"Sanguinarium" is the sixth episode of the fourth season of the American science fiction television series The X-Files. "Sanguinarium" was written by newcomers Vivian and Valerie Mayhew and directed by Kim Manners, and is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. It first aired in the United States on November 10, 1996 on the Fox network, earning a Nielsen rating of 11.1 and being seen by 19.85 million viewers upon its initial broadcast.
The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. In "Sanguinarium", bizarre murders in a hospital's plastic surgery unit lead Mulder and Scully to suspect a supernatural force may be responsible. As the uncontrolled killings continue, Mulder discovers a link between the victims' dates of birth and key dates on the witchcraft calendar.
The episode started as a spec script written by two fans of the series. It features several references to real life witchcraft sources. "Sanguinarium" received mixed reviews from critics; negative criticism was given to the number of inconsistencies in the plot. The episode's use of gore also drew a mixed reaction; some critics felt that the gore helped, while others felt that "Sanguinarium" relied too heavily on it to cover up weaknesses in its storyline.
Plot
During a routine liposuction operation in Winnetka, Illinois, Dr. Harrison Lloyd (John Juliani) suddenly begins to remove so much fat from a patient that the patient dies. Following the unusual experience, Lloyd tells Fox Mulder (David Duchovny) that he killed the patient because he was possessed. Dana Scully (Gillian Anderson) is skeptical about Lloyd's claims, believing he's only making it up to escape legal consequences. Mulder inspects the operation room and discovers a pentagram burned into the floor; he begins to suspect that witchcraft might have played a part in the crime. Meanwhile, the staff at Lloyd's clinic are shocked when another plastic surgeon, Dr. Ilaqua (Paul Raskin), murders an elderly patient by burning a hole through her cheek and neck with a surgical laser, severing her brain stem. Scully interviews Ilaqua, who claims that he cannot remember anything of the incident. Mulder's suspicions are strengthened when he reviews the tape of the second murder, and he sees a pentagram-like pattern on the stomach of the victim.
Worried by the events, the hospital coordinator, Dr. Theresa Shannon, tells Mulder and Scully about a similar series of deaths that occurred at the same hospital ten years prior. They suspect Rebecca Waite (O-Lan Jones), a nurse who is the only person present at all the death scenes. The agents visit Waite's house, discovering evidence that she practices witchcraft; however, the audience learns that the evidence was planted there by a staff member of the hospital. Elsewhere, Dr. Jack Franklin (Richard Beymer) is non-fatally assaulted by Waite at his house. There, Waite is arrested and approached by the agents, who attempt to question Waite but are prevented when she starts to vomit pins, dying shortly thereafter. After the incident, Mulder visits Dr. Jack Franklin, hoping to learn more about Waite's possible motivation. Although Franklin is seemingly innocent, when Mulder leaves the room, he begins to levitate and devilishly smile. Later that night, Mulder deduces that the birthdays of all the victims match up with the dates of the Witches' Sabbath and that Waite was actually trying to protect the victims from Dr. Jack Franklin (she had placed the pentagrams—actually protective symbols—on and around the victims in the hopes of protecting them from dark magic). This also explains why Waite tried to kill Franklin. Unfortunately, Mulder also realizes that because Waite was not the murderer, the spree of murders will continue. And as he suspected, another patient is murdered with acid back at the hospital.
Soon after, the agents again meet with Dr. Theresa Shannon, and she further discusses the spree of murders that occurred ten years ago. According to Shannon, five people were killed at the clinic: four patients and a cosmetic doctor named Clifford Cox, who ostensibly died of a drug overdose. Although his birthday does not align with a Sabbath date, Mulder instinctively believes that Cox is involved in the crimes. Mulder then uses the hospital's computer program to determine what Cox would look like had he undergone heavy plastic surgery. The computer produces an image that looks like Franklin, suggesting that he is actually Dr. Clifford Cox in disguise. When Dr. Shannon discovers Franklin alone in a blood-spattered operating room, he uses witchcraft to magically teleport surgical tools into her intestines, which causes her to bleed internally. Dr. Shannon is rushed into surgery and survives. Meanwhile, Franklin removes the skin of his face, performing a ritual to make him appear younger and escapes. It is implied that he murders in a quest to gain eternal youth. The episode ends with a now-younger Franklin successfully applying for a position at another medical hospital.
