Peter Giles | |
---|---|
Birth name | Peter Anthony Giles |
Born | Havant, Hampshire, England | 17 June 1944
Genres | Rock, progressive rock, jazz fusion |
Occupation(s) | Musician |
Instrument(s) | Bass guitar, vocals |
Years active | 1960–present |
Peter Anthony Giles (born 17 June 1944) is a British singer and bassist. He is the brother of drummer Michael Giles. [1]
Giles began his career in 1960 with the band Johnny King and The Raiders , composed of Johnny King (vocals), Graham "Wes" Douglas (guitar), Roger Collins (guitar), Giles (bass), and brother Michael (drums). [2] The group never recorded any singles. After Roger Collins left the group, the group disbanded shortly thereafter. In August 1961 the Giles brothers joined Dave Anthony and the Rebels - with singer Tony "Dave Anthony" Head and Al Kirtley (pianist/guitarist). The group mainly played the Bure Club in Mudeford until they disbanded after Al Kirtley left the group and joined Zoot Money's Big Roll Band . [1] [3] [4] [5]
Giles and his brother Michael joined Roy Phillips of The Dovers, which were a backing band for The Dowlands. They played their first date together as The Dowlands & The Soundtracks in November 1961. During their two-year tenure, they accompanied The Dowlands on three unsuccessful singles released on the independent UK label Oriole Records , “Little Sue” (August 1962), “Big Big Fella” (November 1962) and “Break Ups” (April 1963). These three singles can be found on The Dowlands' compilation album All My Loving, released in 1998. [6] Roy Phillips left The Soundtracks in the spring of 1963, being replaced by Alan "Bowery" Barry, formerly of Johnny and the Giants . Six months later in September, Peter and Michael Giles left the group and were replaced by Mike Piggott (bass), formerly of Dave La Kaz and the G Men and former The Dovers member, Johnny Hammond (drums).
The Giles brothers would later play with two rather obscure bands, The Sands Combo and The Interns during the year 1963. In 1964, the brothers formed Trendsetters Limited with which they had recorded four singles. This band later changed its name to The Trend. They were Geoff Robinson (guitar), Al Kirtley (piano), who was later replaced by Allan Azern, Peter (bass), Michael Blakesley (trombone) and Michael Giles (drums). After the group disbanded in 1966, Peter and his brother then opted for another band called The Brain, which released two singles in 1967. [5] [7] [8] [9]
In 1967, Robert Fripp responded to an advertisement placed by Peter and Michael Giles, who wanted to work with a singing organist. Though Robert Fripp was not what they sought, his audition with them was a success and the trio relocated to London and became Giles, Giles and Fripp. [5] [10] Their only studio album, The Cheerful Insanity of Giles, Giles and Fripp , was released in 1968. [11] Despite the recruitment of two further members – singer Judy Dyble (formerly with Fairport Convention and later of Trader Horne) and multi-instrumentalist Ian McDonald – Robert Fripp felt that he was outgrowing the eccentric pop approach favoured by Peter Giles (preferring the more ambitious compositions being written by McDonald) and the band broke up in 1968. Demo recordings from the same time were later released as The Brondesbury Tapes [1] [7] [12]
Following the departure of Peter Giles to other avenues and Judy Dyble to form Trader Horne with keyboardist and singer Jackie McAuley, formerly of the group Them, Michael Giles and Fripp recruited guitarist-bassist-singer Greg Lake and the songwriter Peter Sinfield, which formed King Crimson. King Crimson produced their first album In the Court of the Crimson King in 1969. After a tour in America, Ian McDonald and Michael Giles were disillusioned and left the band to record the album, McDonald and Giles , released in 1971, on which Peter Giles plays bass. Subsequently, both Peter and Michael Giles were part of a temporary line-up of King Crimson for the recording of their second album In The Wake Of Poseidon . [7] [13]
Subsequently, Giles appeared on Todd Dillingham's album "Vast Empty Spaces" in 1994 with Mike Wedgwood, Andy Ward and Anthony Aldridge. [14] He returned to music in 2002 with the group 21st Century Schizoid Band who produced four albums with former Crimson musicians, Ian McDonald, Mel Collins on flute, saxophone and keyboards, and Michael Giles on drums, [15] who was replaced in 2003 by another former Crimson, Ian Wallace. In 2009, the compilation album The Giles Brothers 1962 – 1967, on which are found the majority of the singles engraved by the bands with which they played during these years. One of the songs of the band The Brain, One in a Million was covered by Giles, Giles & Fripp on their 1968 album. [1] [5]
Giles is still making original material with his wife Yasmine under the banner name Aluna. [1] [16] [17] One of their more recent albums, released in 2022 is called "Insights." [18] [19]
King Crimson were an English progressive rock band formed in 1968 in London. The band drew inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, blues, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band earned a large cult following.
William Frederick Rieflin was an American musician. Rieflin came to prominence in the 1990s mainly for his work as a drummer with groups such as Ministry, the Revolting Cocks, Lard, KMFDM, Pigface, Swans, Chris Connelly, and Nine Inch Nails. He worked regularly with R.E.M. following the retirement of Bill Berry in 1997. He was a member of King Crimson from 2013 until his death in 2020.
