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Mel Wesson | |
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Birth name | Mel Wesson |
Born | 12 February 1952 |
Origin | London, England |
Genres | Ambient music design, Film score, Video game score |
Occupation(s) | Ambient Music Designer, Composer |
Instrument(s) | Synthesizer |
Website | MelWesson.com |
Mel Wesson (born 12 February 1958) is a British film, TV and video game composer and ambient music designer. He is a highly influential 'musical sound designer' in Hollywood having worked on many blockbuster films, yet his sound is often hard to describe or even identify. He is probably best known for his collaboration work with Hans Zimmer and has contributed with both ambient music design and music to some of last decades biggest Hollywood blockbusters. He has also made numerous production music CDs for Extreme Music which loosely feature some of the atmospheric textures in his world of ambient music design.
On the Inception premiere in Hollywood, Wesson and Zimmer designed an outdoor sound installation using the atmosphere and soundscapes from the movie itself, exclusively for the audience. In Wesson's own words: "Hans wanted the audience to remain within the Inception dreamscape as they left the LA Inception Premiere. In order to achieve this I put together a 40-minute soundscape designed to surround the audience as they followed the mirrored walkway from the Gaumans Chinese Theatre in Hollywood to the nearby after-show reception. The soundscape comprised of ambience from the movie, together with a few well chosen FX from Inception sound designer Richard King." [1]
Wesson was born and raised in London, England. Despite numerous efforts to persuade him to follow a more conventional musical path he gravitated towards the synthesizer as his instrument of choice.
After leaving art college the formative stages of Wesson's career saw him touring and recording with a number of new wave bands. Wesson also began working out of Hans Zimmers' Lillie Yard Studio where he began to explore the studio and experiment with sound and picture as well working with such artists as Siouxsie and The Banshees, producer Mike Hedges and musician Youth. He received a multi platinum award for his contributions to The Verve's Urban Hymns album and their single "Bitter Sweet Symphony". It was this album Zimmer was listening to in 2000 when he spotted Wesson's credit and invited him to work on the score for Mission: Impossible 2 .
Since that time Wesson has created his own niche within the movie score genre as an ambient music designer. This area of atmospheric sound has weaved its way through many of Zimmer's' scores including Ridley Scott's Hannibal and Black Hawk Down . Christopher Nolan's Batman Begins , The Dark Knight, and most recently Inception .
Outside of his feature film work, Wesson composes scores for commercials, television and video games; some of his television scores include work for the BBC, ITV, Discovery, MTV, CNN News broadcasts, Sky.
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Wesson received a multi-platinum award for his contributions to The Verve's Urban Hymns album and the anthemic single "Bitter Sweet Symphony".
Hans Florian Zimmer is a German-born American film score composer and music producer. He has won two Oscars and four Grammys and has been nominated for three Emmys and a Tony. Zimmer was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph in 2007.
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The official motion picture soundtrack for The Da Vinci Code with Thomas Bowes (violinist), King's Consort Choir, Hugh Marsh, Orchestra, Richard Harvey, Hila Plitmann, Martin Tillman was released on May 9, 2006 via Decca label. The film's music was composed by Hans Zimmer, whose work resulted in a nomination for the 2007 Golden Globe Award for Best Original Score.
Batman Begins: Music from the Motion Picture is the soundtrack album to Christopher Nolan's 2005 film Batman Begins. It was released on June 15, 2005. The soundtrack drew from the film score, composed by Hans Zimmer and James Newton Howard, as well as contributions by Ramin Djawadi, Lorne Balfe and Mel Wesson.
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Interstellar: Original Motion Picture Soundtrack is the soundtrack album composed by Hans Zimmer for the 2014 film Interstellar by Christopher Nolan. The soundtrack garnered critical acclaim and was nominated for the Academy Award for Best Original Score and the Grammy Award for Best Score Soundtrack for Visual Media.
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Christopher Nolan is a British-American filmmaker known for using aesthetics, themes and cinematic techniques that are recognisable in his work. Regarded as an auteur filmmaker, Nolan is partial to elliptical editing, documentary-style lighting, hand-held camera work, natural settings, and real filming locations over studio work. Embedded narratives and crosscutting between different time frames is a major component of his work, and his films often feature experimental soundscapes and mathematically-inspired images and concepts. Nolan prefers shooting on film to digital video and advocates for the use of higher-quality, larger-format film stock. He favours practical effects over computer-generated imagery, and is a proponent of theatrical exhibition.
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