Kala Bhavana

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Kala Bhavana
Visva-Bharati University
Kala Bhavan, Santiniketan.jpg
Kala Bhavana, Santiniketan
Location Santiniketan, West Bengal, India
Coordinates 23°40′53″N87°40′58″E / 23.6815°N 87.6829°E / 23.6815; 87.6829
Founder Rabindranath Tagore
Established1919
Website Kala Bhavan official website

Kala Bhavana (Institute of Fine Arts) is the fine arts faculty of Visva-Bharati University, in Shantiniketan, India. It is an institution of education and research in visual arts, founded in 1919, it was established by Nobel laureate Rabindranath Tagore.

Contents

History

Kala Bhavana was established in 1919. [1] [2] Although art historians have not been able to determine its exact date of foundation, it celebrated its centenary in 2019. [3] [4] Asit Kumar Haldar was an art teacher at Santiniketan Vidyalaya from 1911 to 1915 and was in charge of Kala Bhavana from 1919 to 1921. [5] [ better source needed ] In 1919, when it first started functioning, it started teaching music and art. By 1933, the two streams were separated into two different schools, Kala Bhavana and Sangit Bhavana [6] [ non-primary source needed ]

Upon its establishment in 1919, Tagore invited noted painter Nandalal Bose, a disciple of Abanindranath Tagore, founder of the Bengal school of art movement, to become the first principal of the institution. [7] In the coming years stalwarts like Benode Behari Mukherjee and Ramkinkar Baij became associated with the college, and in time gave a new direction not just to the institution but also to modern Indian painting. [8] At Santiniketan, the ideas of Rabindranath Tagore on art and teaching continued for a long time as a monumental model. Subsequently, they developed in the art arena of Santiniketan, the three pillars of ideas – Nandalal Bose, Benode Behari Mukherjee and Ramkinkar Baij. [9] They together raised Santiniketan to a level of unique eminence in the field of modern art in twentieth-century India. [10] [11]

In 1997, R. Siva Kumar, leading art historian, curated an exhibition, Santiniketan: The Making of a Contextual Modernism , at the National Gallery of Modern Art. [12] The exhibition, brought together about a hundred works each of the four modern Indian artists, namely Nandalal Bose, Rabindranath Tagore, Ram Kinker Baij and Benode Behari Mukherjee on the centre stage and put the Santiniketan art movement into focus. [12] R.Siva Kumar argued that the "Santiniketan artists did not believe that to be indigenous one has to be historicist either in theme or in style, and similarly to be modern one has to adopt a particular trans-national formal language or technique.[ citation needed ] Modernism was to them neither a style nor a form of internationalism. It was critical re-engagement with the foundational aspects of art necessitated by changes in one’s unique historical position". [13]

Subsequently, as principal of Kala Bhavana, Dinkar Kaushik reshaped it for contemporary art practices. He invited sculptor Sarbari Roy Choudhury, Ajit Chakraborty, graphic artist Somnath Hore and painters Sanat Kar and Lalu Prasad Shaw to join Kala Bhavana as teachers. [14] Amongst the many things he did to revolutionize the institution was to hold Nandan Mela. [14] On 1–2 December, Nandan Mela celebrates the birth anniversary of Nandalal Bose. “The students involve in various kinds of activities including art stalls put up by the Painting, Sculpture, Ceramics, Graphics, Design and Art History Departments. These stalls have artworks made by the students and teachers ranging from calendars to craft items, diaries, stationery, fashion jewelry, paintings, prints, saras (clay plates), and ceramics, wood and metal sculptures for sale at affordable prices.” [15]

College overview

The college has an art gallery, Nandan, exhibiting sculptures, frescoes and murals. [16] [17] In the 1960s, the Birlas and Goenkas families had built two girls hostels named after them. [18] Kala Bhavana has 17,000 original art works by eminent Indian and Far-Eastern masters, and is now seeking outside support for preserving and displaying these. [18]

Nandalal Bose became the first principal in 1923 and was followed by artists including Benode Behari Mukherjee, Ramkinkar Baij, K. G. Subramanyan, Dinkar Kaushik, R. Siva Kumar, Somnath Hore and Jogen Chowdhury. [19] [20] [21] [22] Amongst others who distinguished themselves in the art arena of Santiniketan were Gouri Bhanja, Jamuna Sen, Sankho Chaudhuri and Sanat Kar. [23] [24]

The school offers a Bachelor of Fine Arts degree and a Master of Fine Arts degree, as well as certificate degrees in painting, sculpture, mural painting, printmaking, design (textiles/ceramics) and art history.

