Mennonite literature emerged in the mid-to-late 20th century as both a literary movement and a distinct genre. [1] [2] Mennonite literature refers to literary works created by or about Mennonites. [3]
Mennonite literature, in the modern sense, usually refers to literary works by Mennonites about Mennonites, whether the author is Mennonite by ethnicity or religion. Although fiction was written about Mennonites by non-Mennonites since at least the 1800s, the term Mennonite literature, as a genre, usually refers to literary works written by people who self-identify as Mennonites. [4] There is debate as to whether Mennonite literature constitutes a movement, genre, or an "accent". There is some debate as to whether literature written by Mennonites that is not expressly about Mennonites, such as the work of A. E. van Vogt and Paul Hiebert, should be classified as Mennonite literature.
Mennonite literature often deals with topics of identity and has been described as "transgressive" as it is often critical of Mennonite traditions. [5] Magdalene Redekop posits a "Spielraum" or playspace of Mennonite writers and other artists. [6] Some Mennonite writers have been characterized as overtly comedic such as Arnold Dyck, Armin Wiebe, and Andrew Unger, while others, such as Miriam Toews, have incorporated humour into otherwise more serious subject matter. The literature offers Mennonites a place to explore ideas and experiences that may not be accepted within sanctioned church publications. Maurice Mierau has described Mennonite literature as "making art out of one's own experience and history, even when that history is different from the official version of propaganda and pulpit." [7] Robert Zacharias has pointed out that Canadian Mennonite literature has come to be primarily associated with Russian Mennonites. [8]
Amish and Mennonite romance novels or "bonnet rippers" are generally not considered part of "Mennonite literature" as they are often not written by Mennonites, are considered of little literary value, and are usually classified as their own genre or sub-genre. [9]
Mennonite literature of some form has existed since the emergence of the Anabaptist movement in the 16th century, when many Mennonites would read the works of Menno Simons and owned a copy of Martyrs Mirror . [10] Early works by non-Mennonites about Mennonites include the novels of Helen R. Martin, while Mabel Dunham's historical novel The Trail of the Conestoga and Gordon Friesen's critical Flamethrowers are examples of early 20th Mennonite writing from an insider's point-of-view. [11] In 19th and early 20th century Europe, the most significant Mennonite literary voices were German-language poet Bernhard Harder and J.H. Janzen, a noted Mennonite short story writer. Other notable writers such as Hermann Sudermann had Mennonite backgrounds, though his work did not include any reference to this background. [11] Early in the 20th century, Russian Mennonite writers Arnold Dyck and later Reuben Epp began to write fiction in Plautdietsch, which had been an unwritten language until then. [11]
In the modern sense, however, Mennonite literature as a significant literary movement really emerged in the later half of 20th century as assimilated Mennonites in North America began to write English-language works of fiction, rather than historical or theological treatises. [12] At the time when Rudy Wiebe published the controversial Peace Shall Destroy Many in 1962, he was considered a lone voice of Mennonite writing in Canada. [13]
In the decades after the publication of Peace Shall Destroy Many, a wave of Mennonite literature emerged, particularly on the Canadian Prairies, with writers like Di Brandt, Lois Braun, Patrick Friesen, Dora Dueck, Sarah Klassen, Armin Wiebe, David Bergen, Sandra Birdsell, Audrey Poetker, Al Reimer, and Miriam Toews offering a critical eye to their Mennonite upbringing during the 1980s and 1990s. Winnipeg-based publisher Turnstone Press was at the forefront of championing and promoting Mennonite literature at this time. [14] Roy Vogt's Mennonite Mirror was an important literary journal from the 1970s, while Victor Ens' Rhubarb Magazine was an important showcase of Mennonite writing from the late 1990s until its last issue in 2018. [15]
In the late 20th century, there was a significant increase in Mennonite publications, and public awareness of Mennonite writers in Canada. Rudy Wiebe became the first Mennonite to win the Governor General's prize for The Temptations of Big Bear in 1973. [16] He won the prize a second time for A Discovery of Strangers in 1994.
In the United States, authors such as Julia Kasdorf, Jeff Gundy, Warren Kliewer, and Merle Good have contributed to the movement. [17] Good's novel Happy as the Grass Was Green was published in 1971 and was made into the film Hazel's People two years later. Ingrid Rimland's novel The Wanderers won the California Literary Award in 1977.
In 2001, Sandra Birdsell's historical fiction novel The Russlander was shortlisted for the Governor General's Award and in 2004, Miriam Toews won the Governor General's award for her bestselling novel A Complicated Kindness . [18] The next year, David Bergen won the Giller Prize for The Time in Between . [19] Rhoda Janzen's 2009 memoir Mennonite in a Little Black Dress spent 13 weeks on the New York Times bestseller list. [20] In 2016, Katherena Vermette, who is of Mennonite and Metis background, published the bestselling novel The Break . In 2021 Rachel Yoder's Nightbitch was a finalist for the PEN/Hemingway Award for Debut Fiction, among other awards. Sarah Polley's adaptation of Miriam Toews's novel Women Talking won the Academy Award for Best Adapted Screenplay in 2023.
