"Mary of the 4th Form" | ||||
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Single by The Boomtown Rats | ||||
from the album The Boomtown Rats | ||||
B-side | "Do the Rat" | |||
Released | 11 November 1977 [1] | |||
Genre | Punk rock, new wave, glam rock | |||
Length | 3:52 (album version 3:33) | |||
Label | Ensign Records | |||
Songwriter(s) | Bob Geldof, Johnnie Fingers | |||
Producer(s) | Robert John "Mutt" Lange | |||
The Boomtown Rats singles chronology | ||||
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"Mary of the 4th Form" is the second single by The Boomtown Rats. It was the first song taken from the band's first album The Boomtown Rats but the single is a different, re-recorded version from that on the album and 19 seconds longer. On French and Dutch releases of the single, "Do the Rat" (B-side of the UK version) was the A-side. [2] The song's theme, of a teacher's sexual attraction to a pubescent girl, who behaves in an overtly sexual manner, was resonated in the Police song "Don't Stand So Close to Me". [3]
"Mary of the 4th Form" peaked at No. 15 in the UK Singles Chart in 1977. [4]
Robert John "Mutt" Lange is a South African record producer, mainly known for his work in rock music as well as his previous marriage to Canadian singer Shania Twain, with whom he co-wrote and produced various songs. Her 1997 album Come On Over, which he produced, is the best-selling country music album, the best-selling studio album by a female act, the best-selling album of the 1990s, and the 9th best-selling album in the United States. He has also produced songs for, or otherwise worked with, artists such as AC/DC, Def Leppard, The Michael Stanley Band, The Boomtown Rats, Foreigner, Michael Bolton, The Cars, Bryan Adams, Huey Lewis and the News, Billy Ocean, Celine Dion, Britney Spears, The Corrs, Maroon 5, Lady Gaga, Now United, Nickelback, and Muse.
The Boomtown Rats are an Irish new wave band originally formed in Dublin in 1975. Between 1977 and 1985, they had a series of Irish and UK hits including "Like Clockwork", "Rat Trap", "I Don't Like Mondays" and "Banana Republic". The original line-up comprised six musicians; five from Dún Laoghaire in County Dublin; Gerry Cott, Simon Crowe (drums), Johnnie Fingers (keyboards), Bob Geldof (vocals) and Garry Roberts, plus Fingers' cousin Pete Briquette (bass). The Boomtown Rats broke up in 1986, but reformed in 2013, without Fingers or Cott. Garry Roberts died in 2022. The band's fame and notability have been overshadowed by the charity work of frontman Bob Geldof, a former journalist with the New Musical Express.
The Boomtown Rats is the debut album by Irish rock band The Boomtown Rats, released in September 1977. It included the Rats' first hit single, "Lookin' After No. 1", as well as the subsequent single, "Mary of the 4th Form". The album peaked at No. 18 in the UK Albums Chart in 1977.
A Tonic for the Troops is the second album by Irish rock band the Boomtown Rats, released in June 1978.
The Fine Art of Surfacing is the third album by Irish rock band the Boomtown Rats, released in June 1979. The album peaked at No. 7 on the UK Albums Chart in 1979.
V Deep is the Boomtown Rats's fifth album, and the first to be released as a five-piece band, following the departure of guitarist Gerry Cott. It includes the minor hit single "House on Fire".
Mondo Bongo was the Boomtown Rats' fourth album. It peaked at No. 6 in the UK Albums Chart in February 1981, and No. 116 in the US Billboard 200. This is the band's last album to be recorded as six-piece band, as the guitarist Gerry Cott left the band shortly after the album's release.
"You Can't Do That" is a song written by John Lennon and released by the English rock band the Beatles as the B-side of their sixth British single "Can't Buy Me Love". It was later released on their third UK album A Hard Day's Night (1964). A live rendition of the song was released on the 2016 re-release of The Beatles at the Hollywood Bowl.
The Best of the Boomtown Rats featured 19 of The Boomtown Rats best known work. A DVD was also available.
