Michael Mandiberg | |
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Born | |
Education | Brown University Rhode Island School of Design California Institute of the Arts |
Known for | Internet art |
Notable work | Shop Mandiberg, The Red Project, Oil Standard, The Real Costs |
Awards | Turbulence Project Award, Rhizome Commission, 2007–08 Eyebeam Fellowship, 2008–09 Eyebeam Senior Fellow |
Michael Mandiberg (born December 22, 1977) is an American artist, programmer, designer and educator.
Mandiberg's works have been exhibited at venues, including the New Museum for Contemporary Art, New York City; the transmediale festival, Berlin; [1] the Center for Art and Media Karlsruhe (ZKM) in Karlsruhe, Germany; [2] and the Ars Electronica Center located in Linz, Austria. Mandiberg's work has also been featured in books like Tribe and Jana's New Media Art, Greene's Internet Art, and Blais and Ippolito's At the Edge of Art. [3] Mandiberg has been written about in The New York Times , Los Angeles Times , the Berliner Zeitung , and Wired .
Mandiberg is a Professor of Media Culture at the College of Staten Island [4] and a Fellow at Eyebeam in New York City.
Mandiberg is the author of Digital Foundations, a book which teaches the Bauhaus Basic Course through design software. This work received praise from creatives such as Ellen Lupton and C. E. B. Reas. [5] Mandiberg is a writer for Digital Foundations and Anti-Advertising Agency blogs.[ citation needed ]
Mandiberg founded New York Arts Practicum, "a summer arts institute where participants experientially learn to bridge their lives as art students into lives as artists in the world." [6] Mandiberg also convened the event Experiments in Extra-Institutional Education at City University of New York on April 11, 2013, [7] which led to a special issue of the academic journal Social Text [8] and a yearlong seminar on similar topics co-organized with Carla Herrera-Prats, Cynthia Lawson Jaramillo, and Jennifer Stoops. [9]
Software art is a work of art where the creation of software, or concepts from software, play an important role; for example software applications which were created by artists and which were intended as artworks. As an artistic discipline software art has attained growing attention since the late 1990s. It is closely related to Internet art since it often relies on the Internet, most notably the World Wide Web, for dissemination and critical discussion of the works. Art festivals such as FILE Electronic Language International Festival, Transmediale (Berlin), Prix Ars Electronica (Linz) and readme have devoted considerable attention to the medium and through this have helped to bring software art to a wider audience of theorists and academics.
Transmediale, stylised as transmediale, is an annual festival for art and digital culture in Berlin, usually held over five days at the end of January and the beginning of February. Transmediale takes the form of a conference, an exhibition, and a film and video program that often contain or support performances and workshops. Throughout the year, transmediale is also involved in a number of long- and short-term cooperative projects via transmediale/resource. From its initial focus on video culture, it came to cultivate an artistic and critical dialogue with television and multimedia, emerging as the leading international platform for media art.
The Cornell University Library is the library system of Cornell University. As of 2014, it holds over 8 million printed volumes and over a million ebooks. More than 90 percent of its current 120,000 periodical titles are available online. It has 8.5 million microfilms and microfiches, more than 71,000 cubic feet (2,000 m3) of manuscripts, and close to 500,000 other materials, including motion pictures, DVDs, sound recordings, and computer files in its collections, in addition to extensive digital resources and the University Archives. It is the sixteenth largest library in North America, ranked by number of volumes held. It is also the thirteenth largest research library in the U.S. by both titles and volumes held.
Sherrie Levine is an American photographer, painter, and conceptual artist. Some of her work consists of exact photographic reproductions of the work of other photographers such as Walker Evans, Eliot Porter and Edward Weston.
Nathaniel Stern is an American/South African interdisciplinary artist who works in a variety of media, including photography, interactive art, public art interventions, installation, video art, net.art and printmaking. He is currently a Professor of Art and Mechanical Engineering at the University of Wisconsin–Milwaukee.
Scott Kildall is an American conceptual artist working with new technologies in a variety of media including video art, prints, sculpture and performance art. Kildall works broadly with virtual worlds and in the net.art movement. His work centers on repurposing technology and repackaging information from the public realm into art. He often invites others to participate in the work.
