| May the Music Never End | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | June 24, 2003 | |||
| Recorded | February 3–5, 2003 | |||
| Genre | Jazz | |||
| Label | Verve | |||
| Producer | Shirley Horn | |||
| Shirley Horn chronology | ||||
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May the Music Never End is a 2003 studio album by Shirley Horn, it was Horn's last studio album. [1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| The Penguin Guide to Jazz Recordings | [2] |
The Allmusic review by Tim Sendra commented: "Horn's trademark sound is the sparse, languid torch song, with atmospheric piano chords and her gentle and soulful vocals caressing the notes as she slowly lets them ease into the listener's ear. ..If it is indeed her swan song, then she went out the same way she came in: as a true classic". [1] At the time of the album's recording, Horn had stopped playing piano for health-related reasons, and George Mesterhazy played piano on most of the album's tracks. Ahmad Jamal played piano on two tracks, "Maybe September" and "This Is All I Ask". Horn was able to resume playing the piano in public performances in 2004, and her final recordings, made in January 2005 at Au Bar in New York City, feature Horn accompanying herself at the piano.
Miles Ahead is an album by Miles Davis that was released in October 1957 by Columbia Records. It was Davis' first collaboration with arranger Gil Evans following the Birth of the Cool sessions. Along with their subsequent collaborations Porgy and Bess (1959) and Sketches of Spain (1960), Miles Ahead is one of the most famous recordings of Third Stream, a fusion of jazz, European classical, and world musics. Davis played flugelhorn throughout.
At the Opera House is a 1958 live album by Ella Fitzgerald. The album presents a recording of the 1957 Jazz at the Philharmonic Concerts. This series of live jazz concerts was devised by Fitzgerald's manager Norman Granz; they ran from 1944 to 1983. Featured on this occasion, in 1957, are Fitzgerald and the leading jazz players of the day in an onstage jam session. The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957, at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957, at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18).
Born to Fly is the third studio album by American country music artist Sara Evans. It was released in October 2000 via RCA Records Nashville. The album produced four singles with its title track, "I Could Not Ask for More", "Saints & Angels", and "I Keep Looking", all of which reached within the Top 20 on the US Billboard Hot Country Songs chart. The title track reached number one, "I Could Not Ask for More" and "I Keep Looking" both broke the Top 5 at numbers 2 and 5 respectively, and "Saints & Angels" peaked at number 16. Born to Fly has been Evans' highest-selling album to date, having been certified 2× Platinum by the Recording Industry Association of America (RIAA) for U.S. sales of two million copies. The album was also one of the most successful of the year. Evans was nominated for five CMA Awards: Album of the Year; song, single, and music video ; and Female Vocalist of the Year. She won her first CMA award for music video of the year. The international version of the album includes a bonus track, "You", which was later released in North America as a bonus track on her 2005 album Real Fine Place. Born to Fly was a defining album for Evans. Her earlier albums had more of a neotraditional country sound, while all of her later albums had a more crossover-friendly country pop sound, similar to Martina McBride and Faith Hill.
Shirley Valerie Horn was an American jazz singer and pianist. She collaborated with many jazz musicians including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as "like having two heads", and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as "like clothing, as she seduces you with her voice".
Alone is a solo piano album by jazz musician Bill Evans, recorded in the fall of 1968 for Verve Records, featuring a particularly notable 14+-minute performance of the jazz standard "Never Let Me Go". Evans contributed notes to the album, including the following statement:
Perhaps the hours of greatest pleasure in my life have come about as a result of the capacity of the piano to be in itself a complete expressive musical medium. In retrospect, I think that these countless hours of aloneness with music unified the directive energy of my life. At those times when I have achieved this sense of oneness while playing alone, the many technical or analytic aspects of the music happened of themselves with positive rightness which always served to remind me that to understand music most profoundly one only has to be listening well. Perhaps it is a peculiarity of mine that despite the fact that I am a professional performer, it is true that I have always preferred playing without an audience. This has nothing to do with my desire to communicate or not, but rather I think just a problem of personal self-consciousness which had to be conquered through discipline and concentration. Yet, to know one is truly alone with one’s instrument and music has always been an attractive and conducive situation for me to find my best playing level. Therefore, what I desired to present in a solo piano recording was especially this unique feeling.
The Movie Song Album is a 1966 studio album by Tony Bennett. The album consists of songs from films, opening with the theme from The Oscar, in which Bennett had recently appeared. With this project of such high quality of song material and collaborators, he was to describe the album in his autobiography as his "all time favorite record".
Here's to Life is a 1992 studio album by Shirley Horn, arranged by Johnny Mandel, who received a Grammy Award for Best Instrumental Arrangement Accompanying Vocal(s) on this album.
Love Is Everything is an album by American pop singer Johnny Mathis that was released by Mercury Records on March 5, 1965, and included covers of hit songs from the 1930s, 1940s, 1950s and 1960s as well as new songs from the composers of "Fly Me to the Moon", "What Will Mary Say", and "It's the Most Wonderful Time of the Year".
Miles Davis at Carnegie Hall: The Legendary Performances of May 19, 1961 is a live album by American jazz musician Miles Davis originally released by Columbia in 1962.
On Broadway Vol. 4 or The Paradox of Continuity is an album by Paul Motian and the Trio 2000 + One released on the German Winter & Winter label in 2006. The album follows on from the first three volumes of Motian's On Broadway Series featuring features performances of Broadway show tunes. It includes Motian's trio with saxophonist Chris Potter and double bassist Larry Grenadier, along with vocalist Rebecca Martin and pianist Masabumi Kikuchi.
I Remember Miles is a 1998 studio album by Shirley Horn, recorded in tribute to Miles Davis. The album cover illustration was a drawing Davis had once done of them both.
I Thought About You is a 1987 live album by Shirley Horn, her first album for Verve Records.
Shirley Horn with Horns is a 1963 studio album by Shirley Horn, featuring arrangements by Quincy Jones, Billy Byers, Thad Jones and Don Sebesky.
The Bright, the Blue and the Beautiful is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1968 and released on the Cadet label.
Live in Paris 1992 is a live album by American jazz pianist Ahmad Jamal featuring performances recorded in Colombes in 1992 and released on the Birdology label.
I Remember Duke, Hoagy & Strayhorn is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1994 and released on the Telarc label.
Loving You is a 1997 album by the jazz pianist and singer Shirley Horn.
Live at Bubba's is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at Bubba's Jazz Restaurant in Fort Lauderdale, FL on May 20, 1980 and released on Who's Who in Jazz in 1981.
Blue Fable is an album by pianist Larry Willis which was recorded in 2006 and released on the Highnote label early the following year.
A Beautiful Friendship: Remembering Shirley Horn is an EP by Mark Murphy.
