Adrenalize is the fifth studio album by English rock band Def Leppard, released on 31 March 1992 through Mercury Records. It is the first album by the band recorded without guitarist Steve Clark, who died in 1991, although most songs were written and partially demoed before his death, they were re-recorded solo by Phil Collen in 1991-1992. It is the only album recorded by Def Leppard as a four-member band. Spawning seven singles, four of them – "Let's Get Rocked", "Make Love Like a Man", "Have You Ever Needed Someone So Bad", and "Stand Up " – were major hits.
In the Court of the Crimson King is the debut studio album by English progressive rock band King Crimson, released on 10 October 1969 by Island Records. The album is one of the earliest and most influential of the progressive rock genre, where the band combined the musical influences that rock music was founded upon with elements of jazz, classical, and symphonic music.
Fantasies & Delusions is the thirteenth and final studio album composed by American singer-songwriter Billy Joel, released in 2001. His only studio album to contain classical compositions, it features his longtime friend, the British-Korean pianist Richard Hyung-ki Joo, performing compositions written by Joel. It was Joel's 19th album to chart on the Billboard 200, reaching No. 83 in October 2001. The album debuted at No. 1 on Billboard′s Top Classical Albums chart.
"Baby Got Back" is a song written, co-produced and recorded by American rapper and songwriter Sir Mix-a-Lot. Released in May 1992 by Def American and Reprise as the second single from his third album, Mack Daddy, the song samples the 1986 Detroit techno single "Technicolor" by Channel One. At the time of its original release, the song caused controversy because of its outspoken and blatantly sexual lyrics objectifying women, as well as specific references to the buttocks, which some people found objectionable. The song's accompanying music video was briefly banned by MTV. Mix-a-Lot defended the song as being empowering to curvaceous women who were being shown skinny models as an ideal for beauty.
"Jump" is a song by American hip hop duo Kris Kross, released on February 6, 1992, as their first single from their debut studio album, Totally Krossed Out (1992). It achieved international success, topping charts in Switzerland, Australia, and the United States. Additionally, it was the third-best-selling song of 1992 in the United States, with sales of 2,079,000 physical copies that year. The song's accompanying music video was directed by Rich Murray and filmed in Atlanta. Billboard magazine featured "Jump" in their lists of "Billboard's Top Songs of the '90s" in 2019 and "500 Best Pop Songs of All Time" in 2023.
Orbital is the second studio album by English electronic music duo Orbital, released on 24 May 1993 by Internal and FFRR Records. Like the duo's debut album, the album was officially untitled.
Opus III were an English electronic music group who had success on the UK Singles and U.S. Dance charts. The group consisted of vocalist Kirsty Hawkshaw and producers/musicians Kevin Dodds, Ian Munro and Nigel Walton. The group members promoted a strong environmental and feminist message through their lyrics, album liner notes and photo and video imagery. Their biggest hit was "It's a Fine Day", which reached number five in the United Kingdom in February 1992. The song had previously been recorded by the singer Jane in 1983, and its lyrics had been taken from a song by poet Edward Barton.
Kirsty Hawkshaw is an English electronic music vocalist and songwriter. In addition to her work as a solo artist, she is known as the lead vocalist of early 1990s dance group Opus III, and her collaborative work with other musicians and producers.
"Halcyon" is a song written and performed by Orbital, dedicated to Phil and Paul Hartnoll's mother, who was addicted to the tranquilliser Halcion (Triazolam) for many years. It was released as Radiccio EP in the UK and Japan, and as Halcyon EP in the US.
William Alan Hawkshaw was a British composer and performer, particularly of library music used as themes for movies and television programs. Hawkshaw worked extensively for the KPM production music company in the 1950s to the 1970s, composing and recording many stock tracks that have been used extensively in film and TV.
Edward Barton is an English poet, artist and musician from Manchester, known for his eccentric stage performances and use of home-made instruments. He has had top 30 success as a songwriter with hits including "It's a Fine Day" - the tune of which was then used in Kylie Minogue's hit "Confide in Me" - "Halcyon" (Orbital) and "Happiness" (Pizzaman). He also wrote a trio of hits for Lost Witness - "Happiness Happening", "Red Sun Rising" and "7 Colours".
"It's a Fine Day" is a song written by English poet and musician Edward Barton. It was originally recorded a cappella in 1983 by Jane and later by Opus III, for whom it was a major international hit in 1992.
"Ooh Aah... Just a Little Bit" is the debut solo single of Australian singer Gina G. The song was written by British songwriters Simon Tauber and Steve Rodway, and released on 25 March 1996 as the first single from her debut album, Fresh! (1997). It reached No. 1 on the UK Singles Chart almost two months later and was also a number-one hit in Israel. In the US, the song peaked at No. 12 on the Billboard Hot 100. The song was the United Kingdom's entry in the Eurovision Song Contest 1996, held in Oslo, Norway, where it finished in eighth place. It was successful on the charts in Europe, Australia and the US, and was nominated for the Grammy Award for Best Dance Recording.
"When You Made the Mountain" is an "environmentally themed" electronica/dance song recorded by English electronic music group Opus III with vocals by Kirsty Hawkshaw. It was released in 1994 as the lead single from their second album, Guru Mother (1994), and received positive reviews from music critics. The track got as far as number 75 on the UK Singles Chart, but it would go all the way to number-one on the US Billboard Hot Dance Club Play chart, giving the act their second and final chart-topper in the United States.
Maurice White is the debut album by American singer and musician Maurice White released in September 1985 on Columbia Records. The album rose to number 12 upon the Billboard Top R&B Albums chart and No. 35 on the Dutch Album Top 100.
Mark Pritchard is an English electronic musician, currently signed to Warp. He has produced a large discography with a constant change of styles and genres, in both solo work under various aliases, and collaborations.
"I Talk to the Wind" is the second track from the British progressive rock band King Crimson's debut album, In the Court of the Crimson King.
"Kid" is a song written by Chrissie Hynde that was released on the Pretenders 1979 debut album Pretenders. Hynde wrote the song about a fictional boy discovering that his mother is a prostitute. The song's melodicism was attributed by guitarist James Honeyman-Scott to Hynde's growing interest in pop music. Honeyman-Scott wrote the song's solo, which he had designed over a couple of days.
"Gimme Some Love" is a song recorded by Australian singer-songwriter Gina G from her debut album, Fresh! (1997). Released in August 1997 by Eternal and WEA, it was the fifth single release by Gina G and the second single to be released in the US. She wrote the song with Bob Wainwright, John Collins, Mark Taylor and Richard Burton. In the UK, "Gimme Some Love" peaked at number 25, spending just two weeks in the UK top 75 and a further three weeks in the top 200. The second UK CD release contained remixes of "Higher Than Love", a Motiv8-produced song from the Fresh! album, which had previously been released on promotional vinyl.
If I Could Fly is the debut album by British dance music act Grace, consisting of DJs Paul Oakenfold and Steve Osborne, and jazz singer Dominique Atkins. It was released in 1996 and features their six hit singles; "Not Over Yet", "I Want to Live", "Skin on Skin", "Down to Earth", "If I Could Fly" and "Hand in Hand". Despite each of the singles reaching the UK top 40 between 1995 and 1997, the album failed to chart.