In 1990 Katie Funk Wiebe observed that "satire as a comment on the human condition has not been used successfully in Mennonite periodicals, even if clearly labeled satire, indicating that the point of view expressed is likely to be the opposite of what is expressed." [21] In 2016, Mennonite writer Andrew Unger started the Mennonite satire website The Daily Bonnet , now called The Unger Review, the success of which indicates a change in attitudes towards satire among Mennonites. [22] [23] Turnstone Press published Unger's satirical novel Once Removed in 2020 and a collection of TheDaily Bonnet articles called The Best of the Bonnet in 2021. [24]
Queer Mennonite literature has also emerged in recent years. Daniel Shank Cruz notes the work of Lynnette D'anna, Stephen Beachy, Jan Guenther Braun, and Casey Plett as important works of Queer Mennonite literature. [25] Plett won the Amazon.ca First Novel Award and the Lambda Literary Award for Transgender Fiction for her novel Little Fish and was long-listed for the Giller Prize for her short story collection A Dream of a Woman. [26] [27]
While most works of Mennonite literature have been in the categories of literary fiction, poetry, and theatre, in recent years, Mennonite authors have explored genres such as fantasy and science fiction. [28] Originating with A. E. van Vogt, more recent Mennonite sci-fi, fantasy and speculative fiction writers include Karl Schroeder, Sofia Samatar, Jessica Penner, and Robert Penner. Samatar published a memoir reflecting on her Swiss Mennonite and Somali Muslim background called The White Mosque in 2022. [29] Rachel Yoder's 2021 novel Nightbitch is a notable example of magic realism by a Mennonite author. [30]
According to historian Royden Loewen, the best-selling works of Mennonite literature include The Mennonite Treasury of Recipes, A Complicated Kindness by Miriam Toews, Mennonite Girls Can Cook and Martyrs Mirror. [31]
Mennonite writers have won or been nominated for Governor General's Literary Awards seventeen times and the Giller Prize twelve times. [32]
Organized by Conrad Grebel University College professor Hildi Froese Tiessen, the first Mennonite/s Writing academic conference was held in Waterloo, Ontario in 1990, while seven more conferences have been held since that time, establishing Mennonite literary criticism. [33] Along with Peter Hinchcliffe, Froese Tiessen edited Acts of Concealment: Mennonite/s Writing in Canada in 1992.
The literary criticism of Ervin Beck and Ann Hostetler has been instrumental in codifying Mennonite literature. The English Department at Goshen College is home to the Center for Mennonite Writing and publishes the Center for Mennonite Writing Journal. [33]
Significant works of Mennonite literary criticism include Rewriting the Break Event: Mennonites and Migration in Canadian Literature (2013) and Reading Mennonite Literature: A Study in Minor Transnationalism (2022) by Robert Zacharias of York University, Daniel Shenk Cruz's book on Queer Mennonite Literature called Queering Mennonite Literature: Archives, Activism, and the Search for Community (2019), University of Toronto scholar Magdalene Redekop's Making Believe: Questions About Mennonites and Art (2020) and Sabrina Reed's Lives Lived, Lives Imagined (2022), the first ever monograph on the work of Miriam Toews. [34]
Steinbach is the third-largest city in the province of Manitoba, Canada, and with a population of 17,806, the largest community in the Eastman region. The city, located about 58 km (36 mi) southeast of the provincial capital of Winnipeg, is bordered by the Rural Municipality of Hanover to the north, west, and south, and the Rural Municipality of La Broquerie to the east. Steinbach was first settled by Plautdietsch-speaking Mennonites from Ukraine in 1874, whose descendants continue to have a significant presence in the city today. Steinbach is found on the eastern edge of the Canadian Prairies, while Sandilands Provincial Forest is a short distance east of the city.
Miriam Toews is a Canadian writer and author of nine books, including A Complicated Kindness (2004), All My Puny Sorrows (2014), and Women Talking (2018). She has won a number of literary prizes including the Governor General's Award for Fiction and the Writers' Trust Engel/Findley Award for her body of work. Toews is also a three-time finalist for the Scotiabank Giller Prize and a two-time winner of the Rogers Writers' Trust Fiction Prize.
A Complicated Kindness (2004) is the third novel by Canadian author Miriam Toews. The novel won the Governor General's Award for English Fiction, the CBA Libris Fiction Award, and CBC's Canada Reads.
Klaas Reimer (1770–1837) was the founder of the Kleine Gemeinde, a Mennonite denomination that still exists in Latin America, but underwent radical changes in Canada where it is now called the Evangelical Mennonite Conference. Ethnic Mennonite remigrants from Latin America brought the original Kleine Gemeinde back to Canada and the US.
