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"I Talk to the Wind" | |
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Song by King Crimson | |
from the album In the Court of the Crimson King | |
Released | 12 October 1969 |
Recorded | 29 July 1969 |
Genre | |
Length | 6:05 |
Label | Atlantic |
Composer(s) | Ian McDonald |
Lyricist(s) | Peter Sinfield |
Producer(s) | King Crimson |
"I Talk to the Wind" is the second track from the British progressive rock band King Crimson's debut album, In the Court of the Crimson King (1969).
Starting immediately after the cacophony that ends "21st Century Schizoid Man", the mood of this song is a stark contrast; it is serene, simple and peaceful. Ian McDonald's flute begins the song, and is one of the lead instruments throughout. [3] He also plays a classical-inspired solo in the middle of the song as a "C" section and a longer one at the end as a coda.
An earlier demo version of this song may be found on the now out-of-print LP A Young Person's Guide to King Crimson , which featured Robert Fripp (guitar), Peter Giles (bass), Michael Giles (drums), and Ian McDonald (flute), along with Judy Dyble (formerly of Fairport Convention) on vocals. [4] This version was more up-tempo and lighter in instrumentation. The Young Person's Guide recording and another demo of the same song were recorded in 1968 by Giles, Giles and Fripp. The song did not actually appear on a Giles, Giles and Fripp record until The Brondesbury Tapes (1968) was released on CD in 2002. [5] There are actually two recordings of "I Talk to the Wind" on this CD; one features vocals by Judy Dyble, and the other features vocals by Peter Giles.
"I Talk to the Wind" | ||||
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Single by Opus III | ||||
from the album Mind Fruit | ||||
B-side | "Sea People" | |||
Released | 15 June 1992 [6] | |||
Studio |
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Genre | ||||
Length | 4:06 | |||
Label | PWL International | |||
Songwriter(s) | ||||
Producer(s) | Opus III | |||
Opus III singles chronology | ||||
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Music video | ||||
"I Talk to the Wind" on YouTube |
In 1992, the song was covered by English electronic music group Opus III, whose lead vocalist was Kirsty Hawkshaw. It was released in June 1992 by PWL International as the follow-up to their successful "It's a Fine Day" and the second single from their debut album, Mind Fruit (1992). The single peaked at number six in Finland, number 52 in the United Kingdom and number 162 in Australia. The accompanying music video for "I Talk to the Wind" is similar to the video for "It's a Fine Day", featuring Hawkshaw with her head shaved and dressed in a silvery bodysuit with silver boots and silver make-up.
AllMusic editor MacKenzie Wilson felt the group's "crafty version" of King Crimson's "I Talk to the Wind" "composes a dreamy synthetic wave." He also noted Kirsty Hawkshaw's "dove-like vocals transcended into freewheeling soundscapes". [7] Randy Clark from Cashbox wrote that her "childlike and breathy voice blows through this dance track like a gentle breeze." [8] Dave Simpson from Melody Maker viewed it as "another sublime reinvention". [9] Andy Beevers from Music Week opined that the song is similar in style to "It's a Fine Day", "but is nowhere as special." [10] Roger Morton from NME praised it as "excellent". [11] Siân Pattenden from Smash Hits gave it two out of five, remarking that "the flutes whisper along merrily with the bubbly syntheramic background". [12]
Chart (1992) | Peak position |
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Australia (ARIA) | 162 |
Europe (Eurochart Hot 100) [13] | 88 |
Finland (IFPI) [14] | 6 |
UK Singles (OCC) | 52 |
UK Dance ( Music Week ) [15] | 48 |
King Crimson were an English-based progressive rock band formed in London in 1968. Led by guitarist Robert Fripp, they drew inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, blues, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following, especially in the 21st century.
Robert Fripp is an English musician, songwriter, record producer, and author, best known as the guitarist, founder and longest-lasting member of the progressive rock band King Crimson. He has worked extensively as a session musician and collaborator, notably with David Bowie, Blondie, Brian Eno, Peter Gabriel, Daryl Hall, the Roches, Talking Heads, and David Sylvian. He also composed the startup sound of Windows Vista, in collaboration with Tucker Martine and Steve Ball. His discography includes contributions to more than 700 official releases.
