The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. When Scully is diagnosed with an inoperable nasopharyngeal tumor, Mulder attempts to discover what happened to her during her abduction experience, believing the two events to be related.
"Memento Mori" was written in only two days, when previous series writer Darin Morgan did not contribute a script for the season. Discussion between the writing staff led to the "obligatory" decision to have Scully diagnosed with cancer, although the decision was not unanimous. Guest actor Lovgren portrayed multiple clones of his character using post-production techniques to merge several shots, while actor Pat Skipper had a scene cut from the final episode for time restraints, later appearing in the season finale.
Plot
Dana Scully (Gillian Anderson) learns that she has a cancerous tumor between her sinus and cerebrum. She initially tells only Fox Mulder (David Duchovny) and Walter Skinner (Mitch Pileggi) of the diagnosis, and is determined to continue to work. The agents head to Allentown, Pennsylvania, to see Betsy Hagopian, a Mutual UFO Network member who was previously discovered to be suffering from similar symptoms. The agents learn that Betsy has died, yet find someone using her phone line. They trace the call to Kurt Crawford (David Lovgren), a fellow MUFON member. Crawford tells them that all but one of the MUFON members Scully previously met have died of cancer. Scully is skeptical of Mulder and Crawford's claims that a government conspiracy and her abduction are behind her illness.
Scully visits the last surviving MUFON member, Penny Northern, who is being treated for cancer at a medical centre. Meanwhile, Mulder discovers that all the abductees were childless but had been treated at a nearby fertility clinic. When Mulder is called away by Scully, an assassin, the Gray-Haired Man (Morris Panych) arrives and kills Crawford with a stiletto weapon, revealing him to be an alien-human hybrid. After meeting Penny's physician, Dr. Scanlon, Scully elects to begin chemotherapy. Mulder sneaks into the clinic and finds Crawford there, seemingly alive. Mulder and "Crawford" hack into the clinic's computer database and find information revealing Scully has a file there. Mulder sees Skinner and asks to deal with The Smoking Man to save Scully, but Skinner convinces him not to do so.
Mulder recruits The Lone Gunmen to help him break into a high security research facility where he thinks he may be able to find more information on how to save Scully. Meanwhile, Skinner tries to deal directly with The Smoking Man for Scully's life, who tells him he will get back to him. Inside the facility, Mulder discovers that Dr. Scanlon works alongside several clones of Kurt Crawford. The clones show him Scully's harvested ova and tell him they are trying to save the abducted women's lives, since they acted as their birth mothers. They also hope to subvert the colonization project as an inside job. Mulder takes Scully's ova and leaves, being pursued by the Gray-Haired Man as he escapes. He returns to the hospital to see Scully, who tells him that Penny has died but that she intends to fight the disease. Afterward, Mulder phones Skinner to let him know that Scully is doing okay and may return to work soon, as well as thanking him for his advice about not negotiating with the Smoking Man. Skinner and the Smoking Man later come to terms on their deal in seclusion.[1]
Production
Writers Spotnitz (left) and Carter (right) had debated whether or not the character of Scully should be diagnosed with cancer, ultimately calling it "obligatory".
The show's producers decided to give Gillian Anderson's character Dana Scully cancer early in the fourth season. Series creator Chris Carter initially discussed giving Scully's mother cancer but decided to have Scully suffer from it instead. Carter felt the move would give the show an interesting platform on which to discuss things such as faith, science, health care and a certain element of the paranormal.[2] Some of the writing staff felt that the decision was a poor one to make, citing it as "a cheap TV thing". However, Frank Spotnitz felt that, given the appearances of cancer-stricken abductees in previous episodes, it was an "obligatory" move to have Scully follow suit.[3]
The episode was written by Vince Gilligan, John Shiban, and Frank Spotnitz three days after another script idea fell through.[4] Spotnitz noted that "Darin Morgan had left the show but was going to contribute an episode. And we realized at the eleventh hour that it wasn't going to happen, and we were stuck with nothing. John, Vince and I broke that story in maybe two days. We split up the acts, wrote it in probably another two days, and gave the crew something to prep before Christmas break. That was the worst ever." Carter ended up rewriting the script over the holiday.[5] The initial cut ended up being too long, resulting in a scene introducing Scully's older brother Bill Scully, played by Pat Skipper, being removed. The character, still played by Skipper, would eventually make his first appearance in the fourth-season finale "Gethsemane".[6] The scene which would have established the character was intended to echo a similar scene in the second season episode "One Breath", which featured Don S. Davis as Scully's father. Both scenes featured the actors standing over a supine Scully, wearing white United States Navy dress uniforms.[7] Also deleted from the episode was a kiss between Mulder and Scully, which would have been the first in the series' run. This was an ad-lib on Anderson and Duchovny's part, and was removed from the episode as it was something Chris Carter felt he wanted to make use of in the series' film adaptation. Such a kiss was eventually deferred to season six's "Triangle".[7]
The episode's opening scene, featuring a camera moving slowly towards Scully in a harsh white light, was achieved by constructing a long narrow set covered in aluminium foil, which amplified the light being used and downplayed any colors. This shot was drained of color entirely, and was combined with a series of blurring and framing effects in post-production to further enhance the intended image—to create the impression of waking from a dream.[8]
