Mat Camison

Last updated

Mathias Camison (born 5 August 1941) is a French keyboardist and electronic musician, responsible for many library and pop recordings, especially during the 1970s.

Born in Algiers, Camison moved to France in 1955 and in the late 1950s formed his first group, Les Français, with Jacky Rault on drums and Jacky Hythier on bass, later joined by guitarist Ted Tunnicliffe of the Krewkats, recently arrived from Germany. The group backed many of the leading French pop musicians of the time, primarily France Gall at the start of her career, and recorded two EPs for Columbia Records in 1964, one featuring the Lead Belly song "Goodnight Irene" and the second comprising instrumentals including Camison's composition "Suspenses". [1]

He became a leading session musician in Paris, In 1972, he recorded a version of the instrumental "Popcorn", under the name Mister K - The Synthesiser, and also an album, Pop-Arp. The following year, he fronted the group The Peppers, who had an international hit with the single "Pepper Box". The composition of the song was credited to "Arpadys", a pseudonym used by Camison with his writing partner, drummer Pierre-Alain Dahan  [ fr ]. Camison and Dahan were responsible for much French instrumental and library music of the period for the Tele Music label, and for the disco / funk single "Please Love Me Again" / "West Coast Drive” credited to V.I.P. Connection. [1] [2]

Camison also continued as a session musician working with such recording artists as Nino Ferrer, Richard Anthony, Serge Lama, Claude François, Dalida, and Sheila. In the mid-1970s, he formed the disco studio group Résonance with singer and composer Pierre Bachelet. He has also written extensively for film and theatre productions. [1]

Related Research Articles

<span class="mw-page-title-main">Disco</span> Music genre

Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars.

Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music. Influences may be drawn from genres such as experimental music, avant-garde music, classical music, and jazz.

<span class="mw-page-title-main">Clifford Brown</span> American jazz musician (1930–1956)

Clifford Benjamin Brown was an American jazz trumpeter. pianist and composer. He died at the age of 25 in a car crash, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the DownBeat magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the DownBeat Hall of Fame in 1972.

MFSB, officially standing for "Mother Father Sister Brother", was a pool of more than 30 studio musicians based at Philadelphia's Sigma Sound Studios. They worked closely with the production team of Gamble and Huff and producer/arranger Thom Bell, and backed up Harold Melvin & the Blue Notes, the O'Jays, the Stylistics, the Spinners, Wilson Pickett, and Billy Paul.

<span class="mw-page-title-main">Paul Motian</span> American jazz drummer, percussionist, and composer

Stephen Paul Motian was an American jazz drummer, percussionist, and composer. Motian played an important role in freeing jazz drummers from strict time-keeping duties.

<span class="mw-page-title-main">Italo disco</span> Music genre

Italo disco is a music genre which originated in Italy in the late 1970s and was mainly produced in the early 1980s. Italo disco evolved from the then-current underground dance, pop, and electronic music, both domestic and foreign and developed into a diverse genre. The genre employs electronic drums, drum machines, synthesizers, and occasionally vocoders. It is usually sung in English, and to a lesser extent in Italian and Spanish.

Eurodisco is the variety of European forms of electronic dance music that evolved from disco in the late 1970s, incorporating elements of pop and rock into a disco-like continuous dance atmosphere. Many Eurodisco compositions feature lyrics sung in English, although the singers often share a different mother tongue.

<span class="mw-page-title-main">Lovely Rita</span> 1967 song by the Beatles

"Lovely Rita" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written mainly by Paul McCartney and credited to Lennon–McCartney. It is about a meter maid and the narrator's affection for her.

Voyage was a French disco and pop group, consisting of André "Slim" Pezin (guitar/vocals), Marc Chantereau (keyboards/vocals), Pierre-Alain Dahan (drums/vocals) and Sauveur Mallia (bass), together with British lead vocalist Sylvia Mason-James, who sang on the group's first two albums, Voyage (1977) and Fly Away (1978).

<span class="mw-page-title-main">Salsoul Records</span> US record label based in New York City

Salsoul Records is an American New York City based record label, founded by three brothers, Joseph Cayre, Kenneth Cayre, and Stanley Cayre. Salsoul issued about 300 singles, including many disco/post-disco 12-inch releases, and a string of albums in the 1970s and early 1980s.

<span class="mw-page-title-main">Russ Freeman (pianist)</span> American jazz pianist and composer (1926–2002)

Russell Donald Freeman was a bebop and cool jazz pianist and composer.

<span class="mw-page-title-main">More, More, More</span> 1976 single by Andrea True

"More, More, More" is a song written by Gregg Diamond and recorded by American artist Andrea True. It was released in February 1976 as the first single from her debut album by same name (1976), becoming her signature track and one of the most popular songs of the disco era. In the US, it reached number four on the Billboard Hot 100 and spent three weeks at number three on the Cash Box chart in July of that year. In Canada it was a number one hit, and reached number five in the UK.

Top of the Pops is the name of a series of records issued by Pickwick Records on their Hallmark label, which contain anonymous cover versions of recent and current hit singles. The recordings were intended to replicate the sound of the original hits as closely as possible. The albums were recorded by a studio group comprising session musicians and singers who remained uncredited, although they included Tina Charles and Elton John before they became famous in their own right.

Bobby Eli was an American musician, arranger, composer and record producer from Philadelphia. He was a founding member and lead guitarist of Philadelphia studio band MFSB.

<span class="mw-page-title-main">The Hucklebuck</span> Jazz and R&B dance tune

"The Hucklebuck" is a jazz and R&B dance tune first popularized by Paul Williams and His Hucklebuckers in 1949. The composition of the tune was credited to Andy Gibson, and lyrics were later added by Roy Alfred. The song became a crossover hit and a dance craze, in many ways foreshadowing the popular success of rock and roll a few years later. It was successfully recorded by many other musicians including Lucky Millinder, Roy Milton, Tommy Dorsey, Frank Sinatra, Lionel Hampton, Louis Armstrong, Chubby Checker, Bo Diddley, Otis Redding, Quincy Jones, Canned Heat, Coast to Coast, Brendan Bowyer and Crystal Swing.

Experimental pop is pop music that cannot be categorized within traditional musical boundaries or which attempts to push elements of existing popular forms into new areas. It may incorporate experimental techniques such as musique concrète, aleatoric music, or eclecticism into pop contexts. Often, the compositional process involves the use of electronic production effects to manipulate sounds and arrangements, and the composer may draw the listener's attention specifically with both timbre and tonality, though not always simultaneously.

Richard Eugene Bock was an American jazz record producer.

<span class="mw-page-title-main">Recording studio as an instrument</span>

In music production, the recording studio is often treated as a musical instrument when it plays a significant role in the composition of music. Sometimes called "playing the studio", the approach is typically embodied by artists or producers who favor the creative use of studio technology in record production, as opposed to simply documenting live performances in studio. Techniques include the incorporation of non-musical sounds, overdubbing, tape edits, sound synthesis, audio signal processing, and combining segmented performances (takes) into a unified whole.

Jean-Pierre Massiera, sometimes referred to by his initials JPM, was a French musician, composer, record producer, sound engineer, and recording studio owner. His prolific output between the 1960s and 1990s ranged across pop instrumentals, psychedelic rock and disco music, often incorporating elements of musique concrète, field recordings and samples in an eccentrically experimental and unique style. His work is usually credited under one-off band names such as Les Maledictus Sound, Horrific Child, and Herman's Rocket.

Bernard Torelli was a French guitarist, composer, audio engineer and record producer.

References