The Gunfighter | |
---|---|
Directed by | Henry King |
Screenplay by | William Bowers William Sellers |
Produced by | Nunnally Johnson |
Starring | Gregory Peck Helen Westcott Millard Mitchell Jean Parker Karl Malden |
Cinematography | Arthur C. Miller |
Edited by | Barbara McLean |
Music by | Alfred Newman |
Color process | Black and white |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 85 minutes |
Country | United States |
Language | English |
Box office | $1,950,000 (US rentals) [1] [2] |
The Gunfighter is a 1950 American Western film directed by Henry King and starring Gregory Peck, Helen Westcott, Millard Mitchell and Karl Malden. It was written by screenwriters William Bowers and William Sellers, with an uncredited rewrite by writer and producer Nunnally Johnson, from a story by Bowers, Roger Corman, and screenwriter and director Andre de Toth. The film was the second of King's six collaborations with Peck.
It was nominated for Best Motion Picture Story for William Bowers and Andre de Toth during the 23rd Academy Awards.
A young, reckless cowboy named Eddie deliberately provokes an argument with notorious gunfighter Jimmy Ringo, who is widely known as the fastest draw in the West, making him the perpetual target of every young gunslinger eager to become famous as "the man who shot Ringo". When Eddie draws his pistol, Ringo has no choice but to kill him. Eddie's three brothers seek revenge and pursue Ringo as he leaves town. Ringo ambushes and disarms them, then drives off their horses. He tells them to walk back to town; instead, they obtain fresh horses from a nearby stable and resume their pursuit.
As Ringo rides to the town of Cayenne and settles into a corner of the local saloon, the barkeeper alerts the local marshal, Mark Strett. Strett is a reformed gunslinger and old friend of Ringo's; he urges his friend to leave, since his presence will surely cause undue trouble. Ringo agrees to go as soon as he sees his wife, Peggy, whom he has not seen in eight years, and his son, who doesn't even know he exists. Strett tells him Peggy has changed her surname to conceal their relationship and doesn't wish to see him. Two locals - merchant Jerry Marlowe and local thug Hunt Bromley - both decide to kill Ringo; Marlowe blames him for his son's murder and Bromley wants to be famous.
Ringo spots Marlowe aiming a rifle at him and disarms the man before locking him up, though he swears he didn't kill his son. Molly — another old friend — eventually persuades Peggy to talk to Ringo. Ringo tells her that he is weary of life as a gunfighter and, having seen how Strett turned his life around, wants to settle down. He intends to head west to California, or down to South America, where people do not know him, and invites Peggy to come with him. She refuses but agrees to reconsider in a year's time if he stays out of trouble until then. Ringo meets his son at last, but honors Peggy's wish not to tell the boy that he is his father.
Ringo's business in Cayenne is finished, but he has lingered too long. The three vengeful brothers try to ambush him outside of the saloon before Strett and his deputies intercept and apprehend them. Ringo saddles his horse and bids farewell to Peggy and his son, but Bromley then fatally shoots him in the back. As Ringo lies dying, he claims to have shot first, and asks Strett not to arrest his killer nor hang him. Bromley, he says, will soon learn as Ringo did that notoriety as a gunfighter is a curse that will follow him wherever he goes, making him an outcast for the rest of his life.
Strett gives Bromley a severe beating and banishes him from Cayenne, musing that it probably won't be long before "the man who shot Ringo" meets his own grisly fate. In death, Ringo has finally found what he sought for so long: his wife's forgiveness and reconciliation. At his well-attended public funeral, Peggy proudly reveals to the townspeople for the first time that she is Mrs. Jimmy Ringo and sits next to Strett as her husband is buried. The film ends with a shot of a silhouetted, unrecognizable cowboy riding off into the sunset.
The film rights to The Gunfighter were originally purchased by Columbia Pictures, which offered the Jimmy Ringo role to John Wayne. Wayne turned it down, despite having expressed a strong desire to play the part, because of his longstanding hatred for Columbia's president, Harry Cohn. Bowers had written the role with Wayne in mind but rejected selling it to him because of wanting to sell it for more money, which attracted the long-lasting bitterness of Wayne. Columbia subsequently sold the rights to 20th Century Fox, where the role went to Peck. Wayne's final film, The Shootist (1976), is often compared to The Gunfighter and contains numerous plot similarities. [3] [4]
The script was loosely based on the purported exploits of an actual western gunfighter named Johnny Ringo, a distant cousin of the outlaw Younger family and enemy of Doc Holliday and the Earp brothers. [5] As in the movie, Ringo sought a reconciliation with his estranged family, in California, in 1882; but unlike the film his conciliatory gestures were summarily rejected. After a ten-day alcoholic binge, he died of a gunshot wound, probably self-inflicted. [6] Many of the circumstances and legends surrounding Johnny Ringo's life and adventures have been challenged in recent years. [7]
The film was directed by Henry King, the second of his six collaborations with Peck. Others included the World War II film Twelve O'Clock High (1949), David and Bathsheba (1951), The Snows of Kilimanjaro (1952), The Bravados (1958) and Beloved Infidel (1959).
