, including a 1988 mural found in the Centro Médico metro station in Mexico City. He has also taught classes at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where he was a student, since 1948 and continues to give classes there and other venues. He lives in his birthplace: Panindicuaro, Michoacán.
Ignacio Aguirre was a Mexican painter and engraver.
Desiderio Hernández Xochitiotzin was a Mexican artist best known for his large-scale mural work inside the State Government Palace in the state of Tlaxcala, Mexico, the last large scale mural of the Mexican muralism movement.
Francisco Dosamantes was a Mexican artist and educator who is best known for is educational illustrations and graphic work against fascism. He was a founding member of the Taller de Gráfica Popular and the Salón de la Plástica Mexicana.
Gustavo Montoya was a Mexican artist considered to be a late adherent to the Mexican School of Painting, most often associated with Mexican muralism. He was born in Mexico City, from a family associated with the Porfirio Díaz regime and who had to hide during part of the Mexican Revolution. He attended the Academy of San Carlos despite his father's objections. He later met and married artist Cordelia Urueta, with whom he lived in Paris, developing his artistic talents. He was not heavily involved in Mexico's artistic circles but was a founding member of the Liga de Escritores y Artistas Revolucionarios and the Salón de la Plástica Mexicana. His best-selling work was that of children in regional traditional Mexican clothing, but he also painted many street scenes in Mexico City as well as portraits and still lifes.
Jesús Álvarez Amaya was a Mexican painter and graphic artist, mostly known for mural work and his graphic work as head of the Taller de Gráfica Popular, which he led from 1967 until his death. His murals can be found in various parts of the country and his art mostly have social and political themes.
Andrea Gómez y Mendoza was a Mexican graphic artist and muralist, a member of the Salón de la Plástica Mexicana.
Rina Lazo Wasem was a Guatemalan-Mexican painter. She began her career in mural painting with Diego Rivera as his assistant. She worked with him from 1947 until his death in 1957 on projects both in Mexico and Guatemala. Thereafter, she remained an active painter, better known for her mural works than canvases, although the latter have been exhibited in Mexico and other countries. This has made her one of Guatemala's best-known artists. She was a member of the Mexican muralism movement and criticized modern artists as too commercial and not committed to social causes. She believed muralism would revive in Mexico because of its historical value.
Benito Messeguer was a Mexican artist born in Spain, best known for his murals which continued much of the work of the Mexican muralism movement. His work was recognized with a tribute at the Palacio de Bellas Artes shortly before his death and membership in the Salón de la Plástica Mexicana.
Guillermo Meza was a Mexican painter known for his oils depicting fantastic background and often distorted human figures, generally with denunciations of society. He was born to a Tlaxcalteca indigenous father of modest means, but his parents had interest in the arts, history and literature. Meza showed interest in art and music in his youth, studying painting with Santos Balmori. Later, he approached Diego Rivera to look for an apprenticeship, but instead, the painter recommended him to the prestigious Galería de Arte Mexicana, which helped him develop as an artist as well as promoted his work for twenty years. Meza won various awards for his work during his career and was also granted membership in the Salón de la Plástica Mexicana.
Sarah Jimenez Vernis was a Mexican artist known for her political graphic work in the mid 20th century, especially with the Taller de Gráfica Popular, earning her membership in the Salón de la Plástica Mexicana. After her time with the Taller, her career shifted to teaching, and her work became mostly forgotten. However, there have been efforts to revive interest in it.
Myriam de la Riva is a Mexican artist known for her small scale works as well as portable murals. She was born in Mexico City to a European family in exile. She studied art in both Mexico and the United States as well as with a number of notable Mexican artists. The artist has had over fifty individual exhibitions and her work has been show in over 500 collective shows. Her work has been recognized with membership in the Salón de la Plástica Mexicana, among other awards.
Elena Huerta Múzquiz, also known as Elena Huerta de Arenal was a Mexican artist, she was best known for her mural work in her hometown of Saltillo, Coahuila, Mexico. Most of her art career was dedicated to teaching, but she was one of the founders of the Compañía de Teatro Infantil with German Cueto, Lola Cueto, Angelina Beloff and Leopoldo Méndez, the Liga de Escritores y Artistas Revolucionarios and a founding member of the Salón de la Plástica Mexicana.
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