"Diamond Smiles" | ||||
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Single by The Boomtown Rats | ||||
from the album The Fine Art of Surfacing | ||||
B-side | "Late Last Night" | |||
Released | 9 November 1979 [1] | |||
Genre | ||||
Length | 3:54 | |||
Label | Ensign Records (UK) Columbia Records (USA) | |||
Songwriter(s) | Bob Geldof | |||
The Boomtown Rats singles chronology | ||||
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"Diamond Smiles" was the second single from The Boomtown Rats' album The Fine Art of Surfacing . It was the follow-up to their successful single "I Don't Like Mondays" and peaked at Number 13 in the UK Charts. The band has suggested that it might have fared better had it not been for a strike of lighting technicians on the powerful UK TV programme Top of The Pops at the time that the record was released and rising in the charts. [3]
Dealing with death, as had "I Don't Like Mondays", the song tells the story of a glamorous debutante ('Diamond') who commits suicide and is remembered only for her low-cut dress. [4] Some of the staff of Duke Street Hospital, in Glasgow, filed a petition with the IBA and the BBC demanding that the song be banned due to the lyrics exploiting a real-life suicide. [5]
The song also featured as one of four songs on an Australian EP called Surface Down Under that also featured past hits "Rat Trap", "Looking After No.1" and "Like Clockwork". [3]
The song was covered by Jay Bennett (of Wilco) on his posthumous album Kicking at the Perfumed Air, with the album's title also being derived from the song's lyrics. [6]
In a review of the album The Fine Art of Surfacing , critic Mike DeGagne said "'Diamond Smiles' jaunts along on a hiccup-like rhythm". [7]
Smash Hits said, "It's puzzling that The Rats should have chosen this rather lifeless tale of high-society suicide as the follow up to "Mondays". It's tougher and more compact than their recent singles but I thought they'd have put aside the subject of violent death for a while." [8]
Decades later, Penny Black Music commented on the band's connection to Ireland:"The song reflected the Dublin that had changed before the band’s very eyes. It was no longer the city of saints, but a reservoir of bankers, gangsters and sex." [9]
Robert John "Mutt" Lange is a South African record producer, mainly known for his work in rock music as well as his previous marriage to Canadian singer Shania Twain, with whom he co-wrote and produced various songs. Her 1997 album Come On Over, which he produced, is the best-selling country music album, the best-selling studio album by a female act, the best-selling album of the 1990s, and the 9th best-selling album in the United States. He has also produced songs for, or otherwise worked with, artists such as AC/DC, Def Leppard, The Michael Stanley Band, The Boomtown Rats, Foreigner, Michael Bolton, Heart, The Cars, Bryan Adams, Huey Lewis and the News, Billy Ocean, Celine Dion, Britney Spears, The Corrs, Maroon 5, Lady Gaga, Now United, Nickelback, and Muse.
The Boomtown Rats are an Irish rock/new wave band originally formed in Dublin in 1975. Between 1977 and 1985, they had a series of Irish and UK hits including "Like Clockwork", "Rat Trap", "I Don't Like Mondays" and "Banana Republic". The original line-up comprised six musicians; five from Dún Laoghaire in County Dublin; Gerry Cott, Simon Crowe (drums), Johnnie Fingers (keyboards), Bob Geldof (vocals) and Garry Roberts, plus Fingers' cousin Pete Briquette (bass). The Boomtown Rats broke up in 1986, but reformed in 2013, without Fingers or Cott. Garry Roberts died in 2022. The band's fame and notability have been overshadowed by the charity work of frontman Bob Geldof, a former journalist with the New Musical Express.
John Peter Moylett, known professionally as Johnnie Fingers, is an Irish keyboardist and co-founding member of the new wave band the Boomtown Rats. He was notable for his attire of striped pyjamas on stage and his melodic piano style.
A Tonic for the Troops is the second album by Irish rock band the Boomtown Rats, released in June 1978.
The Fine Art of Surfacing is the third album by Irish rock band the Boomtown Rats, released on 5 October 1979. The album peaked at No. 7 on the UK Albums Chart in 1979.
Mondo Bongo was the Boomtown Rats' fourth album. It peaked at No. 6 in the UK Albums Chart in February 1981, and No. 116 in the US Billboard 200. This is the band's last album to be recorded as six-piece band, as the guitarist Gerry Cott left the band shortly after the album's release.
The Best of the Boomtown Rats featured 19 of The Boomtown Rats best known work. A DVD was also available.
