Meat Is Murder (book)

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Meat Is Murder: An Illustrated Guide to Cannibal Culture
Meat Is Murder (book).jpg
Author Mikita Brottman
Country U.K.
LanguageEnglish
Series Creation Cinema series
Subject film history, pop culture, cannibalism
PublisherCreation Books
Publication date
1998
Pages247
ISBN 1-84068-040-7
OCLC 9781840680409
Preceded by Naked Lens: Beat Cinema (Creation Cinema #7) 
Followed byEros In Hell: Sex, Blood And Madness In Japanese Cinema (Creation Cinema #9) 

Meat Is Murder: An Illustrated Guide to Cannibal Culture is a book originally published in 1998, which examines cannibalism in myth, true crime, and film.

Contents

Description

The author of Meat Is Murder!, Mikita Brottman received her Ph.D. in English Language and Literature from Oxford University, [1] [2] taught Comparative Literature at Indiana University as a Visiting Assistant Professor, [2] served as a professor at Shippensburg University of Pennsylvania, [3] and is currently on the staff of the Pacifica Graduate Institute. [1] Brottman's writings on film and film culture have appeared in Film Quarterly , Literature Film Quarterly and indieWire , where she regularly covers international film festivals. [4] Meat is Murder! is the eighth volume in Creation Books' series on extreme cinema. [5] The book deals not only with film portrayals of cannibalism, but also with societal and historical aspects of the phenomenon. [6] One of Brottman's points in the study is that recounting stories of the horror of the cannibalism taboo—whether through myth, fairy tale, true crime or film—actually strengthens our communal ties. [7]

Meat is Murder! is broken into three sections dealing with different aspects of cannibalism. [8] The first part deals with cultural cannibalism. This aspect of the subject is further broken down into sections dealing with dietary, symbolic, and hunger. [5] Criminal and psychotic cannibalism make up the second part of the book, featuring descriptions of notorious real-life cannibals. Cannibalism as it is portrayed in popular culture finishes this section of the book. [5] The last third of the book discusses the portrayal of cannibalism in film. [5] The first part of this section covers documentaries and art-house films such as Paul Bartel's Eating Raoul (1982) and Peter Greenaway's The Cook, the Thief, His Wife, and Her Lover (1989). [5] The second chapter of this section of the book covers films on individuals who cannibalize, and the third chapter is on cannibal families or societies. [5] Tobe Hooper's The Texas Chain Saw Massacre (1974) and Ruggero Deodato's Cannibal Holocaust (1980) are among the films given coverage in this chapter. [6]

In the section on cannibal cinema, Mikita Brottman asserts that the subject is more widespread than is commonly assumed. [5] She shows that cannibalism is a subject which has been portrayed in all time periods through film history, in films such as the 1908 silent comedy King of the Cannibal Islands, through David F. Friedman's exploitation "documentary" Cannibal Island (1956), through Soylent Green (1973), Alive (1993), and Ridley Scott's Hannibal (2001). [9]

Critical appraisal

Humanities and Social Sciences Online calls the Meat is Murder! a "gruesome but fascinating tour through the anthropological, criminological, literary, and cinematic history of cannibalism". [5] Reviewer Philip Simpson judges that the book is "compelling" and takes a scholarly approach to its subject matter. [5] The Headpress Guide to the Counter Culture (2004) points out that Brottman is not condescending to her subject matter, but criticizes the book for its lengthy film synopses. The review also deems the illustrations in the book to be of a poor quality. [6] The Journal of Popular Culture writes that Brottman's theories as to the communal ties created through the horror of the subject of cannibalism are "argued persuasively". [7]

Reviews reprinted at the book's publisher's site include Total Film, which calls Brottman's work, "worryingly exhaustive, [and] hungrily informed," and Terrorizer which writes that the book is "an informed study of both cultural and cinematic cannibalism... [which] combines meticulous research with a fascinating insight into the origins of cannibalism, infamous real-life perpetrators and the celluloid treatment of the subject." [6] Film Review labeled the book, "An excellent study of cannibal culture." [6]

Related Research Articles

Human cannibalism is the act or practice of humans eating the flesh or internal organs of other human beings. A person who practices cannibalism is called a cannibal. The meaning of "cannibalism" has been extended into zoology to describe an individual of a species consuming all or part of another individual of the same species as food, including sexual cannibalism.

