Matthew Aucoin

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Matthew Aucoin
Matthew Aucoin in 2021.jpg
Aucoin in 2021
Born (1990-04-04) April 4, 1990 (age 34)

Matthew Aucoin (born April 4, 1990) is an American composer, conductor, pianist, and writer best known for his operas. Aucoin has received commissions from the Metropolitan Opera, Carnegie Hall, Lyric Opera of Chicago, the American Repertory Theater, the Peabody Essex Museum, Harvard University, and NPR's This American Life . [1] [2] [3] [4] [5] [6] [7] He was appointed as Los Angeles Opera's first-ever Artist-in-Residence in 2016. [8] He is a 2018 MacArthur Fellow. [9]

Contents

Biography

Aucoin was born and raised in the Boston area. While attending Medfield High School, [10] Aucoin was the keyboardist in an indie rock band, Elephantom. [11] He attended Harvard College, where he studied poetry, graduating summa cum laude in 2012. His mentors at Harvard included Jorie Graham and Helen Vendler. While an undergraduate, Aucoin conducted productions of Die Fledermaus and Le Nozze di Figaro with the Dunster House Opera Society, now known as Harvard College Opera.

Aucoin then received a graduate diploma from The Juilliard School, where he studied with composer Robert Beaser. Concurrently, he served as an assistant conductor at the Metropolitan Opera. Between 2013 and 2015, Aucoin was the Solti Conducting Apprentice at the Chicago Symphony Orchestra, [12] where he studied with Riccardo Muti. In 2013, he received commissions from the American Repertory Theater for the opera Crossing, [13] based on Walt Whitman's Civil War diaries, and from Lyric Opera of Chicago for the children's opera Second Nature. [14] Both operas had their premieres in 2015.

In 2015 and 2016, a number of Aucoin's chamber and orchestral works had their premieres, including Evidence at the Los Angeles Chamber Orchestra; [15] his Piano Concerto, featuring pianist Conor Hanick and the Alabama Symphony; [16] the song cycle Merrill Songs, premiered by tenor Paul Appleby at Carnegie Hall with the composer at the piano; [17] and the violin sonata Its Own Accord, [18] premiered by violinist Keir GoGwilt.

In 2016, Aucoin was appointed Artist-in-Residence at Los Angeles Opera. [8] Between 2016 and 2020, Aucoin conducted a number of productions in Los Angeles, including Verdi's Rigoletto , [19] Philip Glass's Akhnaten , [20] and his own operas Crossing [21] and Eurydice. [22]

Co-written with librettist Sarah Ruhl, Aucoin's opera Eurydice was co-commissioned by The Metropolitan Opera and the Los Angeles Opera. It had its world premiere in Los Angeles in February 2020, conducted by the composer and starring Danielle de Niese. Eurydice had its Met premiere in November 2021, conducted by Yannick Nézet-Séguin and starring Erin Morley. [23]

In 2017, Aucoin co-founded the American Modern Opera Company (AMOC) together with the director Zack Winokur. [24] Aucoin has also written instrumental music for such artists and ensembles as The Philadelphia Orchestra, [25] the pianist Kirill Gerstein, [26] the Brentano Quartet, [27] the Philharmonia Baroque Orchestra, [28] tenor Paul Appleby, [17] countertenor Anthony Roth Costanzo, [29] Zurich's Tonhalle Orchestra, and Chanticleer. He has appeared as a conductor with the Los Angeles Opera, the Santa Fe Opera, the Los Angeles Chamber Orchestra, the San Diego Symphony, and many other ensembles.

As a writer, Aucoin is a frequent contributor of musical criticism and other writings to The New York Review of Books, [30] among other publications. His debut book, The Impossible Art was published in 2021 by Farrar, Straus & Giroux. [31]

List of works

Opera

Orchestral

Chamber music

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References

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  2. Rotella, Carlo (May 27, 2015). "Matthew Aucoin, Opera's Great 25-Year-Old Hope". The New York Times . Retrieved June 5, 2015.
  3. Huizenga, Tom (October 4, 2018). "MacArthur Fellow Matthew Aucoin Talks Composing And Donating His 'Genius' Money". NPR . Retrieved October 9, 2018.
  4. Shea, Andrea (June 4, 2015). "A 25-Year-Old Opera Composer Who Does It All". Deceptive Cadence. NPR . Retrieved June 5, 2015.
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  6. Gay, Malcolm (May 10, 2015). "Musical wunderkind Aucoin is a star in ascendancy: Composer. Poet. Conductor. There doesn't seem to be much that Medfield's Matthew Aucoin can't do". The Boston Globe . Retrieved June 5, 2015.
  7. Dimock, Wai Chee (June 4, 2015). "Walt Whitman and the Essence of Opera". The New Yorker . Retrieved June 5, 2015.
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  29. Grode, Eric (2017-07-10). "Anthony Roth Costanzo Exists to Transform Opera". The New York Times. ISSN   0362-4331 . Retrieved 2022-04-22.
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