In the 1990s, the television industry made wide use of spec scripts, solicited from freelance writers. While The X-Files had a large staff of writers, the staff would occasionally have to take a risk on a teleplay written by an unaffiliated writer to fill out a full season order.[1] "Sanguinarium" was such a case, being written by sisters Vivian and Valerie Mayhew.[2] This marked their first experience with writing a one-hour network program, and they would later write several episodes in the television series Charmed.[3] Prior to having their script picked up by the series, the sisters asked staff writers Glen Morgan and James Wong for writing suggestions. Morgan and Wong told them that "the scariest things are those which repeat every day". Soon thereafter, Vivian was paged by a number she did not recognize. She realized that pagers in their own way are scary, because an unknown person can connect to the pager's owner. The Mayhews then went from focusing on pagers to the group of people who normally use them: doctors. It was then that they realized a plot about doctors losing control and being bewitched could make for a good episode. After writing their spec script, they presented it to Morgan and Wong, who suggested they change the villain from a woman to a man as "plastic surgery is related to vanity, and everyone expects that from a woman, but not a man."[2] After the script was submitted, it was selected to become a full episode.[4]
After the spec script was picked up, series creator Chris Carter and the show's staff reworked it into a teleplay. Carter focused much of the plot on the themes of greed and vanity, and executive producer Howard Gordon developed several graphic scenes. After Carter had the idea of placing a subtle pentagram on the reunion table, production designer Graeme Murray decided to take this further by creating rooms with five sides, and having the plastic surgery unit with five operating rooms represent an imaginary pentagram. Like previous episode "Home", Fox Standards and Practices objected to the graphical content, and Carter had to intervene to help retain some scenes.[2]
Given its subject matter, the episode features many references to witchcraft and occultism.[5] The nurse from the episode, Rebecca Waite, was originally named after a friend of the writers called Rebecca White. However, this was changed because there was a real nurse from Chicago whose last name was White. Some viewers ended up believing that Waite's name as a reference to either Rebecca Nurse, an innocent woman prosecuted during the Salem witch trials, or the Rider–Waite tarot deck, the most popular tarot deck utilized in the world.[2] The episode itself directly references Gerald Gardner, a wiccan known for publishing several books on witchcraft and founder of the Gardnerian Tradition.[6][7] While the Mayhew sisters tried to depict occultism without offending anybody by not connecting Franklin or Waite to any known cult, many Wiccans sent angry letters and e-mails to Fox regarding the portrayal of their beliefs.[2]
Broadcast and reception
"Sanguinarium" premiered on the Fox network on November10,1996.[4] This episode earned a Nielsen rating of 11.1, with an 18 share, meaning that roughly 11.1 percent of all television-equipped households, and 18 percent of households watching television, were tuned in to the episode. "Sanguinarium" was seen by 18.85 million viewers on first broadcast.[8]
Gillian Anderson described "Sanguinarium" as "one of the most repulsive scripts I ever shot", explaining that she could not watch scenes such as the doctor stabbing a patient. David Duchovny stated that "I didn't understand the plot, but I liked the script", noting that Carter and his team improved a weak teleplay and that director Kim Manners "did an excellent job".[2]Entertainment Weekly gave "Sanguinarium" a "B−", feeling that it was "redeemed" by the gore. However, they were "worried" by what they called the "fourth consecutive phoned-in performance by Duchovny and Anderson".[9] Emily VanDerWerff of The A.V. Club was more negative, grading it a "D". She felt that the episode was "too much", and that the gore should have been suggested rather than shown directly. She also criticized the characterization of the characters (especially that of Scully), the "predictable" scares, the "ludicrously bad" dialogue, and a story that did not make much sense. Despite this, she did praise the "strong" guest acting.[1]Sarah Stegall awarded "Sanguinarium" two stars out of five, criticizing its reliance on gore.[5] Ultimately, she found the conclusion wanting, because the "good" magic seemed useless; she wrote, "Where's the logic in that?"[5] Ultimately, Stegall thought the episode's biggest flaw was its lack of logical writing, and that it required too much suspension of disbelief from the viewer.[5]
Tom Kessenich in Examinations: An Unauthorized Look at Seasons 6-9 of the X-Files commented that the ending of "Sanguinarium" was similar to the ending of the episode "Signs and Wonders", wherein the antagonist manages to get away.[10] Frederick S. Clarke from Cinefantastique gave "Sanguinarium" a mixed review, writing that the episode "combines plastic surgery and black magic into an unsatisfying mix that fails to lampoon our obsession with beauty."[11] Not all reviews were as negative. Writer Preston Nichols took a liking to the episode, having viewed it "eighteen times and counting".[12] Michael Avalos and George Liedtke, writing for Knight Ridder, speculated that "Sanguinarium" would create "haunting memories" for many viewers.[13] Mark Davis of The Daytona Beach News-Journal, in 1998, named the episode one of the "Best of The X-Files".[14]
The fifth season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on November 2, 1997, concluding on the same channel on May 17, 1998, and contained 20 episodes. The season was the last in Vancouver, British Columbia, Canada; subsequent episodes would be shot in Los Angeles, California. In addition, this was the first season of the show where the course of the story was planned, due to the 1998 The X-Files feature film being filmed before it, but scheduled to be released after it aired.
