"Unrequited" is the sixteenth episode of the fourth season of the American science fiction television series The X-Files. It was written by Howard Gordon and series creator Chris Carter, and directed by Michael Lange. It originally aired in the United States on February 23, 1997, on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. This episode earned a Nielsen rating of 10.9 and was seen by 16.56 million viewers upon its initial broadcast. "Unrequited" received mixed to negative reviews from television critics.
The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. In this episode, the murder of a U.S. ArmyLieutenant General has Mulder and Scully struggling to stop a seemingly invisible assassin. The two agents soon learn that they are doomed to failure from the start, as the U.S. government is attempting to cover up the existence of American POWs still being kept in Vietnam.
The episode begins at the National Mall, where Major General Benjamin Bloch (Scott Hylands) gives a speech to a crowd of Vietnam War veterans. Fox Mulder (David Duchovny), Dana Scully (Gillian Anderson), and Walter Skinner (Mitch Pileggi) patrol the crowd, searching for a potential gunman. However, when the agents see the gunman, he repeatedly disappears and makes their efforts to track him difficult. Mulder finds himself aiming his gun towards the panicked crowd, desperately searching for the gunman, who has disappeared right in front of him.
Twelve hours earlier, at Fort Evanston, Maryland, Lieutenant General Peter MacDougal (Bill Agnew) is shot in his limousine by the gunman. Skinner briefs the agents on the killing, noting a king of hearts playing card—used by the soldiers in Vietnam to mark their kills—was left at the scene. The FBI suspects a far-right paramilitary group, the Right Hand, of killing MacDougal in an effort to stop an upcoming re-dedication of a Vietnam war memorial in Washington.
Mulder and Scully head to Virginia to question the Right Hand's leader, Denny Markham (Larry Musser). A search of his fenced-off cabin uncovers ammunition and a photograph showing him in the company of a Sergeant Nathaniel Teager (Peter LaCroix). After being arrested, Markham reveals that Teager was a soldier in Vietnam who was left for dead as a prisoner of war. Meanwhile, at the Vietnam memorial, Teager approaches a war widow and claims that her husband is still alive as a POW. After giving the woman her husband's dog tags, Teager mysteriously disappears.
Skinner informs the agents that Teager is officially dead, and that his remains are at the Army's forensics lab. However, Mulder learns that the lab only possesses Teager's dental remains, and that the cause of his death was recorded as "inconclusive". Mulder believes that General John Steffan (William Nunn), who signed Teager's death certificate, is his next target. Teager makes his way past Pentagon security and kills Steffan in his office. Upon seeing Teager on the Pentagon's surveillance tapes, Mulder notes the frequent unexplained appearances and disappearances of Viet Cong troops reported by POWs in Vietnam.
During a meeting with Marita Covarrubias (Laurie Holden), Mulder learns that Steffan, McDougal, and Bloch were all involved in negotiations concerning POWs. Meanwhile, as Bloch's motorcade makes its way to the Mall, Scully spots Teager in the crowd, only to see him vanish in an instant. Mulder tells Skinner and Scully that the government has arranged for their investigation to fail in an effort to cover up the truth about American POWs still being kept in Vietnam.
In the present, during the re-dedication ceremony, Mulder realizes that no one can see Teager if they are in his line of sight. Teager follows Skinner and Bloch to the motorcade, where he unsuccessfully shoots at the general and Skinner suffers a flesh wound. Teager is shot in turn by the agents as he tries to escape. As he succumbs to his wounds, Teager repeats his Army identification. Afterwards, the Pentagon states that the assassin was a different person—which Mulder denounces as a lie. He leaves Skinner to silently ponder his own service in the war as he looks upon Teager's name on the memorial wall.[2]
Production
Howard Gordon was inspired to write "Unrequited" after viewing an episode of 60 Minutes about American secret agents that were left behind during the Vietnam War.