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Philip Neil Wainman is an English record producer and songwriter, primarily active in the 1970s. He is noted for his work with Sweet, XTC, Dollar, Mud, and the Bay City Rollers. His greatest chart success, however, was the production of "I Don't Like Mondays" by the Boomtown Rats, written by Bob Geldof and arranged by Fiachra Trench.
Life in a Day is the debut album by Scottish rock band Simple Minds, released in April 1979 by record label Zoom. It reached number 30 in the UK Albums Chart. The title track and "Chelsea Girl" were issued as singles.
"I Don't Like Mondays" is a song by Irish new wave group the Boomtown Rats about the Cleveland Elementary School shooting in San Diego. It was released in 1979 as the lead single from their third album, The Fine Art of Surfacing. The song was a number-one single in the UK Singles Chart for four weeks during the summer of 1979, and ranks as the sixth-biggest hit of the UK in 1979. Written by Bob Geldof and Johnnie Fingers, the piano ballad was the band's second single to reach number one on the UK chart.
Loudmouth – The Best of Bob Geldof and the Boomtown Rats is a 1994 greatest hits compilation album from Bob Geldof and the Boomtown Rats, consisting mostly of Boomtown Rats material but also some of Geldof's solo work. It peaked at No. 10 in the UK Albums Chart in July 1994.
In the Long Grass is the sixth studio album by The Boomtown Rats, released in 1984 in the UK and 1985 in the US. It was the band's last studio material for well over three decades until 2020's Citizens of Boomtown, and the last album to featured keyboardist Johnnie Fingers, as he didn't returned when the band was reunited in 2013, and the last to be released as five-piece band.
"Someone's Looking at You" was the third and final single from The Boomtown Rats' album The Fine Art of Surfacing. It peaked at number two on the Irish Singles Chart and number 4 on the UK Singles Chart in February 1980.
"Like Clockwork" is a single by The Boomtown Rats. It was the band's first to reach the Top Ten in the UK Singles Chart, peaking at No. 6.
"She's So Modern" is a song by The Boomtown Rats. It was the first single taken from the band's second album A Tonic for the Troops, whose title comes from a line in this song: "Charlie ain't no Nazi, she just likes to wear her leather boots, 'cos it's exciting for the veterans and it's a tonic for the troops". The single continued the Rats' high-energy post-punk/new wave sound that had typified earlier releases, but its fame would later be eclipsed by that of the band's more ballad-like global hit "I Don't Like Mondays". It has been described as "harmlessly smirking bubblegum a la The Knack".
"Lookin' After No. 1" is the first single by The Boomtown Rats. It appears on their first album The Boomtown Rats. The single was released in August 1977 after the band had performed a five-date tour supporting Tom Petty and the Heartbreakers. "Lookin' After No. 1" was the first so-called new wave single to be playlisted by the BBC and the Boomtown Rats subsequently became the first New Wave band to be offered an appearance on Top of the Pops, performing the song. The song reached number 2 on the Irish Singles Chart and spent nine weeks in the UK Singles Chart reaching a peak of number 11. Different covers were produced for releases in the Netherlands and Japan. Reviewer David Clancy described the song as having a "breakneck sneering selfishness".
"Kinda Kute" is a song by British singer-songwriter and musician Joe Jackson, which was released in 1980 as the third and final single from his second studio album I'm the Man (1979). Described as a "pop song" by Jackson, the song was written by Jackson and produced by David Kershenbaum. "Kinda Kute" failed to chart in the UK, but reached number 91 on Canada's RPM Top Singles chart.
The discography of Irish new wave group The Boomtown Rats consists of seven studio albums, seven compilation albums, 23 singles and three video albums. The Boomtown Rats' debut release was the 1977 single "Lookin' After No. 1" which was originally written by frontman Bob Geldof in 1975 while waiting for his local unemployment office to open in his native Dun Laoghaire then a major port an hour south of central Dublin. The group's next single "Mary of the 4th Form" was released in the same year, along with their self-titled debut album.
Back to Boomtown: Classic Rats Hits is the fifth greatest hits album by Irish band The Boomtown Rats. It was released by Virgin EMI on 9 September 2013. The album was announced in June 2013 along with news of the band's UK and Ireland tour. Back to Boomtown: Classic Rats Hits is the first album to be released since The Boomtown Rats reunited and the band's first greatest hits album since 2003's The Best of The Boomtown Rats. The album contains fourteen of the group's singles, as well as two new tracks, "The Boomtown Rats" and "Back To Boomtown". The digital version of the album features two additional songs. Following its release, Back to Boomtown: Classic Rats Hits debuted at number thirty-five on the Irish Albums Chart.