The sixth season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on November 8, 1998, concluding on the same channel on May 16, 1999, and consisted of twenty-two episodes. The season continued from the 1998 feature film and focused heavily on FBI federal agents Fox Mulder and Dana Scully's separation from the X-Files Division and the demise of the Syndicate—a "shadow government" group attempting to cover up the existence of extraterrestrials—in the two-part episode "Two Fathers" and "One Son".
The seventh season of the American science fiction television series The X-Files commenced airing on the Fox network in the United States on November 7, 1999, concluded on May 21, 2000, and consists of twenty-two episodes. Taking place after the destruction of the Syndicate, this season marks the end of various other story lines; during this season, Fox Mulder learned the true fate of his sister, Samantha.
"Excelsis Dei" is the eleventh episode of the second season of the science fiction television series The X-Files. It premiered in the United States on the Fox network on December 16, 1994. It was written by Paul Brown and directed by Stephen Surjik. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Excelsis Dei" earned a Nielsen household rating of 8.9, being watched by 8.5 million households in its initial broadcast. The episode received mixed reviews from television critics; although some complimented the episode's effects, others were critical of the way the show handled rape.
"Clyde Bruckman's Final Repose" is the fourth episode of the third season of the American science fiction television series The X-Files. Directed by David Nutter and written by Darin Morgan, the installment serves as a "Monster-of-the-Week" story, that is, a stand-alone plot unconnected to the overarching mythology of The X-Files. Originally aired by the Fox network on October 13, 1995, "Clyde Bruckman's Final Repose" received a Nielsen rating of 10.2 and was seen by 15.38 million viewers. The episode received critical acclaim, and several writers have named it among the best in the series. The episode won both an Emmy for Outstanding Writing in a Drama Series as well as an Emmy for Outstanding Guest Actor in a Drama Series.
"The Field Where I Died" is the fifth episode of the fourth season of the American science fiction television series The X-Files. It was written by Glen Morgan and James Wong, and directed by Rob Bowman. The episode originally aired in the United States on November 3, 1996, on the Fox network. It is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. This episode earned a Nielsen rating of 12.3 and was seen by 19.85 million viewers upon its initial broadcast.
"Tunguska" is the eighth episode of the fourth season of the American science fiction television series The X-Files. It premièred on the Fox network on November 24, 1996. It was directed by Kim Manners, and written by Frank Spotnitz and series creator Chris Carter. "Tunguska" featured guest appearances by John Neville, Nicholas Lea and Fritz Weaver. The episode helped explore the series' overarching mythology. "Tunguska" earned a Nielsen household rating of 12.2, being watched by 18.85 million people in its initial broadcast.
"Elegy" is the twenty-second episode of the fourth season of the American science fiction television series The X-Files. It was written by John Shiban and directed by James Charleston. The episode aired in the United States on May 4, 1997, on the Fox network. It is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology, although Scully's battle with cancer is an important plot point. "Elegy" earned a Nielsen rating of 10.6 and was seen by 17.1 million viewers upon its initial broadcast. The episode received mostly positive reviews from televisions critics; the performance of lead actress Gillian Anderson was especially praised.
"Redux" is the two-part fifth season premiere of the science fiction television series The X-Files. "Redux" first aired on November 2, 1997, on Fox in the United States, with "Redux II" airing on November 9. Both episodes subsequently aired in the United Kingdom and Ireland. Both episodes were written by series creator Chris Carter, with "Redux" directed by R. W. Goodwin and "Redux II" helmed by Kim Manners. "Redux" became the second-most-watched episode ever broadcast, earning more than 27 million viewers in the United States alone. The first part of the episode received mixed to negative reviews, whereas the second part received mixed to positive reviews from critics.