Emblem of India Emblem of India.svg
Emblem of India

Nandalal Bose was assigned the task of decorating the original copy of the Constitution of India and he drew in several of his students for the work. It included Bani Patel, Gauri Bhanja, Jamuna Sen, Amala Sarkar, Sumitra Narayan, Vinayak Masoji, Dinanath Bhargava, Kripal Singh Shekhawat, Jagdish Mittal and others. [25] The brief was to illustrate 34-inch borders in 300-odd pages with patterns from different historical ages of the subcontinent. The document was adopted on 26 January 1950. Dinanath Bhargava, then 21 years old, was also given the task of adapting the design of the national emblem. [26] Beohar Rammanohar Sinha illustrated the preamble and certain other pages. [27] [28] R. Siva Kumar said that it was indeed a matter of pride that artists from Kala Bhavana embellished the prestigious document. [26]

In 2011, to mark the 150th birth anniversary of Rabindranath Tagore, Rabindra Chitravali was released, the four-volume set covered masters' painting oeuvre consisting of 1,600 paintings, from Rabindra Bhavana (another institution of the university) and Kala Bhavana collection, along with 200 paintings from other institutions across India. [29]

Satyajit Ray, the legendary film maker, studied here in 1940-1941, under Benode Behari Mukherjee, and later made a noted documentary on his teacher, The Inner Eye (1972). [30] He had earlier made a 54-minute black-and-white documentary, Rabindranath Tagore, on the life of the poet on the occasion of his birth centenary. The film won the President's Gold Medal Award, New Delhi, 1961 and the Golden Seal, Locarno, 1961. [31]

Ramkinkar is an incomplete personality study or documentary on sculptor Ramkinkar Baij created by legendary filmmaker Ritwik Ghatak. [32] He started creating the film in 1975. The film was almost complete but it still remained unfinished for the death of Ritwik Ghatak. [33]

Santiniketan has nine original ink brush works of Xu Beihong, one of the pioneers of Chinese modern art, all painted during the artists visit to Santiniketan in 1939-40. He had stayed in Tan Yun-Shan’s old house near Cheena Bhavana. In August 2019, his son, Xufangfang, who had come on a follow-up visit, said that he received inspiration from the creative environment at Visva Bharati. [34]

India has a long history of cultural relations with Japan. [35] In 1902, Tenshin Okakura and Rabindranath Tagore met in Kolkata. [35] On returning to Japan, Okakura sent two distinguished artists, Yokoyama Taikan and Hishida Shunsō to Kolkata, where they met Rabindranath Tagore and Abanindranath Tagore. Rabindranath Tagore went five times to Japan – 1916, 1917, 1924 and 1929 twice. [35] Nampu Katayama visited India in 1916. On an invitation from Tagore, Shokin Katsuta stayed in Santiniketan and worked as art teacher from 1905 to 1907. [35] Kousetsu Nosu came to India in 1918. He met Kampu Arai in Kolkata, and the two together went to Ajanta for copying the frescoes there. [35] In 1932 Nosu again came to India, to paint frescoes in the new Buddhist Vihara at Sarnath. On completing his work at Sarnath, he visited Kala Bhavana at Santiniketan to learn more about frescoes. Kampo Arai was in India from 1916 to 1918 and visited Santiniketan during the period. Akino Fuku was visiting professor at Santiniketan in 1962. Ikuo Hirayama has painted in India under the title Silk Road paintings. Nishida Shun'ei came to India in 1995. Koreshiko Hino visited Santiniketan in 2006. [35]

Notable people

This is a list of notable alumni and teachers of Kala Bhavana, listed alphabetically by last name.