A scene featuring multiple clones of the character Kurt Crawford was achieved with motion control photography, allowing actor David Lovgren to portray all of the clones—multiple takes were recorded with the actor in different positions within the scene, and by using a camera controlled by a computer to follow exactly the same motions for each take, these could be seamlessly composited together. Producer Paul Rabwin has noted that achieving these shots was difficult due to the mixture of green and blue light sources in the scene.[8]
Broadcast and reception
"Memento Mori" premiered on the Fox network on February 9, 1997, and was first broadcast in the United Kingdom on BBC Two on December 10, 1997.[9] The episode earned a Nielsen household rating of 11.5 with a 17 share, meaning that roughly 11.5 percent of all television-equipped households, and 17 percent of households watching television, were tuned in to the episode.[10] A total of 19.10 million viewers watched this episode during its original airing.[10]
Writing for The A.V. Club, Emily VanDerWerff rated the episode an A, calling it "an occasionally beautiful, occasionally haunting, often overwritten story". She felt that the episode took the uncommon route of tying together several previously-mentioned aspects of the series' mythology, making it "easy to believe the pieces might come together at this point". However, VanDerWerff also noted that the episode's two main plot threads—Scully's cancer and Mulder's investigation—seemed "clumsily grafted" together, and did not explore the theme of living with the fear of death as well as the previous episode, "Never Again", had done.[11]Frank Spotnitz praised the episode, saying, "I think that was the best mythology episode we ever did. It's my favorite one".[5] Chris Carter has stated that he feels "Memento Mori" ranks "among the best mythology episodes of all nine seasons".[3]
Fox William Mulder is a fictional FBI Special Agent and the secondary protagonist of the Fox science fiction-supernatural television series The X-Files, played by David Duchovny. Mulder's peers dismiss his many theories on extraterrestrial or paranormal activity as those of a conspiracy theorist and supernaturalist; however, his skeptical but supportive partner, Special Agent Dana Scully, often finds them to be unexpectedly correct. He and Scully work in the X-Files office, concerned with unsolved FBI cases that are often revealed to be supernatural or extraterrestrial in nature. Mulder was a main character for the first seven seasons, but was limited to a recurring character for the following two seasons. He returns as a main character for the tenth and eleventh seasons.
Dr. Dana Katherine Scully, MD, is a fictional character and the main protagonist of the Fox science-fiction, supernatural television series The X-Files, played by Gillian Anderson. Scully is a Federal Bureau of Investigation (FBI) Special Agent and a medical doctor (MD), partnered with fellow Special Agent Fox Mulder for seasons one to seven and seasons 10 and 11, and with John Doggett in the eighth and ninth seasons. In the television series, they work out of a cramped basement office at FBI headquarters in Washington, DC to investigate unsolved cases labeled "X-Files." In 2002, Scully left government employment, and in 2008, she began working as a surgeon in Our Lady of Sorrows, a private Catholic hospital – where she stayed for seven years, until rejoining the FBI. In contrast to Mulder's credulous "believer" character, Scully is the skeptic for the first seven seasons, choosing to base her beliefs on what science can prove. She later on becomes a "believer" after Mulder's abduction at the end of season seven.
The fourth season of the American science fiction television series The X-Files commenced airing on the Fox network in the United States on October 4, 1996, concluding on the same channel on May 18, 1997, and contained 24 episodes. Following the filming and airing of the season, production began on The X-Files feature film, which was released in 1998 following the show's fifth season.
The fifth season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on November 2, 1997, concluding on the same channel on May 17, 1998, and contained 20 episodes. The season was the last in Vancouver, British Columbia, Canada; subsequent episodes would be shot in Los Angeles, California. In addition, this was the first season of the show where the course of the story was planned, due to the 1998 The X-Files feature film being filmed before it, but scheduled to be released after it aired.
The sixth season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on November 8, 1998, concluding on the same channel on May 16, 1999, and consisted of twenty-two episodes. The season continued from the 1998 feature film and focused heavily on FBI federal agents Fox Mulder and Dana Scully's separation from the X-Files Division and the demise of the Syndicate—a "shadow government" group attempting to cover up the existence of extraterrestrials—in the two-part episode "Two Fathers" and "One Son".
The ninth season of the American science fiction television series The X-Files commenced airing in the United States on November 11, 2001, concluded on May 19, 2002, and consists of twenty episodes. The season takes place after Fox Mulder goes into hiding, following the events of the eighth season finale, "Existence". As such, the main story arc for the season follows Dana Scully, John Doggett, and Monica Reyes on their hunt to reveal a government conspiracy involving the elaborate and malevolent creation of "Super Soldiers".
On The X-Files television show, the term Men in Black refers to a group of enforcers employed by the Syndicate to execute assassinations, cover-ups and other clandestine operations. It is clear that most, if not all, of them are former members of special operations units. Some, mostly shown in comedic episodes, parodied the traditional view of MIBs from UFO lore. Most had no known civilian identities, though there were some exceptions. They rarely speak.
