Merely Mary Ann | |
---|---|
Directed by | Henry King |
Written by | Jules Furthman |
Based on | Merely Mary Ann (1903) by Israel Zangwill |
Starring | Janet Gaynor Charles Farrell Beryl Mercer |
Cinematography | Arthur E. Arling John F. Seitz |
Edited by | Frank E. Hull |
Music by | Richard Fall |
Distributed by | Fox Film Corporation |
Release date |
|
Running time | 74 minutes |
Country | United States |
Language | English |
Box office | $1.3 million [1] |
Merely Mary Ann a 1931 American pre-Code romantic comedy drama film starring Janet Gaynor and Charles Farrell. Gaynor and Farrell made almost a dozen films together, including Frank Borzage's classics 7th Heaven (1927), Street Angel (1928), and Lucky Star (1929); Gaynor won the first Academy Award for Best Actress for the first two and F. W. Murnau's Sunrise: A Song of Two Humans . The film, involving an orphan (Gaynor) and a flat-broke composer (Farrell), was written by Jules Furthman based upon Israel Zangwill's play of the same name and directed by Henry King.
Orphan drudge Mary Ann finds love and hope in the arms of a promising but poor composer, John Lonsdale.
Janet Gaynor was an American film, stage and television actress as well as an accomplished oil painter.
7th Heaven is a 1927 American synchronized sound romantic drama directed by Frank Borzage, and starring Janet Gaynor and Charles Farrell. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Movietone sound system. The film is based upon the 1922 play Seventh Heaven, by Austin Strong and was adapted for the screen by Benjamin Glazer. 7th Heaven was initially released as a standard silent film in May 1927. On September 10, 1927, Fox Film Corporation re-released the film with a synchronized Movietone soundtrack with a musical score and sound effects.
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Lucky Star is a 1929 sound part-talkie American romantic drama film starring Janet Gaynor and Charles Farrell, and directed by Frank Borzage. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system. The plot involves the impact of World War I upon a farm girl (Gaynor) and a returning soldier (Farrell).
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The River is a 1929 sound part-talkie drama film directed by Frank Borzage, and starring Charles Farrell and Mary Duncan. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system. Much of the film has been lost. A reconstructed version with the about 45 minutes of surviving film, using still images and explanatory titlecards to bridge the missing scenes, was produced by the Munich Filmmuseum, in collaboration with the cinémathèques of Switzerland and Luxembourg. This version was screened in 2006 by the American Museum of the Moving Image in New York City. Borzage also directed Farrell, opposite Janet Gaynor, in Seventh Heaven (1927), Street Angel (1928), and Lucky Star (1929) during this period.
Tess of the Storm Country is a 1932 American pre-Code drama film directed by directed by Alfred Santell and starring Janet Gaynor, Charles Farrell, and Dudley Digges. It was released by Fox Film Corporation. It is based on the novel of the same name by Grace Miller White and its adaptation for the stage by Rupert Hughes.
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The Racquet Club was a resort in Palm Springs, California, founded by actors Charles Farrell and Ralph Bellamy, which opened on December 15, 1934. Originally designed to include two tennis courts, it expanded to include additional courts, the "Bamboo Room" bar, bungalows, and a swimming pool.
Merely Mary Ann is a 1903 play by British author Israel Zangwill. It is based on his own work of the same name, written in 1893 and later included in The Grey Wig (1903). It has four acts and three settings. The story explores the changing relationship between the younger son of a baronet, who has forsaken inheritance for composing, and an orphaned country girl, now working in a cheap London lodging house.
Media related to Merely Mary Ann (1931 film) at Wikimedia Commons