During the show's fourth season, episode co-writer Howard Gordon was slated to pen only one episode, the nineteenth entry "Synchrony". However, after hearing rumors about American CIA agents left behind during the Vietnam War, he started to develop what would become the story for "Unrequited". The day before the show's 1996 Christmas break, Howard approached series creator Chris Carter and co-executive producer Frank Spotnitz and told them about his new episode idea. The project was green-lit, but Howard struggled with breaking the story, necessitating Carter heavily assisting him (thus their shared writing credits).[3]
Gordon had long been interested in writing an antagonist who could turn invisible, but he struggled with finding a scientific mechanism to explain this plot point. Eventually, Gordon discussed the struggle with his ophthalmologist brother, who told about blind spots in the human eye.[3] Gordon noted, "These stories come from scientific research... So I said, what if someone could actually create a field of vision where none actually exists?"[4] Gordon decided to make the antagonist a Vietnam War veteran because "they are getting old, and like the Holocaust survivor [in] 'Kaddish', starting to die".[3] This storyline also allowed Gordon the chance to give Vietnam veteran Walter Skinner a larger role—a chance that Gordon relished.[3]
The episode featured a replica of the Vietnam Veterans Memorial, of which only a portion was real (the rest being filled in with CGI).[3][5] Due to legal restrictions, the replica featured fake names, chosen by the sister of art assistant Kristina Lyne; the wall also included the names of The X-Files cast and crew, as well as noted writer Harlan Ellison, and model Jessica Hahn.[3] For day scenes, the replica and an accompanying grandstand were erected in Vancouver's Jericho Park due to the locale's "expansive, groomed, flat" characteristics,[5] whereas night scenes were filmed in a large warehouse in Ballantyne Pier. This move required the production crew to dismantle and cart the grandstand from Jericho Park to the warehouse.[5] The crowd used to film the memorial's reinauguration scene comprised 500 extras, who were multiplied in post-production with CGI technology. Fifty of these individuals had won the opportunity to appear on the show in local radio contests.[3]
Stanley Park doubled as Freedom Plaza. Because the park is public and operated by the Vancouver Park Board, city police cannot deny anyone access. This caused something of an issue when members of the paparazzi tried to photograph Anderson. Consequently, many of the available crew and production staff members formed a "human blockade", thereby blocking the photographers and protecting their co-star.[5]
Reception
"Unrequited" premiered on the Fox network on February23,1997.[1] This episode earned a Nielsen rating of 10.9, with a 16 share, meaning that roughly 10.9 percent of all television-equipped households, and 16 percent of households watching television, were tuned in to the episode. "Unrequited" was seen by 16.56 million viewers on first broadcast.[6] The episode first aired in the United Kingdom on January 7, 1998, on BBC One.[1]
Emily VanDerWerff of The A.V. Club gave the episode a "B−".[7] She wrote that "Unrequited" "isn't a very good episode" of the series, but that it is "a potent one all the same" due to its "great ideas" that are unfortunately never expanded upon.[7] VanDerWerff felt that the episode's biggest problem was that it started in media res and revealed the episode's conclusion, writing "it's a pretty great starting point for an episode. Instead, it's actually the endpoint".[7] Despite the negativity towards the plot, she wrote that the entry was "a good episode for Skinner" in that it gives him a mission and hints at his past without being heavy-handed.[7] Furthermore, VanDerWerff also applauded the way the show used the Vietnam War in a way that felt "fresh".[7] Independent reviewer Sarah Stegall awarded the episode a two out of five and derided it as a "pseudo-political story".[8] She was negative towards the "lack of emotional investment", which she felt was what damaged the episode; she called Teager a cipher who was portrayed as a "Twitchy Vet" rather than a "Tragic Hero".[8]
Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated the episode two stars out of five.[9] They heavily criticized the episode for taking place before the events of "Memento Mori", circumventing the need to deal with Scully's cancer. Furthermore, the two criticized the episode for being "thin stuff" and heavily padded; Shearman and Pearson note that the long teaser is replayed in the episode "to no new dramatic effect" and that Covarrubias's appearance offers no new information.[9] Paula Vitaris, writing for Cinefantastique, rated "Unrequited" one star out of four, writing that it "collapses under the weight of its message" and that it "fails to bring to life any of its guest characters".[10] Furthermore, she criticized the reusing of the teaser, noting that it "just comes off as a writer's device".[10]
Shearman, Robert; Pearson, Lars (2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. Mad Norwegian Press. ISBN978-0-9759446-9-1.
