Mithu Sen | |
---|---|
Born | 1971 (age 52–53) West Bengal, India |
Nationality | Indian |
Alma mater | Visva-Bharati University |
Occupation | Conceptual artist |
Mithu Sen is an Indian conceptual artist. Born in West Bengal in 1971. [1] [2] [3]
Sen was born in 1971 in West Bengal and obtained Bachelor's and Master's degrees in painting from Kala Bhavan at Visva-Bharati University in Santiniketan, West Bengal. Later, she completed a post-graduate program (visiting) at the Glasgow School of Art in the United Kingdom on the Charles Wallace India Trust Award for 2000–2001. [4] [5] [6]
Sen's Bengali poetry has been published in collected volumes, as well as in magazines and journals since she was a young adult. [7]
Sen’s conceptual practice with a varied set of surfaces, materials, and processes that emerge in the wake of her regular negotiations with her milieu. Her work often deals with the complexities of the body in its physical, basal, erotic and sexless forms. A lot of her works deal with the self as a matrix of identities and myths – questioning societal norms, fixed beliefs, and categorisations.[ citation needed ]
Sen's material art work, which she calls “byproducts” of her larger process, contrast scale, imagery and genre to problematize existing notions of hospitality, sexuality, communication, and contract. Known for her often erotically and emotionally charged imagery, Sen’s work blurs the line between distance and intimacy, often explored through what she calls “radical hospitality”.[ citation needed ]
Using the virtual and the real forms of social relation and individual experience, both spontaneous and premeditated, Sen creates work fundamentally as a performer. Many of her performance-based works challenge the notion of language as a proprietary means of communication, attempting to outsmart linguistic hegemonies and codes of propriety by creating an abstract body of gibberish text she calls “non-language”. Non-language, whose use creates moments of what Sen calls “lingual anarchy” employs glitch, noise, sonic affect in its spontaneous creation. Before turning to the aporias of non-communicative language, Sen was a practicing poet in Bengali.[ citation needed ]
Sen’s recent works extend from the promise of language and community to the legality of contract, opening up questions caught between law and living.[ citation needed ]
Sen was the first artist to be awarded The Skoda Prize in 2010 for Indian contemporary art. In 2015, she also won the Prudential Eye Award for the Best Emerging Artist Using Drawing. [8]
Her selected exhibitions and projects include:
Sen lives and works in New Delhi. She is an enthusiastic traveller. [1] [2]
Jitish Kallat is an Indian contemporary artist. He lives and works in Mumbai, India. Kallat's work includes painting, photography, collages, sculpture, installations and multimedia works. He was the Artistic Director of the second edition of the Kochi-Muziris Biennale, held in Kochi in 2014. Kallat is currently represented by Nature Morte, New Delhi, Chemould Prescott Road, Mumbai, ARNDT, Berlin and Galerie Daniel Templon in France and Belgium. He also sits on the Board of Trustees of the India Foundation for the Arts. He is married to the artist Reena Saini Kallat.
Atul Dodiya is an Indian artist.
Sayed Haider Raza was an Indian painter who lived and worked in France for most of his career. Born on 22 February 1922 in Kakkaiya, Central Provinces, British India, Raza moved to France in 1950, marrying the French artist Janine Mongillat in 1959. Following her death from cancer in 2002, Raza returned to India in 2010, where he would live until his death on 28 July 2016.
Subodh Gupta is an Indian contemporary artist based in New Delhi. His work encompasses sculpture, installation, painting, photography, performance and video.
Reena Saini Kallat is an Indian visual artist. She currently lives and works in Mumbai.
Pushpamala N. is a photo and visual artist based in Bangalore, India.
Rashid Rana is a Pakistani artist. He has been included in numerous exhibitions in Pakistan and abroad with his works in abstractions on canvas, collaborations with a billboard painter, photographic/video performances, collages using found material, photo mosaics, photo sculptures, and large stainless steel works he is one of the best Pakistani artists.