Appropriation in art is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts. In the visual arts, to appropriate means to properly adopt, borrow, recycle or sample aspects of human-made visual culture. Notable in this respect are the Readymades of Marcel Duchamp.
Wikimedia Commons is a media repository of free-to-use images, sounds, videos and other media. It is a project of the Wikimedia Foundation.
The Paula Cooper Gallery is an art gallery in New York City, founded in 1968 by Paula Cooper.
The Free Art and Technology Lab a.k.a. F.A.T. Lab was a collective of artists, engineers, scientists, lawyers, and musicians, dedicated to the merging of popular culture with open source technology. F.A.T. Lab was known for producing artwork critical of traditional Intellectual Property Law in the realm of new media art and technology. F.A.T. Lab has historically created work intended for the public domain, but has also released work under various open licenses. Their commitment is to support "open values and the public domain through the use of emerging open licenses, support for open entrepreneurship and the admonishment of secrecy, copyright monopolies and patents. F.A.T. Lab's mission has been approached through various methods of placing open ideals into the mainstream popular culture, including work with the New York Times, MTV, the front page of YouTube and in the Museum of Modern Art permanent collection."
LAb[au] is an artist group founded 1997 in Brussels, Belgium with the aim to examine the influence of advanced technologies in the forms, methods and content of art. Members are: Manuel Abendroth, Jérôme Decock, and Els Vermang. Former members were: co-founder Naziha Mestaoui, Grégoire Verhaegen, Pieter Heremans and Alexandre Plennevaux.
New Radio and Performing Arts, Inc. (NRPA), and its satellite project Turbulence.org, was an American organization that commissioned and archived new and experimental radio art, sound art, net art and mixed reality art. It was founded in 1981 by Helen Thorington. In 2003, NRPA opened an office in Boston, Massachusetts. The organization closed in December 2017.
Ursula Endlicher is a New York City based Austrian multi-media artist who creates works in the fields of internet art, performance art and installation art.
Marc Lee is a Swiss new media artist working in the fields of interactive installation art, internet art, performance art and video art.
Print Wikipedia is an art project by Michael Mandiberg that included a printed edition of 106 volumes of the English Wikipedia as it existed on April 7, 2015. The bound paper volumes, each running 700 pages, represented a fraction of the 7,473 total volumes necessary to render the encyclopedia's extant text on that date. As first shown at the Denny Gallery in New York City, United States, during summer 2015, the project included a display of the spines of the first 1,980 volumes in the set. The 106 printed volumes included only text of the encyclopedia articles: images and references were omitted. Supplementing the printed volumes of encyclopedia articles, additional print volumes included the appendix to all 7.5 million contributors to English Wikipedia and a table of contents.
Art and Feminism is an annual worldwide edit-a-thon to add content to Wikipedia about women artists, which started in 2014. The project has been described as "a massive multinational effort to correct a persistent bias in Wikipedia, which is disproportionately written by and about men".
Norman M. Klein is an American urban and media historian, as well as an author of fictional works. In 2011, the Los Angeles Times put Klein's 1997 book The History of Forgetting: Los Angeles and the Erasure of Memory on its "Best L.A. Books" list.
LaTurbo Avedon is an avatar artist, curator, the designer and founder of Panther Modern. Their work emphasizes the practice of nonphysical identity and authorship since 2008–2009. They have explored the growing relationship between users and virtual environments. They create this body of work using the simulation tools of the current moment. The genesis of their identity occurred in various profile creation processes, eventually taking a more rigid form in Second Life.
Norman Seaton Ives (1923–1978) was an American artist, graphic designer, educator, and fine art publisher. He co-founded Ives-Sillman, Inc. alongside Sewell Sillman, which published silkscreen prints and photographs in monographic art portfolios.
Scott Stover is a philanthropy advisor specializing in arts and culture. He is known for his progressive venture philanthropy model and providing strategic planning and implementation services to cultural institutions, private art collectors, artists, foundations, and government and civic agencies. Most notably, Stover revived the Centre Pompidou Foundation in 2005. He is an art collector and a leading figure in international cultural conversation and arts media. Stover holds dual U.S. and French citizenship and has offices in Los Angeles and France.