"The Field Where I Died" is the fifth episode of the fourth season of the American science fiction television series The X-Files. It was written by Glen Morgan and James Wong, and directed by Rob Bowman. The episode originally aired in the United States on November 3, 1996, on the Fox network. It is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. This episode earned a Nielsen rating of 12.3 and was seen by 19.85 million viewers upon its initial broadcast.
"Terma" is the ninth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on December 1, 1996. It was directed by Rob Bowman, and written by Frank Spotnitz and series creator Chris Carter. "Terma" featured guest appearances by John Neville, Nicholas Lea and Fritz Weaver. The episode helped explore the series' overarching mythology. "Terma" earned a Nielsen household rating of 10.3, being watched by 17.34 million viewers during its original airing.
"Leonard Betts" is the twelfth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on January 26, 1997. It was written by Vince Gilligan, John Shiban, and Frank Spotnitz, directed by Kim Manners, and featured a guest appearance by Paul McCrane as Leonard Betts/Albert Tanner. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. Aired following Super Bowl XXXI, "Leonard Betts" became Fox's debut Super Bowl lead-out program since the network acquired NFL broadcast rights in 1994.
"Kaddish" is the fifteenth episode of the fourth season of the American science fiction television series The X-Files. It was written by producer Howard Gordon and directed by Kim Manners. The episode originally aired on the Fox network on February 16, 1997. The episode is a "Monster-of-the-Week" story, a stand-alone plot unconnected to the series' wider mythology, or overarching history. The episode received a Nielsen household rating of 10.3 and was viewed by 16.56 million viewers. It received moderately positive reviews from critics.
"Max" is the eighteenth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 23, 1997. It was directed by Kim Manners, and written by Frank Spotnitz and series creator Chris Carter. "Max" featured guest appearances by Joe Spano, Tom O'Brien and Scott Bellis, and saw the final appearance of Brendan Beiser as special agent Pendrell. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Max" earned a Nielsen household rating of 11.6, being watched by 18.34 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"Small Potatoes" is the twentieth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network in the United States appropriately on April 20, 1997. It was written by Vince Gilligan and directed by Cliff Bole. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Small Potatoes" received a Nielsen rating of 13.0 and was viewed by 20.86 million people in its initial broadcast. The episode received positive reviews from critics, with many applauding the entry's humorous tone.
"Zero Sum" is the twenty-first episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on April 27, 1997. It was directed by Kim Manners, and written by Frank Spotnitz and Howard Gordon. "Zero Sum" included appearances by William B. Davis, Laurie Holden and Morris Panych. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Zero Sum" earned a Nielsen household rating of 11.7, being watched by 18.6 million people in its initial broadcast. The episode has received mixed to positive responses from critics.
"Redux" is the two-part fifth season premiere of the science fiction television series The X-Files. "Redux" first aired on November 2, 1997, on Fox in the United States, with "Redux II" airing on November 9. Both episodes subsequently aired in the United Kingdom and Ireland. Both episodes were written by series creator Chris Carter, with "Redux" directed by R. W. Goodwin and "Redux II" helmed by Kim Manners. "Redux" became the second-most-watched episode ever broadcast, earning more than 27 million viewers in the United States alone. The first part of the episode received mixed to negative reviews, whereas the second part received mixed to positive reviews from critics.
"Emily" is the seventh episode of the fifth season of American science fiction television series The X-Files. It was written by Vince Gilligan, John Shiban and Frank Spotnitz and directed by Kim Manners. The episode explores the series' overarching mythology. The episode premiered in the United States on December 14, 1997, on the Fox network, earning a Nielsen household rating of 12.4 and being watched by 20.94 million people in its initial broadcast. It received mixed reviews from television critics.