Peter John Sinfield is an English poet and songwriter. He is best known as a co-founder and former lyricist of King Crimson. Their debut album In the Court of the Crimson King is considered one of the first and most influential progressive rock albums ever released.
In the Court of the Crimson King is the debut studio album by English progressive rock band King Crimson, released on 10 October 1969, by Island Records. The album is one of the earliest and most influential of the progressive rock genre, with the band combining musical influences that rock music was founded upon with elements of jazz, classical, and symphonic music.
Live at the Marquee is a live album by the band King Crimson, released through the King Crimson Collectors' Club in October 1998.
Frame by Frame: The Essential King Crimson is a 4-CD box set by the band King Crimson, released in 1991.
Ian Richard McDonald was an English musician, composer and multi-instrumentalist, best known as a founding member of the progressive rock band King Crimson in 1968, as well as the hard rock band Foreigner in 1976.
Mind Fruit is the debut album by British electronic music group Opus III. Their hit single "It's a Fine Day" is a cover of a 1983 single by Jane & Barton, while "I Talk to the Wind" is a cover of a King Crimson song from their 1969 debut album In the Court of the Crimson King. "Stars in My Pocket" is a reference to a novel by Samuel R. Delany, while "Into This Universe" features a recital of an English translation of a poem by medieval Persian poet Omar Khayyam.
Giles, Giles and Fripp were an English rock group, formed in Bournemouth, Dorset in August 1967. It featured brothers Michael Giles on drums and vocals and Peter Giles on bass guitar and vocals, and Robert Fripp on guitar. The band's music showed an eclectic mix of pop, psychedelic rock, folk, jazz, and classical influences. The group eventually evolved into pioneering progressive rock band King Crimson.
21st Century Schizoid Band were a King Crimson alumnus group formed in 2002.
Peter Giles is a British singer and bassist. He is the brother of drummer Michael Giles.
Official Bootleg V.1 is the first CD release by the 21st Century Schizoid Band. It features the band playing in the studio songs they had previously performed in King Crimson.
Live in Japan is the second "Official Bootleg" release by the 21st Century Schizoid Band. It was released on CD and DVD, the DVD containing the extra tracks "Tomorrow's People" and "If I Was", as well as bonus features.
"21st Century Schizoid Man" is a song by the progressive rock band King Crimson, released in 1969 as the opening track on their debut album In the Court of the Crimson King. Often regarded as the group's signature song, it has been described by Rolling Stone as "a seven-and-a-half-minute statement of purpose: rock power, jazz spontaneity, and classical precision harnessed in the service of a common aim."
"Epitaph" is the third track on British progressive rock band King Crimson's 1969 album In the Court of the Crimson King. It was written by Robert Fripp, Ian McDonald, Greg Lake, and Michael Giles with lyrics written by Peter Sinfield.
"Moonchild" is the fourth track from British progressive rock band King Crimson's debut album, In the Court of the Crimson King.
Judith Aileen Dyble was an English singer-songwriter, most notable for being a vocalist and a founding member of Fairport Convention and Trader Horne. In addition, she and Ian McDonald joined and recorded several tracks with Giles, Giles and Fripp, who later became King Crimson. These tracks surfaced on the Brondesbury Tapes CD and Metaphormosis vinyl LP.
The 21st Century Guide to King Crimson – Volume One – 1969–1974 is the first of two 4-CD sets of compilation albums, showcasing the entire production of the British progressive rock band King Crimson. This set of discs contains both studio and live performances ranging from the beginnings of the band in 1969 to their first dissolution in 1974.
The Compact King Crimson is a compilation of songs by the British progressive rock band King Crimson, selected by Robert Fripp from the then-two different eras of the band.
Trader Horne was a British duo, consisting of multi-instrumentalist and former Them keyboard player and vocalist Jackie McAuley, and former Fairport Convention lead vocalist Judy Dyble. The short-lived musical partnership broke up after releasing only one LP, Morning Way, in 1970. The band was named after DJ John Peel's nanny, Florence Horne, nicknamed "Trader" in reference to explorer Trader Horn.