In the original ending, Hunt Bromley was arrested by the town marshal, but studio chief Darryl F. Zanuck was enraged at this resolution, so King and Johnson rewrote the final scene.[ citation needed ]
The studio hated Peck's authentic period mustache. In fact, Zanuck had been out of the country when production began. When he returned and saw the mustache King and Peck had chosen for Peck's character, he reportedly said "I would give $25,000 of my own money to get that mustache off Peck." [8] [9]
Aside from its Oscar nomination, the film was also nominated for a WGA Award for Best Written American Western. Writing for The New York Times , Bosley Crowther noted in his June 24, 1950, review:
"The addicts of Western fiction may find themselves rubbing their eyes and sitting up fast to take notice before five minutes have gone by in Twentieth Century Fox's The Gunfighter, which came to the Roxy yesterday. For suddenly they will discover that they are not keeping company with the usual sort of hero of the commonplace Western at all. Suddenly, indeed, they will discover that they are in the exciting presence of one of the most fascinating Western heroes as ever looked down a six-shooter's barrel." [10]
Variety's website review says "There's never a sag or off moment in the footage ...despite all the tight melodrama, the picture finds time for some leavening laughter. Gregory Peck perfectly portrays the title role, a man doomed to live out his span killing to keep from being killed. He gives it great sympathy and a type of rugged individualism that makes it real." [11] Ronald Bergen says it "has gained in critical appreciation over the years and is now considered one of the all-time great westerns" [12]
Stanley Kauffmann of The New Republic described The Gunfighter as an 'excellent western'. [13] On Rotten Tomatoes, the film holds a score of 100% from 16 reviews. [14]
The film was nominated for Best Motion Picture Story for writers William Bowers and André de Toth during the 23rd Academy Awards. The award went to the husband and wife team of Edna Anhalt and Edward Anhalt for Panic in the Streets .
Another version of the story appeared in 1957 in the series The 20th Century Fox Hour entitled "The End of a Gun", with Richard Conte in the role of Jimmy Ringo.
Bob Dylan referenced scenes from The Gunfighter in his song "Brownsville Girl", co-written by playwright Sam Shepard. It appears on Dylan's 1986 release Knocked Out Loaded . Peck paid tribute to Dylan's words when Dylan received the Kennedy Center Honors in 1997. [15] Elmore Leonard features two characters in conversation about The Gunfighter in his novel, City Primeval. [16]
The Ox-Bow Incident is a 1943 American Western film directed by William A. Wellman, starring Henry Fonda, Dana Andrews and Mary Beth Hughes, with Anthony Quinn, William Eythe, Harry Morgan and Jane Darwell. Two cowboys arrive in a Western town, when news arrives that a local rancher has been murdered and his cattle stolen. The townspeople, joined by the two cowboys and cowboys from other ranches, form a posse to catch the perpetrators. They find three men in possession of the cattle, and are determined to see justice done on the spot.
Eldred Gregory Peck was an American actor and one of the most popular film stars from the 1940s to the 1970s. In 1999, the American Film Institute named Peck the 12th-greatest male star of Classic Hollywood Cinema.
Darryl Francis Zanuck was an American film producer and studio executive; he earlier contributed stories for films starting in the silent era. He played a major part in the Hollywood studio system as one of its longest survivors. He produced three films that won the Academy Award for Best Picture during his tenure at 20th Century Fox.
Millard Mitchell was a Cuban-born American character actor whose credits include roughly 30 feature films and two television appearances.
Jay C. Flippen was an American character actor who often played crusty sergeants, police officers or weary criminals in many 1940s and 1950s pictures, particularly in film noir. Before his motion-picture career he was a leading vaudeville comedian and master of ceremonies.
