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Mock combat involves the execution of combative actions without intent to harm. Participants can engage in such sparring for ritual, training, recreational or performance reasons. The nature of mock combat can vary from realistic to symbolic. Mock combat can be classified into choreographed and unchoreographed forms.
Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defense; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage.
Stage combat, fight craft or fight choreography is a specialised technique in theatre designed to create the illusion of physical combat without causing harm to the performers. It is employed in live stage plays as well as operatic and ballet productions. With the advent of cinema and television the term has widened to also include the choreography of filmed fighting sequences, as opposed to the earlier live performances on stage. It is closely related to the practice of stunts and is a common field of study for actors. Actors famous for their stage fighting skills frequently have backgrounds in dance, gymnastics or martial arts training.
Chinese martial arts, often called by the umbrella terms kung fu, kuoshu or wushu, are multiple fighting styles that have developed over the centuries in Greater China. These fighting styles are often classified according to common traits, identified as "families" of martial arts. Examples of such traits include Shaolinquan (少林拳) physical exercises involving All Other Animals (五形) mimicry or training methods inspired by Old Chinese philosophies, religions and legends. Styles that focus on qi manipulation are called internal, while others that concentrate on improving muscle and cardiovascular fitness are called external. Geographical association, as in northern and southern, is another popular classification method.
Historical European martial arts (HEMA) are martial arts of European origin, particularly using arts formerly practised, but having since died out or evolved into very different forms.
Sparring is a form of training common to many combat sports. Although the precise form varies, it is essentially relatively 'free-form' fighting, with enough rules, customs, or agreements to minimize injuries. By extension, argumentative debate is sometimes called sparring.
In martial arts, a waster is a practice weapon, usually a sword, and usually made out of wood, though nylon (plastic) wasters are also available. Nylon being much safer than wood, due to it having an adequate amount of flex for thrusts to be generally safe, unlike wooden wasters. Even a steel feder has more flex than most wooden wasters. The use of wood or nylon instead of metal provides an economic option for initial weapons training and sparring, at some loss of genuine experience. A weighted waster may be used for a sort of strength training, theoretically making the movements of using an actual sword comparatively easier and quicker, though modern sports science shows that an athlete would most optimally train with an implement which is closest to the same weight, balance, and shape of the tool they will be using. Wasters as wooden practice weapons have been found in a variety of cultures over a number of centuries, including ancient China, Ireland, Iran, Scotland, Rome, Egypt, medieval and renaissance Europe, Japan, and into the modern era in Europe and the United States. Over the course of time, wasters took a variety of forms not necessarily influenced by chronological succession, ranging from simple sticks to clip-point dowels with leather basket hilts to careful replicas of real swords.
A combat sport, or fighting sport, is a competitive contact sport that usually involves one-on-one combat. In many combat sports, a contestant wins by scoring more points than the opponent, submitting the opponent with a hold, disabling the opponent, or attacking the opponent in a specific or designated technique. Combat sports share a long pedigree with the martial arts.
Combat reenactment is a side of historical reenactment which aims to depict historical forms of combat. This may refer to either single combat, melees involving small groups, or nearly full-scale battles with hundreds of participants.
Indian martial arts refers to the fighting systems of the Indian subcontinent. A variety of terms are used for the English phrases “Indian martial arts”, deriving from ancient sources. While they may seem to imply specific disciplines, by Classical times they were used generically for all fighting systems.
Cinematic fight choreography or staged fights in cinema include performances of archery, classical fencing, historical fencing, martial arts, close combat, and duels in general, as well as choreography of full-scale battles with hundreds of combatants.
Although the earliest evidence of martial arts goes back millennia, the true roots are difficult to reconstruct. Inherent patterns of human aggression which inspire practice of mock combat and optimization of serious close combat as cultural universals are doubtlessly inherited from the pre-human stage and were made into an "art" from the earliest emergence of that concept. Indeed, many universals of martial art are fixed by the specifics of human physiology and not dependent on a specific tradition or era.
A war dance is a dance involving mock combat, usually in reference to tribal warrior societies where such dances were performed as a ritual connected with endemic warfare. Martial arts in various cultures can be performed in dance-like settings for various reasons, such as for evoking ferocity in preparation for battle or showing off skill in a more stylized manner. It could also be for celebration of valor and conquest. Many such martial arts incorporate music, especially strong percussive rhythms.
Huyen langlon is an Indian martial art from Manipur. In the Meitei language, huyen means war while langlon or langlong can mean net, knowledge or art. Huyen langlon consists of two main components: thang-ta and sarit sarak. The primary weapons of huyen langlon are the thang (sword) and ta (spear). The spear can be used in its non-missile form while up close, or thrown from afar. Other weapons include the shield and the axe. Unarmed combat incorporates hand strikes, kicks, and grappling (mukna). Because of Manipur's cultural similarity and geographical proximity with Myanmar, huyen langlon is closely related to Burmese bando and banshay.
The World Jianshu League is an organization dedicated to preserving the art of the jian, a traditional Chinese sword, through organized competition, discussion, and documentation. The WJL consists of a growing number of wushu schools primarily situated in the United States. The league's main focus is to introduce a new form of sport competition using the jian, similar to sport fencing, or kendo, and thereby preserve, revive, and advance such jianshu concepts as can only be gained through one-on-one competition.
Istunka, also known as isgaraac, is a festival held annually in Afgooye, Somalia on the Somali new year. The tournament was developed during the medieval Ajuran period, and was centralized in the 19th century under the Sultanate of the Geledi. Consisting of several teams engaging each other in mock combat, it is celebrated alongside other ceremonies such as Dabshiid.
Onathallu, also known as Kayyāmkali or Avittathallu is an Indian martial dance and a semi-contact combat sport performed in Kerala during the festival of Onam. In some places, it takes the form of a choreographed sparring, while in some other places, it is a combat sport with actual sparring.
Italian martial arts include all those unarmed and armed fighting arts popular in Italy between the Bronze age until the 19th century AD. It involved the usage of weapons. Each weapon is the product of a specific historical era. The swords used in Italian martial arts range from the Bronze daggers of the Nuragic times to the gladius of the Roman legionaries to swords which were developed during the renaissance, the baroque era and later. Short blades range from medieval daggers to the liccasapuni Sicilian duelling knife.
Indonesian martial arts includes a variety of fighting systems native to or developed in the archipelago of Indonesia, both the age-old traditional arts, and the more recently developed hybrid combatives. In the Indonesian language the term bela-diri is used to mean martial art, and in essence the Indonesian fighting arts are meant as one's defence against perceived threat and assault. Other than physical training, they often include spiritual aspects to cultivate inner strength, inner peace and higher psychological ends.
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