Robert Dennis Crumb is an American cartoonist who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture.
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Kim Deitch is an American cartoonist who was an important figure in the underground comix movement of the 1960s, remaining active in the decades that followed with a variety of books and comics, sometimes using the pseudonym Fowlton Means.
Aline Kominsky-Crumb was an American underground comics artist. Kominsky-Crumb's work, which is almost exclusively autobiographical, is known for its unvarnished, confessional nature. In 2016, ComicsAlliance listed Kominsky-Crumb as one of twelve women cartoonists deserving of lifetime achievement recognition. She was married to cartoonist Robert Crumb, with whom she frequently collaborated. Their daughter, Sophie Crumb, is also a cartoonist.
Mary Fleener is an American alternative comics artist, writer and musician from Los Angeles. Fleener's drawing style, which she calls cubismo, derives from the cubist aesthetic and other artistic traditions. Her first publication was a work about Zora Neale Hurston, called Hoodoo (1988), followed by the semi-autobiographical comics series Slutburger, and the anthology Life of the Party (1996). She is a member of the rock band called The Wigbillies.
Gothic Blimp Works, an all-comics tabloid published in 1969 by Peter Leggieri and the East Village Other, was billed as "the first Sunday underground comic paper". During its eight-issue run, the publication displayed comics in both color and black-and-white. The first issue was titled Gothic Blimp Works Presents: Jive Comics.
Weirdo was a magazine-sized comics anthology created by Robert Crumb and published by Last Gasp from 1981 to 1993. Featuring cartoonists both new and old, Weirdo served as a "low art" counterpoint to its contemporary highbrow Raw, co-edited by Art Spiegelman.
Carol Tyler is an American painter, educator, comedian, and eleven-time Eisner Award-nominated cartoonist known for her autobiographical comics. She has received multiple honors for her work including the Cartoonist Studio Prize, the Ohio Arts Council Excellence Award, and was declared a Master Cartoonist at the 2016 Cartoon Crossroads Columbus Festival at the Billy Ireland Cartoon Library & Museum.
Jay Patrick Lynch was an American cartoonist who played a key role in the underground comix movement with his Bijou Funnies and other titles. He is best known for his comic strip Nard n' Pat and the running gag Um tut sut. His work is sometimes signed Jayzey Lynch. Lynch was the main writer for Bazooka Joe comics from 1967 to 1990; he contributed to Mad, and in the 2000s expanded into the children's book field.
Katherine Shannon Collins is a Canadian-born cartoonist, writer, media personality, stage performer, and composer. She created the newspaper comic strip Neil the Horse from 1975 to 1991.
Arcade: The Comics Revue is a magazine-sized comics anthology created and edited by cartoonists Art Spiegelman and Bill Griffith to showcase underground comix. Published quarterly by the Print Mint, it ran for seven issues between 1975 and 1976. Arriving late in the underground era, Arcade "was conceived as a 'comics magazine for adults' that would showcase the 'best of the old and the best of the new comics'". Many observers credit it with paving the way for the Spiegelman-edited anthology Raw, the flagship publication of the 1980s alternative comics movement.
The Narrative Corpse is a chain story, or comic jam, by 69 all-star cartoonists based on Le Cadavre Exquis, a popular game played by André Breton and his surrealist friends to break free from the constraints of rational thought.
Bijou Funnies was an American underground comix magazine which published eight issues between 1968 and 1973. Edited by Chicago-based cartoonist Jay Lynch, Bijou Funnies featured strong work by the core group of Lynch, Skip Williamson, Robert Crumb, and Jay Kinney, as well as Art Spiegelman, Gilbert Shelton, Justin Green, and Kim Deitch. Bijou Funnies was heavily influenced by Mad magazine, and, along with Zap Comix, is considered one of the titles to launch the underground comix movement.
Tara Seibel is an American cartoonist, graphic designer and illustrator from Cleveland. Her work has been published in Chicago Newcity, Funny Times, The Austin Chronicle, Cleveland Scene, Heeb Magazine, SMITH Magazine, Mineshaft Magazine, Juxtapoz, Jewish Review of Books, Cleveland Free Times, USA Today, US Catholic, The New York Times, Los Angeles Times and The Paris Review.
Donald Richard Donahue was a comic book publisher, operating under the name Apex Novelties, one of the instigators of the underground comix movement in the 1960s.
Comics journalism is a form of journalism that covers news or nonfiction events using the framework of comics, a combination of words and drawn images. Typically, sources are actual people featured in each story, and word balloons are actual quotes. The term "comics journalism" was coined by one of its most notable practitioners, Joe Sacco. Other terms for the practice include "graphic journalism," "comic strip journalism", "cartoon journalism", "cartoon reporting", "comics reportage", "journalistic comics", and "sketchbook reports".
Robert Armstrong is a cartoonist, illustrator, painter, and musician. He is known for his underground comix character Mickey Rat, for popularizing the term "couch potato," and for being a member of Robert Crumb's band the Cheap Suit Serenaders.
Yellow Dog was an underground comix newspaper and later comic book published by the Print Mint in Berkeley, California. It published 22 issues from 1968 to 1973, featuring many of the period's most notable underground cartoonists, including Robert Crumb, Joel Beck, Robert Williams, Rick Griffin, Greg Irons, and Trina Robbins. Other frequent contributors included Andy Martin, Franz Cilensek, John Thompson, Buckwheat Florida, Jr., Jim Osborne, Ronald Lipking, and Hak Vogrin. The founding editor was Print Mint co-publisher Don Schencker.
San Francisco Comic Book was an underground comix anthology published between 1970 and 1983. Conceived of and edited by Gary Arlington, the anthology highlighted the work of many of San Francisco's top underground talents, including Bill Griffith, Robert Crumb, Kim Deitch, Justin Green, Rory Hayes, Willy Murphy, Jim Osborne, Trina Robbins, and Spain Rodriguez.
Cartoonists Co-op Press was an underground comix publishing cooperative based in San Francisco that operated from 1973 to 1974. It was a self-publishing venture by cartoonists Kim Deitch, Bill Griffith, Jerry Lane, Jay Lynch, Willy Murphy, Diane Noomin, and Art Spiegelman. Cartoonist Justin Green's brother Keith acted as salesman/distributor, and the operation was run out of Griffith's apartment.