T. V. Santhosh is an Indian artist based in Mumbai. He obtained his graduate degree in painting from Santiniketan and master's degree in Sculpture from M.S. University, Baroda. Santhosh has acquired a major presence in the Indian and International art scene over the last decade with several successful shows with international galleries and museums. His earlier works tackle global issues of war and terrorism and its representation and manipulation by politics and the media. Santhosh's sculptural installation "Houndingdown" was exhibited in Frank Cohen collection ‘Passage to India’. Some of his prominent museum shows are ‘Aftershock’ at Sainsbury Centre, Contemporary Art Norwich, England in 2007 and ’Continuity and Transformation’ show promoted by Provincia di Milano, Italy. He lives and works in Mumbai.
Sonia Khurana is an Indian artist. She works with lens-based media: photo, video, and the moving image, as well as performance, text, drawing, sound, music, voice, and installation.
Geeta Kapur is a noted Indian art critic, art historian and curator based in New Delhi. She was one of the pioneers of critical art writing in India, and who, as Indian Express noted, has "dominated the field of Indian contemporary art theory for three decades now". Her writings include artists' monographs, exhibition catalogues, books, and sets of widely anthologized essays on art, film, and cultural theory.
Riyas Komu is an Indian multimedia artist and curator based in Mumbai. He has invested his time in art education and developing art infrastructure in India. Komu's works are inspired by social conflicts and political movements and topics like migration and displacement. His hyper-realistic oil portraits of people resemble socialist-realist propaganda art, with one of his portraits titled Why Everybody should Look Like Mao.
Madhusudhanan is an Indian film maker and artist, also known as K. M. Madhusudhanan. His debut feature film, Bioscope has received many awards. He is working with different media in art, including sculpture, printmaking installation art and film.
The Kochi-Muziris Biennale is an international exhibition of contemporary art held in the city of Kochi in Kerala, India. It is the largest art exhibition in the country and the biggest contemporary art festival in Asia. The Kochi-Muziris Biennale is an initiative of the Kochi Biennale Foundation with support from the Government of Kerala. The concept of Kochi-Muziris Biennale was ideated and executed by Dr. Venu Vasudevan IAS, who was the Government of Kerala's cultural secretary. The exhibition is set in spaces across Kochi, with shows being held in existing galleries, halls, and site-specific installations in public spaces, heritage buildings and vacant structures.
Gayatri Sinha is an art critic and curator based in New Delhi, India. Her primary areas of research are around the structures of gender and iconography, media, economics and social history. She founded Critical Collective, a forum for thinking about conceptual frames within art history and practice in contemporary India.
Shilpa Gupta is a contemporary Indian artist based in Mumbai, India. Gupta's artistic practise encompasses a wide range of mediums, including manipulated found objects, video art, interactive computer-based installations, and performance.
Anita Dube is an Indian contemporary artist whose work has been widely exhibited in India.
Sheela Gowda is a contemporary artist living and working in Bangalore. Gowda studied painting at Ken School of Art, Bangalore, India (1979) pursued a postgraduate diploma at Visva-Bharati University, Santiniketan, India (1982), and a MA in painting from the Royal College of Art in London in 1986. Trained as a painter Gowda expanded her practice into sculpture and installation employing a diversity of material like human hair, cow-dung, incense and kumkuma powder. She is known for her 'process-orientated' work, often inspired by the everyday labor experiences of marginalized people in India. Her work is associated with postminimalism drawing from ritualistic associations. Her early oils with pensive girls in nature were influenced by her mentor K. G. Subramanyan, and later ones by Nalini Malani towards a somewhat expressionistic direction depicting a middle class chaos and tensions underplayed by coarse eroticism. She is the recipient of the 2019 Maria Lassnig Prize.
Bani Abidi is a Pakistani artist working with video, photography and drawing. She studied visual arts at the National College of Arts in Lahore and at the School of the Art Institute of Chicago. In 2011, she was invited for the DAAD Artists-in-Berlin program, and since then has been residing in Berlin.
Nilima Sheikh is a visual artist based in Baroda, India.
Rohini Devasher is an Indian contemporary artist.