A shock site is a website that is intended to be offensive or disturbing to its viewers, though it can also contain elements of humor or evoke sexual arousal. Shock-oriented websites generally contain material such as pornographic, scatological, racist, sexist, graphically violent, insulting, vulgar, profane, or otherwise some other provocative nature. Websites that are primarily fixated on real death and graphic violence are particularly referred to as a gore site. Some shock sites display a single picture, animation, video clip or small gallery, and are circulated via email or disguised in posts to discussion sites as a prank. Steven Jones distinguishes these sites from those that collect galleries where users search for shocking content, such as Rotten.com. Gallery sites can contain beheadings, execution, electrocution, suicide, murder, stoning, torching, police brutality, hangings, terrorism, cartel violence, drowning, vehicular accidents, war victims, rape, necrophilia, genital mutilation and other sexual crimes.

A snuff film, or snuff movie, or snuff video, is a type of film that shows, or purports to show, scenes of actual homicide. The concept of snuff films became known to the general public during the 1970s, when an urban legend alleged that a clandestine industry was producing such films for profit. The rumor was amplified in 1976 by the release of a film called Snuff, which capitalized on the legend through a disingenuous marketing campaign: that film, like others on the topic, relied on special effects to simulate murder. According to the fact-checking site Snopes, there has never been a verified example of a genuine commercially produced snuff film. Videos of actual murders have been made available to the public, generally through the Internet; however, those videos have been made and broadcast by the murderers either for their own gratification or for propaganda purposes, and not for financial gain.

<i>Cannibal Holocaust</i> 1980 Italian horror film directed by Ruggero Deodato

Cannibal Holocaust is a 1980 Italian found footage cannibal horror film directed by Ruggero Deodato and written by Gianfranco Clerici. It stars Robert Kerman as Harold Monroe, an anthropologist from New York University who leads a rescue team into the Amazon rainforest to locate a crew of filmmakers. Played by Carl Gabriel Yorke, Francesca Ciardi, Perry Pirkanen, and Luca Barbareschi, the crew had gone missing while filming a documentary on local cannibal tribes. When the rescue team is only able to recover the crew's lost cans of film, an American television station wishes to broadcast the footage as a sensationalized television special. Upon viewing the reels, Monroe is appalled by the team's actions and objects to the station's intent to air the documentary.

<i>Cannibal! The Musical</i> 1993 film

Cannibal! The Musical is a 1993 American black comedy musical film directed, written, produced, co-scored by and starring Trey Parker in his directorial debut while studying at the University of Colorado at Boulder, before reaching fame with South Park alongside his friend Matt Stone who also stars in and produced the film. It is loosely based on the true story of Alferd Packer and the sordid details of the trip from Utah to Colorado that left his five fellow travelers dead and partially eaten. Trey Parker stars as Alferd Packer, with frequent collaborators Stone, Dian Bachar, and others playing the supporting roles.

Mondo films are a subgenre of exploitation films and documentary films. Many mondo films are made in a way to resemble a pseudo-documentary and usually depicting sensational topics, scenes, or situations. Common traits of mondo films include portrayals of foreign cultures, an emphasis on taboo subjects such as death and sex, and staged sequences presented as genuine documentary footage. Over time, the films have placed increasing emphasis on footage of the dead and dying.

<span class="mw-page-title-main">Jack Sargeant (writer)</span> British writer (born 1968)

Jack Sargeant is a British writer specializing in cult film, underground film, and independent film, as well as subcultures, true crime, and other aspects of the unusual. In addition he is a film programmer, curator, academic and photographer. He has appeared in underground films and performances. He currently lives in Australia.

PopMatters is an international online magazine of cultural criticism that covers many aspects of popular culture. PopMatters publishes reviews, interviews, and detailed essays on most cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet.

<i>Cannibal Ferox</i> 1981 Italian horror-splatter film directed by Umberto Lenzi

Cannibal Ferox, also known as Make Them Die Slowly in the US and as Woman from Deep River in Australia, is a 1981 Italian cannibal exploitation horror film written and directed by Umberto Lenzi. Upon its release, the film's US distributor claimed it was "the most violent film ever made". Cannibal Ferox was also claimed to be "banned in 31 countries", although this claim is dubious. The title derives from the Latin ferox, meaning cruel, wild or ferocious.

Cannibal films, alternatively known as the cannibal genre or the cannibal boom, are a subgenre of horror films made predominantly by Italian filmmakers during the 1970s and 1980s. This subgenre is a collection of graphically violent movies that usually depict cannibalism by primitive, Stone Age natives deep within the Asian or South American rainforests. While cannibalism is the uniting feature of these films, the general emphasis focuses on various forms of shocking, realistic and graphic violence, typically including torture, rape and genuine cruelty to animals. This subject matter was often used as the main advertising draw of cannibal films in combination with exaggerated or sensational claims regarding the films' reputations.

