Maxwell and Tuke was an architectural practice in Northwest England, founded in 1857 by James Maxwell in Bury. In 1865 Maxwell was joined in the practice by Charles Tuke, who became a partner two years later. The practice moved its main office to Manchester in 1884. Frank, son of James Maxwell, joined the practice in the later 1880s and became a partner. The two senior partners both died in 1893, and Frank Maxwell continued the practice, maintaining its name as Maxwell and Tuke.
In the early years the practice designed relatively small buildings in and around Bury. Their first major commission came in 1871 for Cambridge Hall, Southport. Later works included the Ulster Reform Club in Belfast, and extensive temporary structures to house the Royal Jubilee Exhibition in Manchester in 1887/1888. After this they had their most notable commission, the design of Blackpool Tower. [upper-alpha 1] Both senior partners died before this could be completed, and the work was continued by Frank Maxwell. The commercial success of Blackpool Tower led to a commission to design the even larger New Brighton Tower. [upper-alpha 2] The practice continued to design notable buildings into the 20th century.
James Maxwell was born on 14 June 1838 in Haslingden, Lancashire. His father, Thomas, was a builder, plumber and glazier. James was educated at the grammar school in Whalley, and was then articled to Thomas Holmes, an architect in Bury, which was then in Lancashire and later in Greater Manchester. Maxwell established his own architectural practice in Bury in December 1857. On 28 September 1893 he died at his home in Bury from cerebritis. [3]
William Charles Tuke, usually known as Charles Tuke, was born on 12 January 1843 in the village of Bolton in the parish of Calverley near Bradford, West Yorkshire. His father, William, was a land agent, architect, and surveyor. He first trained as an articled clerk in his father's practice, moved briefly to Chester, worked as an architect's assistant in Wolverhampton, and then undertook the same role in the practice of Mills and Murgatroyd in Manchester. Tuke joined Maxwell in 1865 and became his partner in 1867. Tuke later lived at The Hydro, St Annes on Sea, Lancashire, where he died on 28 March 1893 from nephritis. [3]
Francis William Maxwell, usually known as Frank, was the second son of James Maxwell, and was born in Bury on 7 December 1863. He was educated at the Friend's School in Kendal and then at Owen's College, Manchester. In the late 1880s he joined his father's practice, and was made a partner. He died on 13 August 1941 in the General Hospital, Altrincham, Cheshire. [3]
The earlier works of the practice were in and around Bury, and consisted of small shops and schools, and larger churches and chapels. Their first major contract resulted from winning the competition in 1871 for the design of Cambridge Hall (1873–74) in Southport, Lancashire. [3] [4] [5] This commission led to the firm being appointed as architects to the Southport Pavilion and Winters Garden Company, for whom they designed the Southport Winter Gardens (1874), the first such building for the seaside leisure market. James Maxwell became director of the St Annes on Sea Land and Building Company and the partnership became its architects and agents. They worked with the Clifton family of Lytham Hall in designing the layout of the resort, and in designing houses, hotels, and the promenade in 1874–77. [3] [6] The practice continued to undertake local commissions, and they also took part in competitions for larger works. In 1883 they won the competition for the design of the Ulster Reform Club in Belfast (1883–85), and came second in the competition for Belfast Central Library. [3] [7] [8]
In 1884 the firm moved its main office from Bury to 29 Princess Street, Manchester, and in 1887 were invited to submit plans for temporary buildings to celebrate the Royal Jubilee Exhibition. This resulted in a series of large interconnected greenhouses with a central dome over 140 feet (43 m) high. [3] [9] Following the erection of the Eiffel Tower, the Blackpool Tower Company was formed with the intention of building a similar structure in Blackpool, Lancashire. [10] Maxwell and Tuke prepared detailed plans, and the construction of Blackpool Tower began in the summer of 1891. [3] When completed, Blackpool Tower was Britain's tallest building, and second in the world to the Eiffel Tower. [upper-alpha 3] During construction of the tower the practice was also involved in other works, including the Marine Drive (1892–93) on the Isle of Man that included a tramway and involved the building of viaducts. [3]
