"Starless" | |
---|---|
Song by King Crimson | |
from the album Red | |
Released | 6 October 1974 |
Recorded | August 1974 |
Studio | Olympic, London |
Genre | |
Length | 12:18 |
Label | Island (UK & Europe), Atlantic (USA) |
Composer(s) | |
Lyricist(s) |
|
Producer(s) | King Crimson |
"Starless" is a composition by English progressive rock band King Crimson. It is the final track on their seventh studio album, Red , released on 6 October 1974.
The original chords and melody for "Starless" were written by John Wetton, who intended the song to be the title track of the group's previous album Starless and Bible Black . [3] Robert Fripp and Bill Bruford initially disliked the song and declined to record it for that album. [4] [5] Instead the group chose an instrumental improvisation as the title track. However, "Starless" was later revived, its lyrics altered and a long instrumental section (based on a bass riff written by Bruford [3] ) added to it, and performed live between March and June 1974. For the Red recording sessions, the lyrics were again altered (with contributions by Richard Palmer-James). The introductory theme, originally played by David Cross, was taken over by the guitar, with Fripp making minor alterations to the melody.[ citation needed ] As the title "Starless and Bible Black" had already been used, the original title was shortened to "Starless". [3]
The piece is 12 minutes and 18 seconds in length, the longest on the Red album. It starts with mellotron strings, electric guitar and a saxophone. These introduce a vocal segment in conventional verse-chorus structure.
The middle section of the song builds, in 13/8. Starting with John Wetton's bass, shortly after joined by Bill Bruford on percussion. Robert Fripp's guitar repeats a single note theme on two adjacent guitar strings. Bruford's drumming maintains its irregularity.
The song's final section begins with an abrupt transition to a fast, jazzy saxophone solo with distorted guitars and bass, expressive tribal drumming, and the tempo doubling up to a time signature of 13/16. Variations of the middle section's bassline are played under Fripp's layered and overdriven guitar parts. The saxophone returns to play a reprise of the vocal melody, then the final section is repeated with more overdubs from Fripp. Finally, the song ends with a reprise of the opening melody, played on the saxophone instead of the guitar.
with:
Recorded cover versions of Starless include those by: Neal Morse, Mike Portnoy, and Randy George; [6] Craig Armstrong, on his album As If to Nothing as "Starless II"; Banco de Gaia, on their album Memories Dreams Reflections ; The Unthanks, on their 2011 album Last ; the Crimson Jazz Trio, on their album King Crimson Songbook Volume One (2005). [7]
The song has been covered live by Asia, a supergroup of which John Wetton was a founding member; 21st Century Schizoid Band, a group made up of earlier members of King Crimson (save for Jakko Jakszyk, who would later join King Crimson); After Crying, a Hungarian symphonic rock band, with guest vocals by Wetton; U.K., one of whose members was once again Wetton; and District 97, yet again featuring vocals from Wetton. [8]
The Canadian band FM performed a live version of "Starless" in concert in 1977 which was captured on reel-to-reel by band member Nash the Slash, shortly after the recording their classic 1st album Black Noise . [9] It came to light as part of a rarities CD, Lost in Space [10] in 2001. It is a unique cover version as the band consisted of a non-traditional trio; Cameron Hawkins (vocals, bass, keyboards/synthesizers, bass pedals), Martin Deller (Drums & Percussion) and Nash the Slash (electric mandolin, electric violin, synthesizers).
The first part of "Starless" is used in the opening of the film Mandy (2018), starring Nicolas Cage. [11]
King Crimson were a progressive rock band formed in 1968 in London, England. The band drew inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band earned a large cult following.
Starless and Bible Black is the sixth studio album by English progressive rock band King Crimson, released in March 1974 by Island Records in the United Kingdom and by Atlantic Records in the United States. It carries over most of the same lineup which appeared on the preceding album, Larks' Tongues in Aspic, with only percussionist Jamie Muir not returning. In order to more faithfully capture the band's live energy, much of the material on this album was tracked in concert and edited together with studio recordings.
Larks' Tongues in Aspic is the fifth studio album by the English progressive rock group King Crimson, released on 23 March 1973 through Island Records in the UK and Atlantic Records in the United States and Canada. This album is the debut of King Crimson's third incarnation, featuring co-founder and guitarist Robert Fripp along with four new members: bass guitarist and vocalist John Wetton, violinist and keyboardist David Cross, percussionist Jamie Muir, and drummer Bill Bruford. It is a key album in the band's evolution, drawing on Eastern European classical music and European free improvisation as central influences.