Michael Rex Giles is an English drummer, percussionist, and vocalist, best known as one of the co-founders of King Crimson in 1968. Prior to the formation of King Crimson, he was part of the eccentric pop trio Giles, Giles and Fripp along with his brother, bassist Peter, and guitarist Robert Fripp. They were active between 1967–1968.
In the Court of the Crimson King is the debut studio album by English progressive rock band King Crimson, released on 10 October 1969 by Island Records. The album is one of the earliest and most influential of the progressive rock genre, where the band combined the musical influences that rock music was founded upon with elements of jazz, classical, and symphonic music.
Live at Plymouth Guildhall is a live album by the band King Crimson, released through the King Crimson Collectors' Club on the Discipline Global Mobile label in December 2000. The album was recorded at the Guildhall in Plymouth, UK on 11 May 1971.
"Song 2" is a song by English rock band Blur. The song is the second song on their eponymous fifth studio album. Released physically on 7 April 1997, "Song 2" peaked at number two on the UK Singles Chart, number four on the Australian ARIA Singles Chart, and number six on the US Billboard Modern Rock Tracks chart.
"Fake Plastic Trees" is a song by the English rock band Radiohead, released on their second album, The Bends (1995). It was the third single from The Bends in the UK, and the first in the US. It reached the top 50 on the UK Singles Chart, the New Zealand Singles Chart, the US Modern Rock Tracks chart and the Canadian Rock/Alternative chart.
"Serious" is a song by English rock band Duran Duran. It was released on 5 November 1990 as the second single from their sixth studio album, Liberty (1990), reaching number three in Italy and number 48 in the United Kingdom.
McDonald and Giles is an album released by British musicians Ian McDonald and Michael Giles in 1970. The album was first issued on Island Records in the UK and Cotillion Records, a division of Atlantic Records, in the US. The album was recorded at Island Studios between May and July 1970. Although McDonald and Giles remains popular among King Crimson fans, its commercial success was limited. The duo did not record a second album, but Giles did contribute drums and vocals to "Demimonde" on McDonald's solo album Drivers Eyes.
Giles, Giles and Fripp were an English rock group, formed in Bournemouth, Dorset in August 1967. It featured brothers Michael Giles on drums and vocals and Peter Giles on bass guitar and vocals, and Robert Fripp on guitar. The band's music showed an eclectic mix of pop, psychedelic rock, folk, jazz, and classical influences. The group eventually evolved into pioneering progressive rock band King Crimson.
"Stereotypes" is a song by English alternative rock band Blur and is the opening track to their fourth studio album, The Great Escape (1995). It was released on 12 February 1996 as the third single from that album, charting at number seven on the UK Singles Chart. It also became a minor hit in Australia, peaking at number 95 on the ARIA Singles Chart in June 1996. The accompanying UK B-sides—"The Man Who Left Himself", "Tame" and "Ludwig"—demonstrated a dramatic change in style for Blur, being stark and raw, foreshadowing the stylistic shift that would realize itself on their eponymous follow-up album.
"Ordinary World" is a song by English rock band Duran Duran, released in December 1992 by Parlophone, EMI and Capitol as the first single from their self-titled album (1993), commonly known as the Wedding Album. The ballad, both written by the band and co-produced with John Jones, reached No. 1 on the US Billboard Top 40/Mainstream chart, the Canadian RPM 100 Hit Tracks chart, and the Italian Singles Chart. It also peaked at No. 3 on the Billboard Hot 100, No. 2 in Iceland and Sweden, and No. 6 on the UK Singles Chart. The song's music video was directed by Nick Egan and filmed in California.
"Richard III" is a song by English rock band Supergrass. It was the second single released from the band's second album, In It for the Money (1997), after "Going Out", which was released over a year before. "Richard III" was released in March 1997 and reached number two on the UK Singles Chart on 6 April, their highest placing since "Alright" / "Time" in 1995, which also peaked at number two. The song also reached number 21 in Iceland and number 30 in Ireland.
"Sun Hits the Sky" is a song by English rock band Supergrass. It was released as the third single from the band's second album, In It for the Money (1997), in June 1997. The single reached number 10 on the UK Singles Chart and reached the top 20 in Iceland. The B-side, "Some Girls Are Bigger Than Others", is a cover of the 1986 Smiths song.
The Cheerful Insanity of Giles, Giles and Fripp is a 1968 album from the English group Giles, Giles and Fripp. The music shows a varied mix of pop, psychedelic rock, folk, jazz and classical influences. The songs on each LP side are connected with comedic spoken word pieces, "The Saga of Rodney Toady" and "Just George", which tell stories.
Trendsetters Limited was a manufactured pop band, active in the 1960s. The group is best known for featuring future King Crimson members Michael Giles and his brother Peter.
"Be My Twin" is a song by British boyband Brother Beyond, written by band members Carl Fysh and David White. Released on 9 January 1989, the single reached No. 14 on the UK Singles Chart and No. 13 on the Irish Singles Chart.
"I Believe in You" is a song by English band Talk Talk, released by Parlophone in 1988 as the only single from their fourth studio album Spirit of Eden. The song was written by Mark Hollis and Tim Friese-Greene, and produced by Friese-Greene. "I Believe in You" peaked at number 85 in the UK Singles Chart.
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