In 1893, and before the completion of Blackpool Tower the following year, both senior partners died. [1] [upper-alpha 4] The practice was then continued by Frank Maxwell as sole principal with the help of some of his assistants, and he continued to use the title of Maxwell and Tuke. Following the commercial success of Blackpool Tower, the seaside resort of New Brighton, then in Cheshire and later in Merseyside, decided to build its own tower and the New Brighton Tower and Recreation Company commissioned Maxwell and Tuke to design New Brighton Tower (1897–88). [3] This was taller than Blackpool Tower and included an octagonal building at its base with the largest theatre in Britain outside London, and a large octagonal ballroom. [3] Later notable commissions for the practice included Goodall's (1902), a half-timbered store in King Street, Manchester, a pavilion and entrance kiosks for the North Pier, Blackpool (1903), the dome of Rhyl Pavilion (1908, demolished), and the Whitehead Clock Tower (1914) in Bury. [3]
To 2014, more than 30 of their buildings persist, ten of which are recorded in the National Heritage List for England as designated listed buildings. Some of their buildings have been demolished, and others have been converted for other uses than their original intention. The most notable demolition is that of New Brighton Tower. Its condition was allowed to deteriorate during the First World War, and the tower itself was demolished in 1919–21. The buildings at its base continued in use until 1969 when they were severely damaged in a fire, and subsequently demolished. [2] [3] St Stephen's Church (1868) in Haslingden, Lancashire, has been moved to a new site and adapted for retail use. [12] The Cooperative shop and attached hall (1973) in Eagley, Bolton, Greater Manchester, has been converted into residential use and is known as Eagley Hall. [13] The pavilion and entrance kiosks at the North Pier, Blackpool, Lancashire, (1903) have been rebuilt and altered, [14] and Rhyl Pavilion (1908) was demolished in 1974. [3] [15]
Blackpool Tower is a tourist attraction in Blackpool, Lancashire, England, which was opened to the public on 14 May 1894. When it opened, Blackpool Tower was the tallest man made structure in the British Empire. Inspired by the Eiffel Tower in Paris, it is 518 feet tall and is the 125th-tallest freestanding tower in the world. Blackpool Tower is also the common name for the Tower Buildings, an entertainment complex in a red-brick three-storey block that comprises the tower, Tower Circus, the Tower Ballroom, and roof gardens, which was designated a Grade I listed building in 1973. The tower celebrated its 125th anniversary in May 2019.
New Brighton Tower was a steel lattice observation tower at New Brighton in the town of Wallasey, Cheshire, England. It stood 567 feet (173 m) high, and was the tallest building in Great Britain when it opened some time between 1898 and 1900. Neglected during the First World War and requiring renovation the owners could not afford, dismantling of the tower began in 1919, and the metal was sold for scrap. The building at its base, housing the Tower Ballroom, continued in use until damaged by fire in 1969.
Edward Graham Paley, usually known as E. G. Paley, was an English architect who practised in Lancaster, Lancashire, in the second half of the 19th century. After leaving school in 1838, he went to Lancaster to become a pupil of Edmund Sharpe, and in 1845 he joined Sharpe as a partner. Sharpe retired from the practice in 1851, leaving Paley as the sole principal. In 1868 Hubert Austin joined him as a partner, and in 1886 Paley's son Henry also became a partner. This partnership continued until Edward Paley's death in 1895.
George Gaze Pace, was an English architect who specialised in ecclesiastical works.
All Saints' Church or Stand Church is an active Anglican parish church in Stand, Whitefield, Greater Manchester, England. It is in the deanery of Radcliffe and Prestwich, the archdeaconry of Bolton, and the diocese of Manchester. The church is recorded in the National Heritage List for England as a designated Grade I-listed building. It was a Commissioners' church, having received a grant towards its construction from the Church Building Commission. The church is a tall building, standing on high ground, and is constructed on a platform.
Hubert James Austin was an English architect who practised in Lancaster. With his partners he designed many churches and other buildings, mainly in the northwest of England.