Mennonite Heritage Village is a museum in Steinbach, Manitoba, Canada telling the story of the Low German Mennonites in Canada. The museum contains both an open-air museum open seasonally, and indoor galleries open year-round. Opened in 1967 and expanded significantly since then, the Mennonite Heritage Village is a major tourist attraction in the area and officially designated as a Manitoba Signature Museum and Star Attraction. Approximately 47,000 visitors visit the museum each year.
Armin Wiebe is a Canadian writer from Winnipeg, Manitoba, best known for his humorous novels about Mennonites. Wiebe is regarded as one of the pioneers of humorous Mennonite writing in English and is known for his incorporation of Plautdietsch words within his English texts.
Kleine Gemeinde is a Mennonite denomination founded in 1812 by Klaas Reimer in the Russian Empire. The current group primarily consists of Plautdietsch-speaking Russian Mennonites in Belize, Mexico and Bolivia, as well as a small presence in Canada and the United States. In 2015 it had some 5,400 baptized members. Most of its Canadian congregations diverged from the others over the latter half of the 20th century and are now called the Evangelical Mennonite Conference.
Turnstone Press is a Canadian literary publisher founded in 1976 in Winnipeg, Manitoba, the oldest in Manitoba and among the most respected independent publishers in Canada.
Irma Voth (2011) is the fifth novel by Canadian author Miriam Toews. The novel, about a Mennonite teenager whose life is transformed when a bohemian film crew comes to her settlement to make a film about Mennonites, was informed by Toews' experience as lead actress in Silent Light, the award-winning 2007 film written and directed by Mexican filmmaker Carlos Reygadas.
All My Puny Sorrows is the sixth novel by Canadian writer Miriam Toews. The novel won the 2014 Rogers Writers' Trust Fiction Prize, and was shortlisted for the 2014 Scotiabank Giller Prize, the 2015 Folio Prize for Literature, and the 2015 Wellcome Book Prize. Toews has said that the novel draws heavily on the events leading up to the 2010 suicide of her sister, Marjorie.
Casey Plett is a Canadian writer, best known for her novel Little Fish, her Lambda Literary Award winning short story collection, A Safe Girl to Love, and her Giller Prize-nominated short story collection, A Dream of a Woman. Plett is a transgender woman, and she often centers this experience in her writing.
The Daily Bonnet is a satirical Mennonite website, known as The Unger Review as of 2023. It was created by Andrew Unger and launched in May 2016. It features news stories and editorials, with the structure of conventional newspapers, but whose content is contorted to make humorous commentary on Mennonite and Anabaptist issues.
John Peter Thiessen was a Canadian Russian Mennonite teacher, translator, and writer from Manitoba. Alongside Arnold Dyck and Reuben Epp, he was an important contributor to the development of Mennonite Low German literature, as well as one of the language's most prominent lexicographers.
Andrew Unger is a Canadian novelist and satirist. He is the author of the satirical news website The Unger Review, as well as the novel Once Removed and the collection The Best of the Bonnet.
Elmer E. 'Al' Reimer (1927–2015) was a Mennonite writer from Steinbach, Manitoba. Reimer was an important literary critic and writer in the emergence of southern Manitoba Mennonite literature during the 1970s and 80s. Born in Landmark, Manitoba, Reimer grew up in Steinbach and received his PhD at Yale University. He taught English literature at University of Winnipeg for many years.
Women Talking (2018) is the seventh novel by Canadian writer Miriam Toews. Toews describes her novel as "an imagined response to real events," the gas-facilitated rapes that took place on the Manitoba Colony, a remote and isolated Mennonite community in Bolivia: Between 2005 and 2009, over a hundred girls and women in the colony woke up to discover that they had been raped in their sleep. These nighttime attacks were denied or dismissed by colony elders until finally it was revealed that a group of men from the colony were spraying an animal anaesthetic into their victims' houses to render them unconscious. Toews' novel centers on the secret meetings of eight Mennonite women who, on behalf of the other women in the colony, must decide how to react to these traumatic events. They have only 48 hours before the colony men, who are away to post bail for the rapists, return.
David Elias is a Canadian writer from Winnipeg, Manitoba.
Once Removed is a novel by Canadian author Andrew Unger published in 2020. Published by Turnstone Press, the book is a satire set in the fictional town of Edenfeld, Manitoba and tells the story of Timothy Heppner, a ghostwriter trying to preserve the history of his small Mennonite town.
East Village is a fictional town in the Canadian province of Manitoba, frequently used as a setting in novels by Miriam Toews. The town was based on Toews's real-life hometown of Steinbach. East Village appears in A Complicated Kindness and All My Puny Sorrows as well as the film adaptation of All My Puny Sorrows. Toews also refers to Steinbach in Fight Night and her nonfiction work Swing Low.