FBI Special agent Jeffrey Frank Spender is a fictional character in the American Fox television series The X-Files, a science fiction show about a government conspiracy to hide or deny the truth of alien existence. Spender was in control of the X-Files office after Fox Mulder's and Dana Scully's forced leaves in "The Beginning". The X-Files office is concerned with cases with particularly mysterious or possibly supernatural circumstances that were left unsolved and shelved by the FBI. Portrayed by Canadian actor Chris Owens, Spender was a recurring character during the fifth and sixth seasons, before returning for the ninth season of The X-Files in a guest role. He returned for the eleventh season of the show.
"End Game" is the seventeenth episode of the second season of the American science fiction television series The X-Files. It premiered on the Fox network on February 17, 1995. It was directed by Rob Bowman, and written by Frank Spotnitz. "End Game" featured guest appearances by Megan Leitch, Peter Donat, Brian Thompson and saw Steven Williams reprise his role as X. The episode helped explore the series' overarching mythology. "End Game" earned a Nielsen household rating of 11.2, being watched by 10.7 million households in its initial broadcast. It received positive reviews from critics.
"Herrenvolk" is the fourth season premiere of the American science fiction television series The X-Files. It premiered on the Fox network on October 4, 1996. It was directed by R.W. Goodwin, and written by series creator Chris Carter. "Herrenvolk" featured guest appearances by Roy Thinnes and Brian Thompson, and introduced Laurie Holden as recurring character Marita Covarrubias. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Herrenvolk" earned a Nielsen household rating of 13.2, being watched by 21.11 million people in its initial broadcast.
"Tunguska" is the eighth episode of the fourth season of the American science fiction television series The X-Files. It premièred on the Fox network on November 24, 1996. It was directed by Kim Manners, and written by Frank Spotnitz and series creator Chris Carter. "Tunguska" featured guest appearances by John Neville, Nicholas Lea and Fritz Weaver. The episode helped explore the series' overarching mythology. "Tunguska" earned a Nielsen household rating of 12.2, being watched by 18.85 million people in its initial broadcast.
"Zero Sum" is the twenty-first episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on April 27, 1997. It was directed by Kim Manners, and written by Frank Spotnitz and Howard Gordon. "Zero Sum" included appearances by William B. Davis, Laurie Holden and Morris Panych. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Zero Sum" earned a Nielsen household rating of 11.7, being watched by 18.6 million people in its initial broadcast. The episode has received mixed to positive responses from critics.
"Redux" is the two-part fifth season premiere of the science fiction television series The X-Files. "Redux" first aired on November 2, 1997, on Fox in the United States, with "Redux II" airing on November 9. Both episodes subsequently aired in the United Kingdom and Ireland. Both episodes were written by series creator Chris Carter, with "Redux" directed by R. W. Goodwin and "Redux II" helmed by Kim Manners. "Redux" became the second-most-watched episode ever broadcast, earning more than 27 million viewers in the United States alone. The first part of the episode received mixed to negative reviews, whereas the second part received mixed to positive reviews from critics.
Volume 2 of The X-Files Mythology collection is the second DVD release containing selected episodes from the third to the fifth seasons of the American science fiction television series The X-Files. The episodes collected in the release form the middle of the series' mythology, and are centered on the discovery of a mind-altering extraterrestrial "black oil".
The X-Files Mythology – Volume 3 collection is the third DVD release containing selected episodes from the fifth to the eighth seasons of the American science fiction television series The X-Files. The episodes collected in the release form the middle of the series' mythology, and are centered on alien colonization efforts, the fall of the Syndicate, and Fox Mulder's abduction.
"All Souls" is the seventeenth episode of the fifth season of the American science fiction television series The X-Files. The episode originally aired on the Fox network on April 26, 1998. The episode's teleplay was written by Frank Spotnitz and John Shiban, from a story by Dan Angel and Billy Brown; it was directed by Allen Coulter. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. "All Souls" received a Nielsen household rating of 8.5 and was watched by 13.44 million viewers in its initial broadcast. It received mixed reviews from television critics.
The mythology of The X-Files, sometimes referred to as its "mytharc" by the show's staff and fans, follows the quest of FBI Special Agents Fox Mulder, a believer in supernatural phenomena, and Dana Scully, his skeptical partner. Their boss, FBI Assistant Director Walter Skinner, was also often involved. Beginning with season 8, another skeptic named John Doggett, and Monica Reyes, a believer like Mulder, were also introduced. The overarching story, which spans events as early as the 1940s, is built around a government conspiracy to hide the truth about alien existence and their doomsday plan. Not all episodes advanced the mythology plot, but those that did were often set up by Mulder or Scully via an opening monologue.
The Colonists are an extraterrestrial species and are also the primary group of antagonists in the science fiction television show The X-Files as well as the first X-Files feature film. The mystery revolving around their identity and purpose is slowly revealed across the course of the series. In the series' plot, the Colonists are collaborating with a group of United States government officials known as the Syndicate in a plan to colonize the Earth, hence their name.
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