Faculty

Painters

Printmakers

See also

Related Research Articles

<span class="mw-page-title-main">Shantiniketan</span> UNESCO heritage site in West Bengal, India

Shantiniketan is a neighbourhood of Bolpur town in the Bolpur subdivision of Birbhum district in West Bengal, India, approximately 152 km north of Kolkata. It was established by Maharshi Devendranath Tagore, and later expanded by his son, Rabindranath Tagore whose vision became what is now a university town with the creation of Visva-Bharati.

<span class="mw-page-title-main">Bengal School of Art</span> Art movement and a style of Indian painting in the early 20th century

The Bengal School of Art, commonly referred as Bengal School, was an art movement and a style of Indian painting that originated in Bengal, primarily Kolkata and Shantiniketan, and flourished throughout the Indian subcontinent, during the British Raj in the early 20th century. Also known as 'Indian style of painting' in its early days, it was associated with Indian nationalism (swadeshi) and led by Abanindranath Tagore (1871–1951), and was also being promoted and supported by British arts administrators like E. B. Havell, the principal of the Government College of Art and Craft, Kolkata from 1896; eventually it led to the development of the modern Indian painting.

<span class="mw-page-title-main">Visva-Bharati University</span> Public university in West Bengal, India

Visva-Bharati, is a public central university and an Institute of National Importance located in Shantiniketan, West Bengal, India. It was founded by Rabindranath Tagore who called it Visva-Bharati, which means the communion of the world with India. Until independence it was a college. Soon after independence, the institution was given the status of a central university in 1951 by an act of the Parliament.

<span class="mw-page-title-main">Nandalal Bose</span> Indian artist and a pioneer of modern Indian art (1882-1966)

Nandalal Bose was one of the pioneers of modern Indian art and a key figure of Contextual Modernism.

<span class="mw-page-title-main">Benode Behari Mukherjee</span> Indian artist

Benode Behari Mukherjee was an Indian artist from West Bengal state. Mukherjee was one of the pioneers of Indian modern art and a key figure of Contextual Modernism. He was one of the earliest artists in modern India to take up to murals as a mode of artistic expression. All his murals depict a subtle understanding of environmental through pioneering architectural nuances.

<span class="mw-page-title-main">Ramkinkar Baij</span> Indian sculptor and painter (1906–1980)

Ramkinkar Baij was an Indian sculptor and painter, one of the pioneers of modern Indian sculpture and a key figure of Contextual Modernism.

<span class="mw-page-title-main">K. G. Subramanyan</span> Indian painter, sculptor, muralist, printmaker, writer and academic (1924-2016)

Kalpathi Ganpathi "K.G." Subramanyan was an Indian artist. He was awarded the Padma Vibhushan in 2012.

<span class="mw-page-title-main">Modern Indian painting</span> Movement in Indian painting

The modern Indian art movement in Indian painting is considered to have begun in Calcutta in the late nineteenth century. The old traditions of painting had more or less died out in Bengal and new schools of art were started by the British. Initially, protagonists of Indian art such as Raja Ravi Varma drew on Western traditions and techniques including oil paint and easel painting. A reaction to the Western influence led to a revival in primitivism, called as the Bengal school of art, which drew from the rich cultural heritage of India. It was succeeded by the Santiniketan school, led by Rabindranath Tagore's harking back to idyllic rural folk and rural life. Despite its country-wide influence in the early years, the importance of the school declined by the 'forties' and now it is as good as dead.

<span class="mw-page-title-main">R. Siva Kumar</span> Contemporary Indian art historian art-critic and curator (born 1956)

Raman Siva Kumar, known as R. Siva Kumar, is an Indian contemporary art historian, art critic, and curator. His major research has been in the area of early Indian modernism with special focus on the Santiniketan School. He has written several important books, lectured widely on modern Indian art and contributed articles to prestigious international projects such as the Art Journal, Grove Art Online or The Dictionary of Art, Oxford University Press.

