One Wild Night Live 1985–2001 is the first live album by the American rock band Bon Jovi, released on May 22, 2001. The album includes live covers of Neil Young's "Rockin' in the Free World" and performance of the Boomtown Rats' "I Don't Like Mondays", with a guest appearance by their lead singer Bob Geldof. The album charted at number 20 on the US Billboard 200 chart.
The Boomtown Rats are an Irish rock/new wave band originally formed in Dublin in 1975. Between 1977 and 1985, they had a series of Irish and UK hits including "Like Clockwork", "Rat Trap", "I Don't Like Mondays" and "Banana Republic". The original line-up comprised six musicians; five from Dún Laoghaire in County Dublin; Gerry Cott, Simon Crowe (drums), Johnnie Fingers (keyboards), Bob Geldof (vocals) and Garry Roberts, plus Fingers' cousin Pete Briquette (bass). The Boomtown Rats broke up in 1986, but reformed in 2013, without Fingers or Cott. Garry Roberts died in 2022. The band's fame and notability have been overshadowed by the charity work of frontman Bob Geldof, a former journalist with the New Musical Express.
A Tonic for the Troops is the second album by Irish rock band the Boomtown Rats, released in June 1978.
The Fine Art of Surfacing is the third album by Irish rock band the Boomtown Rats, released on 5 October 1979. The album peaked at No. 7 on the UK Albums Chart in 1979.
Mondo Bongo was the Boomtown Rats' fourth album. It peaked at No. 6 in the UK Albums Chart in February 1981, and No. 116 in the US Billboard 200. This is the band's last album to be recorded as six-piece band, as the guitarist Gerry Cott left the band shortly after the album's release.
In the City is the debut studio album by British band the Jam. Released in May 1977 by Polydor Records, the album reached No. 20 on the UK Albums Chart.
Hints Allegations and Things Left Unsaid is the debut studio album by American rock band Collective Soul, it was originally released on an indie label in Atlanta called Rising Storm Records in 1993, Collective Soul later signed on with Atlantic Records and the album was rereleased in 1994 under the Atlantic label. The track "Shine" gained the band attention thanks to college radio.
The Best of the Boomtown Rats featured 19 of The Boomtown Rats best known work. A DVD was also available.
The Boomtown Rats' Greatest Hits is a compilation album of The Boomtown Rats' singles on Columbia Records from 1979 to 1985.
Howlin' Wind is the debut album by English singer-songwriter Graham Parker and his band the Rumour, released in April 1976. The Rumour were mainly former pub rock musicians, including guitarist Brinsley Schwarz and keyboardist Bob Andrews of the band Brinsley Schwarz; Parker's recent jobs included working as a petrol pump attendant. The music is a blend of rock and roll, R&B, reggae and folk music, behind Parker's searingly intelligent lyrics and passionate vocals. Critics likened Parker's spirit to British punk rock, then in its early stage, and retrospectively to that of singer-songwriters Elvis Costello and Joe Jackson, who would release their debut records within a few years of Howlin' Wind.
Luxury Liner is the fourth studio album by American country music artist Emmylou Harris, released in 1976. The album was Harris' second successive number one country album on the Billboard charts, although, unlike the preceding Elite Hotel, there were no number one hits from this album. The highest-charting singles were the number six Chuck Berry cover "(You Never Can Tell) C'est la Vie" and the number eight "Making Believe". However, the album may be better known for including the first cover version of Townes Van Zandt's 1972 song "Pancho and Lefty", which subsequently became Van Zandt's best-known composition.
"Rat Trap" is a song by the Boomtown Rats, released in October 1978 as the third and final single from the band's second album A Tonic for the Troops. It reached No. 1 on the UK Singles Chart for two weeks in November 1978, the first single by a punk or new wave act to do so. The song was written by Bob Geldof, and produced by Robert John "Mutt" Lange. It replaced "Summer Nights", a hit single for John Travolta and Olivia Newton-John from the soundtrack of Grease, at number one on the UK chart after the latter's seven-week reign.
Loudmouth – The Best of Bob Geldof and the Boomtown Rats is a 1994 greatest hits compilation album from Bob Geldof and the Boomtown Rats, consisting mostly of Boomtown Rats material but also some of Geldof's solo work. It peaked at No. 10 in the UK Albums Chart in July 1994.
In the Long Grass is the sixth studio album by The Boomtown Rats, released in 1984 in the UK and 1985 in the US. It was the band's last studio material for well over three decades until 2020's Citizens of Boomtown, and the last album to featured keyboardist Johnnie Fingers, as he didn't returned when the band was reunited in 2013, and the last to be released as five-piece band.
"Mary of the 4th Form" is the second single by The Boomtown Rats. It was the first song taken from the band's first album The Boomtown Rats but the single is a different, re-recorded version from that on the album and 19 seconds longer. On French and Dutch releases of the single, "Do the Rat" was the A-side. The song's theme, of a teacher's sexual attraction to a pubescent girl, who behaves in an overtly sexual manner, was resonated in the Police song "Don't Stand So Close to Me".
"Lookin' After No. 1" is the first single by the Boomtown Rats, from their self-titled debut album. The single was released in August 1977 after the band had performed a five-date tour supporting Tom Petty and the Heartbreakers. "Lookin' After No. 1" was the first new wave single to be playlisted by the BBC and the Boomtown Rats subsequently became the first new wave band to be offered an appearance on Top of the Pops, performing the song. The song reached number 2 on the Irish Singles Chart and spent nine weeks on the UK Singles Chart reaching a peak of number 11. Different covers were produced for releases in the Netherlands and Japan. Reviewer David Clancy described the song as having a "breakneck sneering selfishness".
The Vegetarians of Love is the second solo studio album by Bob Geldof, released in July 1990. 'The Vegetarians of Love' was also the name of the band of musicians with whom Geldof recorded the album. It includes Pete Briquette from Geldof's previous band, The Boomtown Rats, who also co-wrote one track. Another notable co-writer was David A. Stewart of Eurythmics. The album was produced by Rupert Hine, who also played on it.
The discography of Irish new wave group The Boomtown Rats consists of seven studio albums, seven compilation albums, 23 singles and three video albums. The Boomtown Rats' debut release was the 1977 single "Lookin' After No. 1" which was originally written by frontman Bob Geldof in 1975 while waiting for his local unemployment office to open in his native Dun Laoghaire then a major port an hour south of central Dublin. The group's next single "Mary of the 4th Form" was released in the same year, along with their self-titled debut album.
Back to Boomtown: Classic Rats Hits is the fifth greatest hits album by Irish band The Boomtown Rats. It was released by Virgin EMI on 9 September 2013. The album was announced in June 2013 along with news of the band's UK and Ireland tour. Back to Boomtown: Classic Rats Hits is the first album to be released since The Boomtown Rats reunited and the band's first greatest hits album since 2003's The Best of The Boomtown Rats. The album contains fourteen of the group's singles, as well as two new tracks, "The Boomtown Rats" and "Back To Boomtown". The digital version of the album features two additional songs. Following its release, Back to Boomtown: Classic Rats Hits debuted at number thirty-five on the Irish Albums Chart.
Citizens of Boomtown is the seventh studio album by Irish band The Boomtown Rats, released on 13 March 2020 via BMG. It is the band's first album since 1984's In the Long Grass, and the first album to be recorded as four-piece band, as the keyboardist Johnnie Fingers didn't return when the band was reunited in 2013. It is also the last album to feature longtime guitarist Garry Roberts who died on November 8, 2022.
