Ray Anderson is an American jazz trombonist. Trained by the Chicago Symphony trombonists, he is regarded as someone who pushes the limits of the instrument, including performing on alto trombone and slide trumpet. He is a colleague of trombonist George E. Lewis. Anderson also plays sousaphone and sings. He was frequently chosen in DownBeat magazine's Critics Poll as best trombonist throughout the late 1980s and early 1990s.
Anthony Braxton is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double-LP record For Alto, the first full-length album of solo saxophone music.
Muhal Richard Abrams was an American educator, administrator, composer, arranger, clarinetist, cellist, and jazz pianist in the free jazz medium. He recorded and toured the United States, Canada and Europe with his orchestra, sextet, quartet, duo, and as a solo pianist.
Roscoe Mitchell is an American composer, jazz instrumentalist, and educator, known for being "a technically superb – if idiosyncratic – saxophonist". The Penguin Guide to Jazz described him as "one of the key figures" in avant-garde jazz; All About Jazz stated in 2004 that he had been "at the forefront of modern music" for more than 35 years. Critic Jon Pareles in The New York Times has mentioned that Mitchell "qualifies as an iconoclast". In addition to his own work as a bandleader, Mitchell is known for cofounding the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM).
Ishmael Wadada Leo Smith is an American trumpeter and composer, working primarily in the field of creative music. He was one of three finalists for the 2013 Pulitzer Prize for Music for Ten Freedom Summers, released on May 22, 2012.
Kenneth Vincent John Wheeler, OC was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards.
George Emanuel Lewis is an American composer, performer, and scholar of experimental music. He has been a member of the Association for the Advancement of Creative Musicians (AACM) since 1971, when he joined the organization at the age of 19. He is renowned for his work as an improvising trombonist and considered a pioneer of computer music, which he began pursuing in the late 1970s; in the 1980s he created Voyager, an improvising software he has used in interactive performances. Lewis's many honors include a MacArthur Fellowship and a Guggenheim Fellowship, and his book A Power Stronger Than Itself: The AACM and American Experimental Music received the American Book Award. Lewis is the Edwin H. Case Professor of American Music, Composition & Historical Musicology at Columbia University.
Julius Arthur Hemphill was a jazz composer and saxophone player. He performed mainly on alto saxophone, less often on soprano and tenor saxophones and flute.
Arthur Murray Blythe was an American jazz alto saxophonist and composer. He was described by critic Chris Kelsey as displaying "one of the most easily recognizable alto sax sounds in jazz, big and round, with a fast, wide vibrato and an aggressive, precise manner of phrasing" and furthermore as straddling the avant garde and traditionalist jazz, often with bands featuring unusual instrumentation.
Oliver Lake is an American jazz saxophonist, flutist, composer, poet, and visual artist. He is known mainly for alto saxophone, but he also performs on soprano and flute. During the 1960s, Lake worked with the Black Artists Group in St. Louis. In 1977, he founded the World Saxophone Quartet with David Murray, Julius Hemphill, and Hamiet Bluiett. Lake worked in the group Trio 3 with Reggie Workman and Andrew Cyrille. Lake has appeared on more than 80 albums as a bandleader, co-leader, and side musician. He is the father of drummer Gene Lake. Lake has been a resident of Montclair, New Jersey.
Barry Altschul is a free jazz and hard bop drummer who first came to notice in the late 1960s for performing with pianists Paul Bley and Chick Corea.
Marilyn Crispell is an American jazz pianist and composer. Scott Yanow described her as "a powerful player... who has her own way of using space... She is near the top of her field." Jon Pareles of The New York Times wrote: "Hearing Marilyn Crispell play solo piano is like monitoring an active volcano... She is one of a very few pianists who rise to the challenge of free jazz." In addition to her own extensive work as a soloist or bandleader, Crispell is also known as a longtime member of saxophonist Anthony Braxton's quartet in the 1980s and '90s.
Mark Helias is an American double bass player and composer born in New Brunswick, New Jersey.
Discography for jazz saxophonist Anthony Braxton.
John Lindberg is an American jazz double-bassist.
Charles Wesley "Bobo" Shaw was an American free jazz drummer, known as a prominent member of the Human Arts Ensemble and Black Artists Group. He was born in Pope, Mississippi, United States.
Phillip Sanford Wilson was an American blues and jazz drummer, a founding member of the Art Ensemble of Chicago, and a member of the Paul Butterfield Blues Band.
Moers Music is a German jazz record label that was founded by Burkhard Hennen in Moers, Germany. The label started in 1974 under the name Ring but was changed three years later due to a conflict with a Canadian record label that had the same name. Moers concentrates on free jazz and has released albums by Barry Altschul, Anthony Braxton, John Carter, Anthony Davis, Roscoe Mitchell, James Newton, Wadada Leo Smith, Vienna Art Orchestra, and World Saxophone Quartet.
Reiner Michalke is the artistic director of the concert venue Stadtgarten in Cologne/Germany. From 2005 to 2016 he served as artistic director of the Moers Festival. Since October 2018 he is managing artistic director of the Monheim Triennale.
Quartet: Live at Moers Festival is a live album by saxophonist/composer/improviser Anthony Braxton's Quartet recorded in 1974 at the Third International New Jazz Festival in Moers and originally released on the German Ring label in 1976 and the Moers Music label in 1977 as a double LP.
