Massimo Scolari (born in Novi Ligure, Piedmont, Italy, March 31, 1943 [1] ), is an Italian architect, painter and designer.
Scolari graduated in architecture in Milan in 1969. In 1973 he became a professor of History of Architecture at Palermo, and of Drawing at the Istituto Universitario di Architettura di Venezia (IUAV). Between 1975 and 1993, he was visiting professor at various universities including: Cornell University, Cooper Union in New York City, the Institute for Architecture and Urban Studies in New York, Technische Universität in Vienna, Harvard University, and University of Cambridge. From 2006, he was a Davenport Visiting Professor at the Yale School of Architecture. [2]
He is the editor of “Controspazio”, “Casabella”, “Lotus International” and is the director of “Eidos” (1989-1995) and a series of architectural books by Franco Angeli (1973-1988). [2]
From 1989, he designed furniture for Italian design company Giorgetti, where he was also the art director until 2001. [2]
Scolari is known for his drawings which, according to a review of his 1980 exhibition in New York, takes the form of a critique of architecture which calls to mind the surrealism of Salvador Dalí and Yves Tanguy. Pyramids and ziggurats, dams and forts, axonometric forms are used to create a new architectural "illogic". [3]
He has held exhibitions in Europe, Japan, Russia and the United States. His works are in the permanent collections at the MoMA (New York), [4] the German Architecture Museum (Frankfurt), [5] and the Centre Pompidou (Paris). [6]
Scolari's drawings were featured in the book Postmodern Visions: Drawings, Paintings, and Models by Contemporary Architects (1985). [7] He has published his own books of (or about) his work, including Hypnos (1986). [8] Massimo Scolari: The Representation of Architecture, 1967–2012 (2012) is the catalogue of a retrospective exhibit held at the Yale School of Architecture, curated by Scolari himself. [9] Oblique Drawing: A History of Anti-Perspective (2012) includes a series of essays and writing about his alternative approach to perception and representation. [10] Pensar y representar (2013) provides an intellectual history of axonometric drawing and 'anti perspectives', central to Scolari's art. [11]
In 2014 Scolari was the recipient of the Arnold W. Brunner Memorial Prize in Architecture, awarded by the American Academy of Arts and Letters in New York. [12]
A 3D projection is a design technique used to display a three-dimensional (3D) object on a two-dimensional (2D) surface. These projections rely on visual perspective and aspect analysis to project a complex object for viewing capability on a simpler plane.
Linear or point-projection perspective is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper.
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Axonometric projection is a type of orthographic projection used for creating a pictorial drawing of an object, where the object is rotated around one or more of its axes to reveal multiple sides.
Lina Bo Bardi, born Achillina Bo, was an Italian-born Brazilian modernist architect. A prolific architect and designer, she devoted her working life, most of it spent in Brazil, to promoting the social and cultural potential of architecture and design. While she studied under radical Italian architects, she quickly became intrigued with Brazilian vernacular design and how it could influence a modern Brazilian architecture. During her lifetime it was difficult to be accepted among the local Brazilian architects, because she was both a "foreigner" and a woman.
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In three-dimensional geometry, a parallel projection is a projection of an object in three-dimensional space onto a fixed plane, known as the projection plane or image plane, where the rays, known as lines of sight or projection lines, are parallel to each other. It is a basic tool in descriptive geometry. The projection is called orthographic if the rays are perpendicular (orthogonal) to the image plane, and oblique or skew if they are not.
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Raimund Johann Abraham was an Austrian architect.
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An architectural drawing or architect's drawing is a technical drawing of a building that falls within the definition of architecture. Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to convince clients of the merits of a design, to assist a building contractor to construct it based on design intent, as a record of the design and planned development, or to make a record of a building that already exists.
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