Latin hip hop is hip hop music that is recorded by artists in the United States of Hispanic and Latino descent, along with Spanish-speaking countries in the Caribbean, North America, Central America, South America, and Spain.
East Coast hip hop is a regional subgenre of hip hop music that originated in New York City during the 1970s. Hip hop is recognized to have originated and evolved first in The Bronx, New York City.
Southern hip hop, also known as Southern rap, South Coast hip hop, or dirty south, is a blanket term for a regional genre of American hip hop music that emerged in the Southern United States, especially in Georgia, Texas, Louisiana, Tennessee, and Florida—often titled “The Big 5,” five states which constitute the "Southern Network" in rap music.
Hip hop music has been popular in Africa since the early 1980s due to widespread African American influence. In 1985, hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were Munyaradzi Nhidza Lida, M.C. Solaar, and Positive Black Soul.
Basehead, also known as dc Basehead and Basehead 2.0, is an American alternative hip hop and rock group formed by Michael Ivey in 1992. Ivey serves as the group's songwriter and leader, performing vocals and various instruments. Basehead's 1992 debut album, Play with Toys, was recorded at Ivey's home with various studio musicians. Ivey formed a touring band for live performances, which contributed to Basehead's second album, Not in Kansas Anymore. The group's current lineup consists of Ivey, drummer Aaron Burroughs and bassist Brendan Ciotta.
The Universal Zulu Nation is an international hip hop awareness group formed by and formerly led by hip hop artist Afrika Bambaataa.
Christian hip hop is a cross-genre of contemporary Christian music and hip hop music. It emerged from urban contemporary music and Christian media in the United States during the 1980s.
The Five-Percent Nation, sometimes referred to as the Nation of Gods and Earths (NGE/NOGE) or the Five Percenters, is an Afro-American Nationalist movement influenced by Islam that was founded in 1964 in the Harlem section of the borough of Manhattan, New York City, by Clarence 13X, who was previously known as Clarence Edward Smith.
Tanzanian Hip-hop, which is sometimes referred to Bongo Flava by many outside of Tanzania's hip hop community, encompasses a large variety of different sounds, but it is particularly known for heavy synth riffs and an incorporation of Tanzanian pop.
New Zealand hip hop derives from the wider hip hop cultural movement originating amongst African Americans in the United States. Like the parent movement, New Zealand hip hop consists of four parts: rapping, DJing, graffiti art and breakdancing. The first element of hip hop to reach New Zealand was breakdancing, which gained notoriety after the release of the 1979 movie The Warriors. The first hip hop hit single, "Rapper's Delight" by the Sugarhill Gang, became a hit in New Zealand when it was released there in 1980, a year after it was released in the United States. By the middle of the 1980s, breakdancing and graffiti art were established in urban areas like Wellington and Christchurch. By the early 1990s, hip hop became a part of mainstream New Zealand culture.
Hip hop or hip-hop is a culture and art movement that was created by African Americans, starting in the Bronx, New York City. Pioneered from Black American street culture, that had been around for years prior to its more mainstream discovery, it later reached other groups such as Latino Americans and Caribbean Americans. Hip-hop culture has historically been shaped and dominated by African American men, though female hip hop artists have contributed to the art form and culture as well. Hip hop culture is characterized by the key elements of rapping, DJing and turntablism, and breakdancing; other elements include graffiti, beatboxing, street entrepreneurship, hip hop language, and hip hop fashion. From hip hop culture emerged a new genre of popular music, hip hop music.
Rob Wilson, better known by his stage name Fresh I.E., is a Christian rap artist from Winnipeg, Manitoba, Canada.
Illmatic is the debut studio album by the American rapper Nas. It was released on April 19, 1994, by Columbia Records. After signing with the label with the help of MC Serch, Nas recorded the album in 1992 and 1993 at Chung King Studios, D&D Recording, Battery Studios, and Unique Recording Studios in New York City. The album's production was handled by DJ Premier, Large Professor, Pete Rock, Q-Tip, L.E.S., and Nas himself. Styled as a hardcore hip hop album, Illmatic features multi-syllabic internal rhymes and inner-city narratives based on Nas' experiences growing up in the Queensbridge Houses in Queens, New York.
Hip hop or hip-hop, also known as rap and formerly as disco rap, is a genre of popular music that originated in the early 1970s from the African American community. Hip-hop music originated as an anti-drug and anti-violence genre consisting of stylized rhythmic music that often accompanies rapping, a rhythmic delivery of poetic speech. In the early 1990s, a professor of African American studies at Temple University said, "Hip-hop is something that blacks can unequivocally claim as their own." By the 21st century, the field of rappers had diversified by both race and gender. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art. While often used to refer solely to rapping and rap music, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of the culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.
Following an historical process of appropriation of American popular music by Senegal, hip hop emerged in the Senegalese capital city in the early mid- 1980s. Although hip hop galsen is now famous for its diverse musical productions, the movement there spread out from its dancing appeal rather than from its musical one. Indeed, Senegalese hip hop artists initially participated in this movement as smurfer, breakdancer, B-boy in general performing during organised podiums. Schools, nightclubs and other temporary public stages thus played an essential role in amplifying this movement in Dakar. Besides, and in contrast to American hip hop, which grew from the youth in the inner city ghettos, hip hop in Dakar began among a somehow middle-class youth who was able to access and/or introduce in their home place new ideas and new cultural expressions coming from abroad. Indeed, hip hop became popular in the capital city through the intensive through informal circulation of VH7 cassettes and recorded videos, which were imported from USA or France by diaspora people.
The Cross Movement was a Christian hip hop group from Philadelphia, Pennsylvania.
Progressive rap is a broad subgenre of hip hop music that aims to progress the genre thematically with socially transformative ideas and musically with stylistic experimentation. Developing through the works of innovative US hip hop acts during the 1980s and 1990s, it has also been known at various points as conscious, underground, and alternative hip hop.
A number of hip hop artists in the United States are followers of Islam. Although some Muslims believe some or most forms of music are haram, these artists do not necessarily consider themselves as practicing orthodox Muslims.
Conrad Bennette Tillard is an American Baptist minister, radio host, activist, politician, and author.
Hip Hop Therapy (HHT) is a contemporary approach in mental health treatment that takes into account the profound impact of Hip Hop culture and its capacity to promote individual and communal transformation. Dr. Edgar Tyson (1963-2018) coined the term and created the foundational model in 1996. Hip Hop therapy has evolved into a conceptual framework with significant global resonance. HHT refers to the purposeful use of Hip Hop culture by a mental health professional within the context of the therapeutic relationship. The approach embodies a wide array of interventions that mix the inherently cathartic components of the culture with well-established treatment models, from music therapy, poetry therapy and other expressive therapies to cognitive behavioral therapy and narrative therapy. Hip Hop therapy is a culturally relevant remix of therapeutic conceptions that revitalizes the many merits of established forms, including psychiatry, that have traditionally overlooked disenfranchised populations.