<span class="mw-page-title-main">Suresh K. Nair</span> Indian artist

Suresh K. Nair is an artist based in Banaras. Nair obtained his national diploma in mural painting from the Institute of Mural Painting Guruvayur, Kerala under the guidance of Mammiyur Krishnan Kuty Nair. He was inspired by the works of Rabindranath Tagore, Nandalal Bose, Benode Behari Mukherjee and Ramkinker Baij and continued his studies at the Department of Painting, Visva Bharati University, Santiniketan. Nair has acquired a presence in the Indian and international art scene over the last decade with several shows organized by regional and international galleries and museums, and created many murals in India and abroad. His early works are based on Kerala murals, both in terms of technique and ideas. One of his modern paintings, ‘Cosmic Butterfly" is owned by Essl Museum, Vienna, Austria since 2010. His works were exhibited in the US, Spain, and Canada, and his awards include the Elizabath Green Shield Foundation Scholarship (1999) of Canada; Fulbright Fellowship ( 2006–07) for an Educational Exchange Program at Tyler School of Art, Temple University, Philadelphia under Professor Nicholas Kripal; and the State Award of Kerala Lalithkala Akademi, Ministry of Culture, Government of Kerala.

Santiniketan: The Making of a Contextual Modernism was an exhibition curated by R. Siva Kumar at the National Gallery of Modern Art in 1997, on the occasion of the 50th anniversary of India's Independence.

<span class="mw-page-title-main">Surendranath Kar</span> Artist and architect born in India

Surendranath Kar was an Indian artist and architect, known for amalgamating the Indian architectural style with western and eastern styles of architecture. Born in 1892 in British India, Kar did his primary learning of art under his cousin, renowned Bengali painter, Nandalal Bose, and Abanindranath Tagore, the nephew of Nobel Laureate, Rabindranath Tagore. Later, he joined Vichitra Club, founded by the Tagore family, as a teacher of art. In 1917, when Tagore set up Brahmacharyasrama, the precursor of later day Shantiniketan, he joined the institution and worked as an art teacher. Two years later, he moved to Kala Bhavana of Tagore as a faculty member.

<span class="mw-page-title-main">Pratima Devi (painter)</span> Indian artist (1893–1969)

Pratima Devi (1893–1969) was an Indian Bengali artist, widely known for her artistic abilities. She was the wife of Rathindranath Tagore. The poet took special interest in developing her capabilities.

Chitranibha Chowdhury was a twentieth-century Indian artist, a member of the Bengal School of Art, and one of the first female painters in Bengal. She created over a thousand artworks, including landscapes, still lifes, decorative art, murals, and portraits. She was a Nandalal Bose student and the first female painting teacher in Kala Bhavana, Shantiniketan. Her real name Nibhanani Bose was changed to Chitranibha Bose by Rabindranath Tagore.

The following is a list of notable people associated withVisva- Bharati University and/or Santiniketan, a neighbourhood in Bolpur city in West Bengal, India:

<span class="mw-page-title-main">Cheena Bhavana</span> School part of Visva-Bharati University

Cheena Bhavana, of Visva-Bharati University, founded in 1937, is a centre of Sino-Indian cultural studies located at Santiniketan in West Bengal, India. Its reputation as a center promoting historical study and modern relations between the two countries was built by such figures as Rabindranath Tagore and Tan Yun-Shan. The library is known for a major collection of Chinese books and journals, especially Buddhist scriptures and texts.

Tan Yun-Shan was a Chinese scholar and founder of Santiniketan's Cheena Bhavana, the oldest centre of Chinese studies in South Asia. He devoted his life to the cause of Sino-Indian cultural friendship.

Dinkar Kowshik (1918-2011) was an Indian painter. As principal of Kala Bhavana at Santiniketan, he reshaped it for contemporary art practices.

<span class="mw-page-title-main">Jamuna Sen</span> Indian artist from Santiniketan

Jamuna Sen was an Indian artist, known for her design work in a variety of mediums including Batik and Alpona as well as developing, in an Indian context, a variety of traditional crafts from across the world. She was a pioneer in establishing the practice of Batik in India in modern times. Daughter of Nandalal Bose, a central figure in modern Indian art, she was brought up in the artistic and intellectual milieu of Santiniketan and made significant contributions in the field of design.

Gouri Bhanja (1907–1998) was an Indian artist best known for contributing to the original illuminated Constitution of India and for dedicating several decades of her life to teaching at Kala Bhavana. She was the eldest daughter of Nandalal Bose, master of Indian art.

References

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External videos
Nuvola apps kaboodle.svg Kala Bavana-e Nandan Mela (commentary in Bengali)
Nuvola apps kaboodle.svg Kala Bhavan MFA Final Year Display 2018 – Part I