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Michael Lorenz | |
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| Born | 18 July 1958 Vienna, Austria |
| Occupation | Musicologist |
| Alma mater | University of Vienna |
| Subject | Musicology, Mozart scholarship, Schubert scholarship |
Michael Lorenz (born 18 July 1958) is an Austrian musicologist, noted as a Mozart scholar and for his archival work combining music history and genealogical research. [1] [2]
Born in Vienna, Lorenz studied cello and oboe at the University of Music and Performing Arts Vienna, where he obtained his diploma in 1990, and musicology at the University of Vienna with a PhD in 2001. From 2001 to 2005 he was chair of the International Franz Schubert Institute. Lorenz has received grants from the Jubilee Foundation of Oesterreichische Nationalbank, the Austrian Science Fund and the Music & Letters Trust. After having worked with the Esterházy Foundation, he is currently[ when? ] doing research based on a grant from the Jubilee Foundation of city of Vienna. In 2014 and 2016 he was employed as a lecturer at the Institute of Musicology at the University of Vienna.
Lorenz has written about Wolfgang Amadeus Mozart, Ludwig van Beethoven, Joseph Haydn and Franz Schubert. [3] He is the author of biographical articles for
Emanuel Schikaneder was a German impresario, dramatist, actor, singer, and composer. He wrote the libretto of Wolfgang Amadeus Mozart's opera The Magic Flute and was the builder of the Theater an der Wien. Peter Branscombe called him "one of the most talented theatre men of his era". Aside from Mozart, he worked with Salieri, Haydn and Beethoven.
Maria Josepha Weber was a German soprano of the classical era. She was a sister-in-law of Wolfgang Amadeus Mozart, and the first to perform the role of The Queen of the Night in Mozart's opera The Magic Flute (1791).
(Friedrich) Sebastian Mayer was a bass singer and stage director of the Classical era.
The Theater auf der Wieden, also called the Freihaus-Theater auf der Wieden or the Wiednertheater, was a theater located in the then-suburban Wieden district of Vienna in the late 18th century. It existed for only 14 years (1787–1801), but during this time it was the venue for the premiere of no fewer than 350 theatrical works, of which the most celebrated was Mozart's opera The Magic Flute. During most of this period the director of the theater was Emanuel Schikaneder, remembered today as librettist and impresario of The Magic Flute.
Maria Sophie Weber (1763–1846) was a singer of the 18th and 19th centuries. She was the younger sister of Wolfgang Amadeus Mozart's wife, Constanze, and is remembered primarily for the testimony she left concerning the life and death of her brother-in-law.
Franz Adolf Friedrich Schober, since 1801 von Schober, was a poet, librettist, lithographer, actor in Breslau and Legationsrat in Weimar.
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Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil is a "grand heroic-comic opera" in two acts composed in 1798 by Peter von Winter to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue. The opera is a sequel of Mozart's The Magic Flute.
Rita Katherine Steblin was a musicologist, specializing in archival work combining music history, iconography and genealogical research.
Ernst Hilmar was an Austrian librarian, editor, and musicologist.
David Joseph Buch is an American musicologist.
Johann Baptist Henneberg was an Austrian composer, pianist, organist and Kapellmeister.
Werner Bodendorff is a German oboist, musicologist as well as a writer.
Hans Schmidt was a German musicologist.
The Mozart and Schubert scholar Michael Lorenz
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