"Kitsunegari" is the eighth episode of the fifth season of American science fiction television series The X-Files. It was written by Vince Gilligan and Tim Minear, and directed by Daniel Sackheim. It aired in the United States on January 4, 1998 on the Fox network. "Kitsunegari" earned a Nielsen household rating of 11.6, being watched by 19.75 million people in its initial broadcast. The episode received mixed reviews from television critics.
"Field Trip" is the twenty-first episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on May 9, 1999, in the United States and Canada, and subsequently aired in the United Kingdom on Sky1 on July 18. The episode was written by John Shiban and Vince Gilligan, from a story by Frank Spotnitz, and was directed by Kim Manners. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Field Trip" earned a Nielsen household rating of 9.5, being watched by 15.40 million people in its initial broadcast. The episode received largely positive reviews from television critics.
"Patient X" is the thirteenth episode of the fifth season of American science fiction television series The X-Files. It was written by series creator Chris Carter and Frank Spotnitz, directed by Kim Manners and aired in the United States on March 1, 1998, on the Fox network. The episode earned a Nielsen household rating of 12.6, being watched by 20.21 million people in its initial broadcast. The episode received moderately positive reviews from critics.
"All Souls" is the seventeenth episode of the fifth season of the American science fiction television series The X-Files. The episode originally aired on the Fox network on April 26, 1998. The episode's teleplay was written by Frank Spotnitz and John Shiban, from a story by Dan Angel and Billy Brown; it was directed by Allen Coulter. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. "All Souls" received a Nielsen household rating of 8.5 and was watched by 13.44 million viewers in its initial broadcast. It received mixed reviews from television critics.
"Folie à Deux" is the nineteenth episode of the fifth season of American science fiction television series The X-Files. It was written by Vince Gilligan and directed by Kim Manners. The episode originally aired on May 10, 1998, in the United States on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology, or fictional history. The episode earned a Nielsen household rating of 11.0, being watched by 17.63 million viewers upon its initial broadcast. It received largely positive reviews from critics.
"The Beginning" is the first episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on November 8, 1998. The episode was written by Chris Carter, and directed by Kim Manners. It helps explore the series' overarching mythology. "The Beginning" earned a Nielsen household rating of 11.9, being watched by 20.34 million people in its initial broadcast. The episode received mixed reviews from television critics.
"Kill Switch" is the eleventh episode of the fifth season of the science fiction television series The X-Files. It premiered in the United States on the Fox network on February 15, 1998. It was written by William Gibson and Tom Maddox and directed by Rob Bowman. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Kill Switch" earned a Nielsen household rating of 11.1, being watched by 18.04 million people in its initial broadcast. The episode received mostly positive reviews from television critics, with several complimenting Fox Mulder's virtual experience. The episode's name has also been said to inspire the name for the American metalcore band Killswitch Engage.
"Triangle" is the third episode of the sixth season of the American science fiction television series The X-Files. It premiered on the Fox network on November 22, 1998. Written and directed by series creator Chris Carter, "Triangle" is a "Monster-of-the-Week" episode, a stand-alone plot which is unconnected to the overarching mythology of The X-Files. "Triangle" earned a Nielsen household rating of 10.8, being watched by 18.20 million viewers in its initial broadcast. The episode generally received positive reviews with many critics commenting on the episode's directing style.
"S.R. 819" is the ninth episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on January 17, 1999, in the United States. The episode was written by John Shiban, and directed by Daniel Sackheim. The episode helps to explore the series' overarching mythology. "S.R. 819" earned a Nielsen household rating of 9.1, being watched by 15.7 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"Agua Mala" is the thirteenth episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on February 21, 1999, in the United States. The episode was written by David Amann, and directed by Rob Bowman. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Agua Mala" earned a Nielsen household rating of 10.1, being watched by 16.9 million people in its initial broadcast. The episode received mostly mixed to negative reviews.
"Arcadia" is the fifteenth episode of the sixth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 7, 1999. The episode was written by Daniel Arkin and directed by Michael Watkins. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Arcadia" earned a Nielsen household rating of 10.5, being watched by 17.91 million people in its initial broadcast. The episode received mostly positive critical reception, with many reviewers praising the episode's humor.
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