Red is the seventh studio album by English progressive rock band King Crimson. It was released on 6 October 1974 through Island Records in the United Kingdom and Atlantic Records in North America and Japan. The album was recorded at Olympic Studios in London in July and August 1974, and produced by the band themselves. The track "Providence" was a free improvisation recorded at their 30 June 1974 concert at the Palace Theater in the city of the same name. Parts of some of the pieces were conceived during previous improvisations performed by the band live. "Starless" was originally considered for their previous album, Starless and Bible Black (1974), but was deemed incomplete at the time. The lengthy version included on this album was refined and performed during concerts throughout 1974.
King Crimson Live in Mainz is a live album by the band King Crimson, released through the King Crimson Collectors' Club in March 2001. The album was recorded at Eltzer Hof, Mainz, West Germany, on March 30, 1974.
The Beat Club, Bremen is a live album by the band King Crimson, released through the King Crimson Collectors' Club in February 1999. It was recorded on the German programme Beat Club, in Bremen, West Germany, on October 17, 1972. The video of this performance is included in the deluxe "Larks' Tongues in Aspic" box set.
The Night Watch is a live album by the English rock band King Crimson, recorded in Amsterdam in 1973, and released in 1997.
B'Boom: Live in Argentina is a live album by the band King Crimson, released in 1995. All songs were recorded between 6 and 16 October 1994 at the Broadway Theatre in Buenos Aires, Argentina, except for "Heartbeat" which was recorded in Córdoba.
Live in Central Park, NYC is a live album by the band King Crimson, released through the King Crimson Collectors' Club in April 2000. It was recorded at Central Park, New York, USA, July 1, 1974. This was the last performance by the 1970s incarnation, and the last by King Crimson before reforming in 1981.
Live at the Zoom Club is a live album by the band King Crimson, released through the King Crimson Collectors' Club in May 2002, originally recorded on October 13, 1972.
Frame by Frame: The Essential King Crimson is a 4-CD box set by the band King Crimson, released in 1991.
Cirkus: The Young Persons' Guide to King Crimson Live is a live album compilation from King Crimson. It was released in 1999 through Virgin Records.
"Fallen Angel" is a composition by English progressive rock band King Crimson. It is the second track on their seventh studio album, Red, released on 6 October 1974.
"Larks' Tongues in Aspic" is a suite of music by the English progressive rock band King Crimson. Spanning thirty years and four albums, the series comprises five parts, all of which carry unifying musical motifs. Parts I and II were released as the introductory and final tracks on King Crimson's 1973 album of the same name, part III was featured on their 1984 album Three of a Perfect Pair, part IV appeared on 2000's The Construkction of Light, and the final part, "Level Five", was included on the 2003 album The Power to Believe. Despite breaking the naming convention, Robert Fripp, King Crimson founder and only constant contributor to the suite, insists that "Level Five" is part of the pentalogy.
The 21st Century Guide to King Crimson – Volume One – 1969–1974 is the first of two 4-CD sets of compilation albums, showcasing the entire production of the British progressive rock band King Crimson. This set of discs contains both studio and live performances ranging from the beginnings of the band in 1969 to their first dissolution in 1974.
The Great Deceiver is a 4-CD box set by the band King Crimson, consisting of live recordings from 1973 and 1974, released on Virgin Records in 1992. In 2007, it was reissued on Fripp's Discipline Global Mobile label as two separate 2-CD sets, each featuring new artwork. The box set is titled after a song from the group's 1974 album Starless and Bible Black.
The Compact King Crimson is a compilation of songs by the British progressive rock band King Crimson, selected by Robert Fripp from the two different eras of the band.
The Condensed 21st Century Guide to King Crimson is a compilation by progressive rock band King Crimson, released in 2006. It contains select studio tracks from the two box sets, The 21st Century Guide to King Crimson – Volume One – 1969–1974 and The 21st Century Guide to King Crimson – Volume Two – 1981–2003.
Live at the Orpheum is a live album by the band King Crimson, released by Discipline Global Mobile records in 2015. The album was recorded on 30 September and 1 October at the Orpheum Theatre in Los Angeles, California on the band's The Elements of King Crimson US tour of 2014.
Larks' Tongues in Aspic is the second of the major box set releases from English progressive rock group King Crimson, released in 2012 by Discipline Global Mobile & Panegyric Records. The set is devoted to all existing recordings associated with the 1973 album Larks' Tongues In Aspic.