"Mustang Sally" is a rhythm and blues (R&B) song written and first recorded by Mack Rice in 1965. It was released on the Blue Rock label (4014) in May 1965 with "Sir Mack Rice" as the artist. The song uses an AAB layout with a 24-bar structure.
"Rat Trap" is a single by The Boomtown Rats which reached No. 1 in the UK Singles Chart for two weeks in November 1978, the first single by a punk or new wave act to do so. It was written by Bob Geldof, and produced by Robert John "Mutt" Lange. It replaced "Summer Nights", a hit single for John Travolta and Olivia Newton-John from the soundtrack of Grease, at number one in the UK chart after the latter's seven-week reign.
"I Don't Like Mondays" is a song by Irish new wave group the Boomtown Rats about the Cleveland Elementary School shooting in San Diego. It was released in 1979 as the lead single from their third album, The Fine Art of Surfacing. The song was a number-one single in the UK Singles Chart for four weeks during the summer of 1979, and ranks as the sixth-biggest hit of the UK in 1979. Written by Bob Geldof and Johnnie Fingers, the piano ballad was the band's second single to reach number one on the UK chart.
Loudmouth – The Best of Bob Geldof and the Boomtown Rats is a 1994 greatest hits compilation album from Bob Geldof and the Boomtown Rats, consisting mostly of Boomtown Rats material but also some of Geldof's solo work. It peaked at No. 10 in the UK Albums Chart in July 1994.
In the Long Grass was the sixth studio album by The Boomtown Rats, released in 1984 in the UK and 1985 in the US. It was the band's last studio material for well over three decades until 2020's Citizens of Boomtown.
"Someone's Looking at You" was the third and final single from The Boomtown Rats' album The Fine Art of Surfacing. It peaked at number two on the Irish Singles Chart and number 4 on the UK Singles Chart in February 1980.
"Banana Republic" was the first single from The Boomtown Rats' album Mondo Bongo. It peaked at number three in the UK Singles Chart.
"Like Clockwork" is a single by The Boomtown Rats. It was the band's first to reach the Top Ten in the UK Singles Chart, peaking at No. 6.
"She's So Modern" is a song by The Boomtown Rats. It was the first single taken from the band's second album A Tonic for the Troops, whose title comes from a line in this song: "Charlie ain't no Nazi, she just likes to wear her leather boots, 'cos it's exciting for the veterans and it's a tonic for the troops". The single continued the Rats' high-energy post-punk/new wave sound that had typified earlier releases, but its fame would later be eclipsed by that of the band's more ballad-like global hit "I Don't Like Mondays". It has been described as "harmlessly smirking bubblegum a la The Knack".
"Lookin' After No. 1" is the first single by The Boomtown Rats. It appears on their first album The Boomtown Rats. The single was released in August 1977 after the band had performed a five-date tour supporting Tom Petty and the Heartbreakers. "Lookin' After No. 1" was the first so-called new wave single to be playlisted by the BBC and the Boomtown Rats subsequently became the first New Wave band to be offered an appearance on Top of the Pops, performing the song. The song reached number 2 on the Irish Singles Chart and spent nine weeks in the UK Singles Chart reaching a peak of number 11. Different covers were produced for releases in the Netherlands and Japan. Reviewer David Clancy described the song as having a "breakneck sneering selfishness".
Back to Boomtown: Classic Rats Hits is the fifth greatest hits album by Irish band The Boomtown Rats. It was released by Virgin EMI on 9 September 2013. The album was announced in June 2013 along with news of the band's UK and Ireland tour. Back to Boomtown: Classic Rats Hits is the first album to be released since The Boomtown Rats reunited and the band's first greatest hits album since 2003's The Best of The Boomtown Rats. The album contains fourteen of the group's singles, as well as two new tracks, "The Boomtown Rats" and "Back To Boomtown". The digital version of the album features two additional songs. Following its release, Back to Boomtown: Classic Rats Hits debuted at number thirty-five on the Irish Albums Chart.