"Field Trip" is the twenty-first episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on May 9, 1999, in the United States and Canada, and subsequently aired in the United Kingdom on Sky1 on July 18. The episode was written by John Shiban and Vince Gilligan, from a story by Frank Spotnitz, and was directed by Kim Manners. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Field Trip" earned a Nielsen household rating of 9.5, being watched by 15.40 million people in its initial broadcast. The episode received largely positive reviews from television critics.
"The Beginning" is the first episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on November 8, 1998. The episode was written by Chris Carter, and directed by Kim Manners. It helps explore the series' overarching mythology. "The Beginning" earned a Nielsen household rating of 11.9, being watched by 20.34 million people in its initial broadcast. The episode received mixed reviews from television critics.
"Terms of Endearment" is the seventh episode of the sixth season of the American science fiction television series The X-Files, and originally aired on the Fox network on January 3, 1999. Written by David Amann and directed by Rob Bowman, "Terms of Endearment" is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. It earned a Nielsen rating of 10.5 and was watched by 18.7 million people on its initial broadcast. The performance given by guest actor Bruce Campbell attracted positive comments, but the plot was criticized.
"S.R. 819" is the ninth episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on January 17, 1999, in the United States. The episode was written by John Shiban, and directed by Daniel Sackheim. The episode helps to explore the series' overarching mythology. "S.R. 819" earned a Nielsen household rating of 9.1, being watched by 15.7 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"Alpha" is the sixteenth episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on March 28, 1999, in the United States. The episode was written by Jeffrey Bell, and directed by Peter Markle. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Alpha" earned a Nielsen household rating of 10.1, being watched by 17.7 million people in its initial broadcast. The episode received mostly negative reviews from critics.
"Milagro" is the eighteenth episode of the sixth season of the American science fiction television series The X-Files. It originally aired on the Fox network on April 18, 1999. The episode's teleplay was written by Chris Carter from a story by John Shiban and Frank Spotnitz, and directed by Kim Manners. The episode is a "Monster of the Week" story, unconnected to the series' wider mythology. "Milagro" earned a Nielsen household rating of 9, being watched by 15.2 million people upon its initial broadcast. The episode received mixed to positive reviews from television critics.
"The Unnatural" is the 19th episode of the sixth season of the American science fiction television series The X-Files, which first aired on April 25, 1999, on the Fox network. Written and directed by lead actor David Duchovny, the episode is tangentially connected to the wider mythology of The X-Files, but narratively functions as a "Monster-of-the-Week" story. "The Unnatural" earned a Nielsen household rating of 10.1, and its first broadcast was watched by 16.88 million people. The episode received positive reviews from critics, and was well-liked by members of the cast and crew, including series creator Chris Carter and co-star Gillian Anderson.
"The Sixth Extinction II: Amor Fati" is the second episode of the seventh season of the American science fiction television series The X-Files. It was directed by Michael Watkins and written by lead actor David Duchovny and series creator Chris Carter. The installment explores the series' overarching mythology and concludes a trilogy of episodes revolving around Fox Mulder's (Duchovny) severe reaction to an alien artifact. Originally aired by the Fox network on November 14, 1999, "The Sixth Extinction II: Amor Fati" received a Nielsen rating of 10.1 and was seen by 16.15 million viewers. Initial reviews were mixed, and the plot and dialogue attracted criticism. Later critics viewed the episode in a more positive light, and several writers named it among the best in the series.
"Hollywood A.D." is the nineteenth episode of the seventh season of the American science fiction television series The X-Files. It premiered on the Fox network in the United States on April 30, 2000. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Hollywood A.D." earned a Nielsen household rating of 7.7, being watched by 12.88 million people in its initial broadcast. The episode was met with largely positive reviews, with many critics approving of the episode's humorous nature.
"Empedocles" is the seventeenth episode of the eighth season of the American science fiction television series The X-Files. It premiered on the Fox network on April 22, 2001. The episode was written by Greg Walker and directed by Barry K. Thomas. "Empedocles" is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. The episode received a Nielsen rating of 7.3 and was viewed by 7.46 million households and over 12.46 million viewers. Overall, the episode received mixed reviews from critics.
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