McDonald and Giles | ||||
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Studio album by | ||||
Released | November 1970 [1] | |||
Recorded | May–July 1970 | |||
Studio | Island Studios, London | |||
Genre | Progressive rock | |||
Length | 46:04 45:23 (2002 reissue) | |||
Label | ||||
Producer | Ian McDonald, Michael Giles | |||
Ian McDonald chronology | ||||
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Michael Giles chronology | ||||
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McDonald and Giles is an album released by British musicians Ian McDonald and Michael Giles in 1970. The album was first issued on Island Records (ILPS 9126) in the UK and Cotillion Records (SD 9042),a division of Atlantic Records,in the US. (The album was released on Atlantic itself in several countries.) The album was recorded at Island Studios between May and July 1970. Although McDonald and Giles remains popular among King Crimson fans, [2] its commercial success was limited. The duo did not record a second album,but Giles did contribute drums and vocals to "Demimonde" on McDonald's solo album Drivers Eyes .
Ian McDonald and Michael Giles were members of the original King Crimson line-up,and were featured performers on the band's debut album, In the Court of the Crimson King (1969). Both left the group at the end of its first United States tour in early 1970, [4] although Giles agreed to play on the second King Crimson album, In the Wake of Poseidon (1970). [5] [6] Two other King Crimson members also worked on McDonald and Giles:Peter Giles and Peter Sinfield. [7]
The music on McDonald and Giles emulates many of the pastoral and musically complex elements of King Crimson,while generally avoiding that band's darker tendencies. [4] [8] The song "Flight of the Ibis" has a melody and rhythm similar to King Crimson's "Cadence and Cascade," with different lyrics. [3] The album contains a guest appearance by Steve Winwood,playing organ and piano on "Turnham Green". Winwood's group Traffic were working on John Barleycorn Must Die at Island Studios at the same time. [9]
Michael Giles' drum solo in "Tomorrow's People –The Children of Today" has been sampled by a number of rap and hip-hop artists,most notably the Beastie Boys,on the track "Body Movin'",from the album Hello Nasty . [3]
The first CD edition was released in Japan in the early 1990s. It came in both jewel box and paper sleeve versions. This version was the same as the original vinyl but was mastered from a tape copy several generations removed from the original master. In 2002 the group members authorised a revised version of the CD with improved sound. The revised version can be recognised by the use of green lettering on the cover instead of pink. A phrase near the beginning of "Suite in C" has slightly different lyrics. Some of the tracks of the 2002 edition have very minor editing. There are a few slightly different segues in the song "Birdman" and the sections of this song are marked as separate tracks on the CD. [10]
Review scores | |
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Source | Rating |
AllMusic | [7] |
Hi-Fi News &Record Review | 50 :A [11] |
Fred Dellard gave the record a perfect score of "50 :A" in Hi-Fi News &Record Review ,indicating a "top class recording" "of special merit". He wrote that Giles and McDonald "take the best of King Crimson and turn it into a highly personal series of sketches that stun with their pure majesty. If Debussy had been working within the confines of modern pop music perhaps he would have produced something like this." [11] A reviewer in Cash Box called the two sides of the record "gentle complex music that moves from one important statement to another with free-wheeling grace",comparing it to the albums of Mountain,Elton John and Emerson,Lake &Palmer in that Giles and McDonald "create their own musical world that is the mark of rock in its highest and purest form". [12]
Record World was less enthusiastic,writing that the duo "specialize in a kind of pretty-rock that,at its best,is reminiscent of Beatles–Bee Gees ballads,and,at its worst,is reminiscent of Muzak". [13] : 16 A review in The Guardian Journal opined that "one can't help wishing [Giles and McDonald] would employ a little more discipline and a little less self-indulgence in their work" despite the duo's "undeniable musical accomplishments". In particular the reviewer thought that,with "Birdman","moods are created and then snatched away just as they begin to develop,and the effect is often patchy". The reviewer singled out "Turnham Green" and "Flight of the Ibis" as the album's best tracks. [14] Writing retrospectively in AllMusic ,Steven McDonald wrote that the main draw of the record "is really the performances turned in by McDonald and the Giles brothers—they all sound fabulous,even when waffling musically,while Michael Giles has a unique drum tone that never has been duplicated". [7]
No. | Title | Writer(s) | Length |
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1. | "Suite in C" (including "Turnham Green", "Here I Am" and others) | Ian McDonald | 11:21 |
2. | "Flight of the Ibis" | McDonald, B. P. Fallon | 3:18 |
3. | "Is She Waiting?" | McDonald | 2:40 |
4. | "Tomorrow's People – The Children of Today" | Michael Giles | 7:00 |
No. | Title | Writer(s) | Length |
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1. | "Birdman", involving:
| McDonald, Peter Sinfield | 21:45 |
From the liner notes: [15]
King Crimson were an English-based progressive rock band formed in 1968 in London. Led by guitarist Robert Fripp, they drew inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, blues, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following, especially in the 21st century.