Jesse Kenneth Tobey was an American actor active from the early 1940s into the 1990s, with over 200 credits in film, theatre, and television. He is best known for his role as a captain who takes charge of an Arctic military base when it is attacked by a plant-based alien in The Thing from Another World (1951), and a starring role in the 1957-1960 Desilu Productions TV series Whirlybirds.
"Brownsville Girl" is a song from Bob Dylan's 1986 album, Knocked Out Loaded, recorded in May of that year. It is notable for its length, over 11 minutes, and for being co-written by playwright Sam Shepard. The song is a reworked version of a December 1984 outtake from the Empire Burlesque sessions entitled "New Danville Girl". It was anthologized on the compilation albums Bob Dylan's Greatest Hits Volume 3 in 1994 and Dylan in 2007.
David and Bathsheba is a 1951 Technicolor epic film produced by 20th Century-Fox and starring Gregory Peck as King David. It was directed by Henry King and produced by Darryl F. Zanuck, with a screenplay by Philip Dunne and cinematography by Leon Shamroy.
William Bowers was an American reporter, playwright, and screenwriter. He worked as a reporter in Long Beach, California and for Life magazine, and specialized in writing comedy-westerns. He also turned out several thrillers.
Beloved Infidel is a 1959 American DeLuxe Color biographical drama film made by 20th Century Fox in CinemaScope and based on the relationship of F. Scott Fitzgerald and Sheilah Graham. The film was directed by Henry King and produced by Jerry Wald from a screenplay by Sy Bartlett, based on the 1957 memoir by Sheilah Graham and Gerold Frank. The music score was by Franz Waxman, the cinematography by Leon Shamroy and the art direction by Lyle R. Wheeler and Maurice Ransford. The film was the sixth and final collaboration between King and Peck.
John M. Pickard was an American actor who appeared primarily in television Westerns.
James Edward Grant was an American short story writer, screenwriter and film director, who contributed to more than fifty films between 1935 and 1971. He collaborated with John Wayne on twelve projects, starting with Angel and the Badman in 1947 through Circus World in 1964. Support Your Local Gunfighter was released in 1971, five years after his death.
Charles Bert Hayward was an American motion picture stuntman and actor. He was associated particularly with the films of John Wayne. He doubled for most of the great Western and action stars of the 1950s-1980s.
John Mitchum was an American actor from the 1940s to the 1970s in film and television. The younger brother of the actor Robert Mitchum, he was credited as Jack Mitchum early in his career.
The Sun Also Rises is a 1957 American drama film adaptation of the 1926 Ernest Hemingway novel of the same name directed by Henry King. The screenplay was written by Peter Viertel and it starred Tyrone Power, Ava Gardner, Mel Ferrer, and Errol Flynn. Much of it was filmed on location in France and Spain as well as Mexico in Cinemascope and color by Deluxe. A highlight of the film is the famous "running of the bulls" in Pamplona, Spain and two bullfights.
Night People is a 1954 American thriller film directed, produced and co-written by Nunnally Johnson and starring Gregory Peck, Broderick Crawford, Anita Björk and Buddy Ebsen. The story was co-written by Jed Harris, the theatrical producer.
Now I'll Tell is a 1934 American Pre-Code drama film directed by Edwin J. Burke starring Spencer Tracy, Helen Twelvetrees, and Alice Faye. It was produced by Fox Film shortly before the company's merger with Twentieth Century Pictures. It marked the final screen appearance of former silent star Alice Calhoun.
Moss Rose is a 1947 American film noir mystery film directed by Gregory Ratoff and starring Peggy Cummins, Victor Mature and Ethel Barrymore. It is an adaptation of the 1934 novel Moss Rose by Marjorie Bowen based on a real-life Victorian murder case.
Sierra Baron is a 1958 American Western CinemaScope color film directed by James B. Clark and starring Brian Keith, Rick Jason and Rita Gam, from the novel by Thomas W. Blackburn.
Ted Mapes was an American character actor, who was also a prolific stuntman and body double. Born on November 25, 1901, in St. Edward, Nebraska, he moved to Los Angeles in his mid-20s, and entered the film industry in 1929, first as a grip, and then as a stuntman and actor. He doubled for many famous actors, including Jimmy Stewart and Gary Cooper. His film and television career spanned forty years, during which time he appeared in hundreds of films and television shows, either as an actor, stuntman or body double. After his career in front of the camera ended in 1969, Mapes became an advocate for animal safety in films, working as an observer on sets for the American Humane Association.