Walker Evans was an American photographer and photojournalist best known for his work for the Resettlement Administration and the Farm Security Administration (FSA) documenting the effects of the Great Depression. Much of Evans' New Deal work uses the large format, 8 × 10-inch (200×250 mm) view camera. He said that his goal as a photographer was to make pictures that are "literate, authoritative, transcendent".
Software art is a work of art where the creation of software, or concepts from software, play an important role; for example software applications which were created by artists and which were intended as artworks. As an artistic discipline software art has attained growing attention since the late 1990s. It is closely related to Internet art since it often relies on the Internet, most notably the World Wide Web, for dissemination and critical discussion of the works. Art festivals such as FILE Electronic Language International Festival, Transmediale (Berlin), Prix Ars Electronica (Linz) and readme have devoted considerable attention to the medium and through this have helped to bring software art to a wider audience of theorists and academics.
Transmediale, stylised as transmediale, is an annual festival for art and digital culture in Berlin, usually held over three to five days at the end of January and the beginning of February. transmediale takes the form of a conference, an exhibition, and a film and video programme that often contain or support performances and workshops. Throughout the year, transmediale is also involved in a number of long- and short-term cooperative projects. From its initial focus on video culture, it came to cultivate an artistic and critical dialogue with television and multimedia, emerging as the leading international platform for media art.
The Cornell University Library is the library system of Cornell University. As of 2014, it holds over eight million printed volumes and over a million ebooks. More than 90 percent of its current 120,000 periodical titles are available online. It has 8.5 million microfilms and microfiches, more than 71,000 cubic feet (2,000 m3) of manuscripts, and close to 500,000 other materials, including motion pictures, DVDs, sound recordings, and computer files, extensive digital resources, and the University Archives. It is the 16th-largest library in North America, ranked by number of volumes held, and the 13th-largest research library in the U.S. by both titles and volumes held.
Yoshi Sodeoka is a Japanese-born multimedia artist and musician renowned for his exploration of video, gifs, print and NFTs. Trained as an oil painter from the age of 5 and guitarist from the age of 13, Sodeoka's early immersion in traditional art informs his approach to digital expression. His career has spanned three decades.
Sherrie Levine is an American photographer, painter, and conceptual artist. Some of her work consists of exact photographic reproductions of the work of other photographers such as Walker Evans, Eliot Porter and Edward Weston.
Nathaniel Stern is an American/South African interdisciplinary artist who works in a variety of media, including photography, interactive art, public art interventions, installation, video art, net.art and printmaking. He is currently a Professor of Art and Mechanical Engineering at the University of Wisconsin–Milwaukee.
Scott Kildall is an American conceptual artist working with new technologies in a variety of media including video art, prints, sculpture and performance art. Kildall works broadly with virtual worlds and in the net.art movement. His work centers on repurposing technology and repackaging information from the public realm into art.
In art, appropriation is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts. In the visual arts, "to appropriate" means to properly adopt, borrow, recycle or sample aspects of human-made visual culture. Notable in this respect are the readymades of Marcel Duchamp.
The Free Art and Technology Lab a.k.a. F.A.T. Lab was a collective of artists, engineers, scientists, lawyers, and musicians, dedicated to the merging of popular culture with open source technology. F.A.T. Lab was known for producing artwork critical of traditional Intellectual Property Law in the realm of new media art and technology. F.A.T. Lab has historically created work intended for the public domain, but has also released work under various open licenses. Their commitment is to support "open values and the public domain through the use of emerging open licenses, support for open entrepreneurship and the admonishment of secrecy, copyright monopolies and patents. F.A.T. Lab's mission has been approached through various methods of placing open ideals into the mainstream popular culture, including work with the New York Times, MTV, the front page of YouTube and in the Museum of Modern Art permanent collection."
Marc Lee is a Swiss new media artist working in the fields of interactive installation art, internet art, performance art and video art.
Print Wikipedia is an art project by Michael Mandiberg that included a printed edition of 106 volumes of the English Wikipedia as it existed on 7 April 2015. The bound paper volumes, each running 700 pages, represented a fraction of the 7,473 total volumes necessary to render the encyclopedia's extant text on that date. As first shown at the Denny Gallery in New York City, United States, during summer 2015, the project included a display of the spines of the first 1,980 volumes in the set. The 106 printed volumes included only text of the encyclopedia articles: images and references were omitted. Supplementing the printed volumes of encyclopedia articles, additional print volumes included the appendix to all 7.5 million contributors to English Wikipedia and a table of contents.
Art and Feminism is an annual worldwide edit-a-thon to add content to Wikipedia about women artists, which started in 2014. The project has been described as "a massive multinational effort to correct a persistent bias in Wikipedia, which is disproportionately written by and about men".
Morehshin Allahyari is an Iranian media artist, activist, and writer based in New York. Her work questions current political, socio-cultural, and gender norms, particularly exploring the relationship between technology, history, and art activism. Allahyari’s artworks include 3D-printed objects, videos, experimental animation, web art, and publications. As a 2017 Research Resident at Eyebeam, Allahyari also worked on the concept of "Digital Colonialism"; a term she has coined since 2015.
John T. Hill is an American artist. His work focuses mainly on design and photography. John T. Hill has recently published a book of his photographs, Random Access: Photographs by John T. Hill. A second volume, Winnowing, is in gestation.
Norman M. Klein is an American urban and media historian, as well as an author of fictional works. In 2011, the Los Angeles Times put Klein's 1997 book The History of Forgetting: Los Angeles and the Erasure of Memory on its "Best L.A. Books" list.
Coded Cultures is a conference and festival series developed by the Austrian artist collective 5uper.net and since 2016 is included in the Research Institute for Arts and Technology. The first Coded Cultures focused on the theme 'Decoding Digital Culture' and took place over two weeks in May 2004 at the Museumsquartier in Vienna. The 2009 version of the conference and festival was a bi-national event that took part in Austria and Japan as part of the official "Japan - Austria Friendship Year 2009". Further implementations of the festival have discussed topics such as Open Source Hardware, Right to repair, New media art and digital art in cooperation with the apertus AXIOM project and the University of Applied Arts Vienna, the Transmediale Festival and the ISEA.
Thorsten Zwinger is a German painter.
LaTurbo Avedon is an avatar artist, curator, the designer and founder of Panther Modern. Their work emphasizes the practice of nonphysical identity and authorship since 2008–2009. They have explored the growing relationship between users and virtual environments. They create this body of work using the simulation tools of the current moment. The genesis of their identity occurred in various profile creation processes, eventually taking a more rigid form in Second Life.
Norman Seaton Ives (1923–1978) was an American artist, graphic designer, educator, and fine art publisher. He co-founded Ives-Sillman, Inc. alongside Sewell Sillman, which published silkscreen prints and photographs in monographic art portfolios.