Cannibalism, the act of eating human flesh, is a recurring theme in popular culture, especially within the horror genre, and has been featured in a range of media that includes film, television, literature, music and video games. Cannibalism has been featured in various forms of media as far back as Greek mythology. The frequency of this theme has led to cannibal films becoming a notable subgenre of horror films. The subject has been portrayed in various different ways and is occasionally normalized. The act may also be used in media as a means of survival, an accidental misfortune, or an accompaniment to murder. Examples of prominent artists who have worked with the topic of cannibalism include William Shakespeare, Voltaire, Bret Easton Ellis, and Herschell Gordon Lewis.

<i>Ultime grida dalla savana</i> 1975 Italian mondo film by Antonio Climati and Mario Morra

Ultime grida dalla savana, also known as by its English title Savage Man Savage Beast, is a 1975 mondo documentary film co-produced, co-written, co-edited and co-directed by Antonio Climati and Mario Morra. Filmed all around the world, its central theme focuses on hunting and the interaction between man and animal. Like many mondo films, the filmmakers claim to document real, bizarre and violent behavior and customs, although some scenes were actually staged. It is narrated by the Italian actor and popular dubber Giuseppe Rinaldi and the text was written by Italian novelist Alberto Moravia.

<i>Hollywood Hex</i> 1999 book by Mikita Brottman

Hollywood Hex is a book by Mikita Brottman, an in-depth history of movies plagued with bad luck or perceived as cursed. The book deals with deaths on-set, copycat crimes, obsessed fans, bizarre coincidences, and other incidents which lead a film to be called "cursed".

<i>Killing for Culture</i>

Killing for Culture: An Illustrated History of Death Film from Mondo to Snuff (1994) is the first book in the Creation Cinema series and deals with death in film and media.

The Creation Cinema series from Creation Books is a collection of books dealing with film history and pop culture.

<i>The Last Confession of Alexander Pearce</i> 2008 Australian film

The Last Confession of Alexander Pearce is a 2008 Australian-Irish film directed by Michael James Rowland starring Irish actors Adrian Dunbar as Philip Conolly and Ciarán McMenamin as bushranger Alexander Pearce and an ensemble Australian cast, including Dan Wyllie, Don Hany and Chris Haywood. The film was shot on location in Tasmania and Sydney between April and May 2008.

<span class="mw-page-title-main">Mikita Brottman</span>

Mikita Brottman, née Mikita Hoy, is a British American non-fiction author, scholar, and psychologist known for her interest in true crime. Her writing blends a number of genres, often incorporating elements of autobiography, psychoanalysis, forensic psychology, and literary history.

<span class="mw-page-title-main">David Sterritt</span> American film critic

David Sterritt is a film critic, author and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until his retirement in 2005, he championed avant garde cinema, theater and music. He has a Ph.D. in Cinema Studies from New York University and is the Chairman of the National Society of Film Critics.

<i>Cannibal Attack</i> 1954 American film directed by Lee Sholem

Cannibal Attack is a 1954 American adventure film, the fourteenth Jungle Jim film produced by Columbia Pictures. The film features Johnny Weissmuller in his inaugural performance as the protagonist adventurer Johnny Weissmuller, a character previously called "Jungle Jim." The film also features Judy Walsh. It was directed by Lee Sholem and written by Carroll Young. Filmed at the Los Angeles County Arboretum and Botanic Garden, there are no cannibals in the film

References

  1. 1 2 "Core and Adjunct Faculty". Pacifica Graduate Institute. Archived from the original on 2008-12-11. Retrieved 2008-11-05.
  2. 1 2 Brottman, Mikita (2000). ""Everybody Loves Somebody": The A&e "Rat Pack" Biographies". Biography . Retrieved 2008-11-05.
  3. Sterritt, David. "Why 'Hannibal' Gives Us Chills". The Christian Science Monitor . Retrieved 2008-11-05.
  4. "Born to Be Bad 2: Trash Cinema Conference and Film Festival". trashcinema.com. 2003. Retrieved 2008-11-05.
  5. 1 2 3 4 5 6 7 8 9 Simpson, Philip (July 1999). "Meat Is Murder! review". Humanities and Social Sciences Online. Retrieved 2008-11-07.
  6. 1 2 3 4 5 Greenall, David (2004). Drake Temple; David Kerekes (eds.). Headpress Guide to the Counter Culture: A Sourcebook for Modern Readers. Manchester: Headpress. pp. 185–186. ISBN   1-900486-35-0.
  7. 1 2 Brevard Community College. "Meat is Murder! An illustrated guide to Cannibal Culture. (Book Reviews)." The Journal of Popular Culture (March 22, 2001)
  8. "Meat is Murder! An Illustrated Guide to Cannibal Culture: New Edition". .creationbooks.com. Archived from the original on June 29, 2006. Retrieved 2008-11-07.
  9. Brottman, Mikita. "Celluloid Cannibals That Feed Our Darkest Fears". mikitabrottman.com. Retrieved 2008-11-07.

Further reading