Sharpe, Paley and Austin are the surnames of architects who practised in Lancaster, Lancashire, England, between 1835 and 1946, working either alone or in partnership. The full names of the principals in their practice, which went under various names during its life, are Edmund Sharpe (1809–77); Edward Graham Paley (1823–95), who practised as E. G. Paley; Hubert James Austin (1841–1915); Henry Anderson Paley (1859–1946), son of Edward, usually known as Harry Paley; and, for a very brief period, Geoffrey Langshaw Austin (1884–1971), son of Hubert. The firm's commissions were mainly for buildings in Lancashire and what is now Cumbria, but also in Yorkshire, Cheshire, the West Midlands, North Wales, and Hertfordshire.
St Paul's Church is in Scotforth, a suburb of Lancaster, Lancashire, England. It is recorded in the National Heritage List for England as a designated Grade II listed building. It is an active Anglican parish church in the deanery of Lancaster, the archdeaconry of Lancaster and Morecambe, and the diocese of Blackburn. The architectural historian Nikolaus Pevsner described it as a "strange building" and "an anachronism, almost beyond belief".
The Alhambra was an entertainment complex in Blackpool, Lancashire, England, from 1899–1903. A financial disaster, the building was bought by the Blackpool Tower Company and reopened in 1904 as the Palace. The building was demolished in 1961 to make way for Lewis's department store.
The City Police Courts, now commonly called Minshull Street Crown Court, is a complex of court buildings on Minshull Street in Manchester, designed in 1867–73 by the architect Thomas Worthington. The court was designated a Grade II* listed building on 3 October 1974.
Richard Knill Freeman was a British architect who began his career at Derby and moved to Bolton, Lancashire in the late 1860s. His work, in Victorian Gothic style and typically recalling the Decorated Period of later medieval architecture, can be seen in several cities and towns across the north of England. He worked in total on about 140 buildings, of which about half survive in some form.
The British Muslim Heritage Centre, formerly the GMB National College, College Road, Whalley Range, Manchester, is an early Gothic Revival building. The centre was designated a Grade II* listed building on 3 October 1974.
St Thomas' Church is an Anglican church in St Anne's-on-the-Sea, a town on the Fylde coastal plain in Lancashire, England. It is an active parish church in the Diocese of Blackburn and the archdeaconry of Lancaster. Designed by Austin and Paley, it is recorded in the National Heritage List for England as a designated Grade II listed building.
Joseph Stretch Crowther was an English architect who practised in Manchester. His buildings are mainly located in Manchester, Cheshire and Cumbria.
Harry S. Fairhurst was a prominent architect in Edwardian Manchester. He was responsible for many of the city's iconic warehouses and his commissions include Blackfriars House, headquarters of the Lancashire Cotton Corporation and Arkwright House, headquarters of the English Sewing Cotton Company.
William Owen was an English architect who practised in Warrington, which was at that time in Lancashire, England. His works were confined to Northwest England. Owen is best known for his collaboration with William Lever in the creation of the soap-making factory and associated model village at Port Sunlight in the Wirral Peninsula. Here he designed the factory, many of the workers' houses, public buildings and the church. Later Owen was joined by his son, Segar, as a partner. On his own, or in partnership, Owen designed houses, churches, banks, public houses, an infirmary, a school, and a concert hall.
Holy Trinity Church in Southport, Merseyside, England, is an Anglican parish church in the diocese of Liverpool and a Grade II* listed building. It was built in the early 20th century, and designed by Huon Matear in free Decorated style. It is constructed mainly in red brick, and has a tower, the upper parts of which are in elaborately decorated stone. Many of the internal furnishings are by the Bromsgrove Guild.
Southport Arts Centre, formerly known as Cambridge Hall, is on the east side of Lord Street, Southport, Sefton, Merseyside, England, and stands between Southport Town Hall and the Atkinson Art Gallery and Library. It was built in 1873–74 and originally contained an assembly hall. The centre contains mixed architectural styles and has a tall clock tower at the right end. During the 20th century the assembly hall was converted into a theatre, and it forms part of the arts complex known as The Atkinson. The arts centre is recorded in the National Heritage List for England as a designated Grade II listed building.