Peter John Sinfield is an English poet and songwriter. He is best known as a co-founder and former lyricist of King Crimson. Their debut album In the Court of the Crimson King is considered one of the first and most influential progressive rock albums ever released.
Michael Rex Giles is an English drummer, percussionist, and vocalist, best known as one of the co-founders of King Crimson in 1968. Prior to the formation of King Crimson, he was part of the eccentric pop trio Giles, Giles and Fripp along with his brother, bassist Peter, and guitarist Robert Fripp. They were active between 1967–1968.
In the Court of the Crimson King is the debut studio album by English progressive rock band King Crimson, released on 10 October 1969, by Island Records. The album is one of the earliest and most influential of the progressive rock genre, with the band combining musical influences that rock music was founded upon with elements of jazz, classical, and symphonic music.
In the Wake of Poseidon is the second studio album by English progressive rock group King Crimson, released in May 1970 by Island Records in Europe, Atlantic Records in the United States, Philips Records in Australia, and Vertigo Records in New Zealand. To date the album is their highest-charting in the UK, reaching number 4.
Lizard is the third studio album by British progressive rock band King Crimson, released on 11 December 1970 by Island Records in the UK, and in January 1971 by Atlantic Records in the United States and Canada. It was the second consecutive King Crimson album recorded by transitional line-ups of the group that did not perform live, following In the Wake of Poseidon. This is the only album by the band to feature singer and bass guitarist Gordon Haskell and drummer Andy McCulloch as official members of the band.
Live at Plymouth Guildhall is a live album by the band King Crimson, released through the King Crimson Collectors' Club on the Discipline Global Mobile label in December 2000. The album was recorded at the Guildhall in Plymouth, UK on 11 May 1971.
Live at the Marquee is a live album by the band King Crimson, released through the King Crimson Collectors' Club in October 1998.
King Crimson Live in Hyde Park is a live album by the band King Crimson, released through the King Crimson Collectors' Club in September 2002.
King Crimson Live at Summit Studios is a live album of radio session recordings by the band King Crimson, released by the Discipline Global Mobile label through the King Crimson Collectors' Club in February 2000. The album was recorded at Summit Studios in Denver, Colorado on 12 March 1972 during one of the band's American tours. The performance was notable for the absence of the band's trademark Mellotron, resulting in an unusual setlist and the inclusion of two lengthy collective improvisations.
Ladies of the Road is a live two CD set by the band King Crimson, recorded in 1971 & 1972, released in 2002, and reissued in 2008 in Japan. It is named after a song on the Islands album.
Heartbeat: The Abbreviated King Crimson is a compilation by the band King Crimson, originally intended for radio stations as a promo vehicle to accompany Frame by Frame: The Essential King Crimson 4-CD boxed set. It was released in 1991. The medley was prepared to present an intensive overview of the catalogue to Virgin Records.
Frame by Frame: The Essential King Crimson is a 4-CD box set by the band King Crimson, released in 1991.
Ian Richard McDonald was an English musician, composer and multi-instrumentalist, best known as a founding member of the progressive rock band King Crimson in 1968, as well as the hard rock band Foreigner in 1976.
Giles, Giles and Fripp were an English rock group, formed in Bournemouth, Dorset in August 1967. It featured brothers Michael Giles on drums and vocals and Peter Giles on bass guitar and vocals, and Robert Fripp on guitar. The band's music showed an eclectic mix of pop, psychedelic rock, folk, jazz, and classical influences. The group eventually evolved into pioneering progressive rock band King Crimson.
21st Century Schizoid Band were a King Crimson alumnus group formed in 2002.
Live in Japan is the second "Official Bootleg" release by the 21st Century Schizoid Band. It was released on CD and DVD, the DVD containing the extra tracks "Tomorrow's People" and "If I Was", as well as bonus features.
"Epitaph" is the third track on British progressive rock band King Crimson's 1969 album In the Court of the Crimson King. It was written by Robert Fripp, Ian McDonald, Greg Lake, and Michael Giles with lyrics written by Peter Sinfield.
The 21st Century Guide to King Crimson – Volume One – 1969–1974 is the first of two 4-CD sets of compilation albums, showcasing the entire production of the British progressive rock band King Crimson. This set of discs contains both studio and live performances ranging from the beginnings of the band in 1969 to their first dissolution in 1974.
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