Monk Hazel

Last updated

Arthur Frank Hazel (August 15, 1903, Harvey, Louisiana - March 5, 1968, New Orleans, Louisiana), better known as Monk Hazel, was a jazz drummer and cornetist. [1]

Career background

In addition to being a drummer, Hazel occasionally took solos cornet and mellophone. Hazel performed with several bandleaders in and around New Orleans in the 1920s, among them Abbie Brunies, Tony Parenti, Jules Bauduc, and Johnny Wiggs.

Hazel's father was a drummer as well. Early on Monk played drums with Emmett Hardy, who gave him his first cornet, and then with Stalebread Lacombe. In the 1920s, Hazel worked with many bands including those led by Abbie Brunies (the Halfway House Orchestra), Tony Parenti (with whom he recorded in 1928) [1] and Johnny Wiggs.

From the late 1920s to the early 1930s, Hazel led his own Bienville Roof Orchestra [1] (which played atop the Bienville Hotel at Lee Circle, and made recordings in 1928) and then spent time in New York playing with Johnny Wiggs, Jack Pettis and with his own group (1929–31).

Hazel was in Hollywood for a period (working with Gene Austin) but eventually came back to New Orleans, performing with Joe Caprano (1937) and the Lloyd Danton Quintet. Hazel spent 1942-43 in the Army and then worked for a time outside of music.

During his final 20 years, Hazel was once again active in New Orleans, recording with his own band in 1945 [1] and performing with Sharkey Bonano (1949-52), [1] George Girard, Mike Lala, Santo Pecora [1] and virtually every other important name in New Orleans jazz.

As a leader, Monk Hazel recorded four titles in 1928 for Brunswick Records and a full album for Southland Records in 1954; Pete Fountain and Al Hirt were among his sidemen on the latter recording.

Related Research Articles

<span class="mw-page-title-main">King Oliver</span> American jazz cornet player and bandleader

Joseph Nathan "King" Oliver was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today."

<span class="mw-page-title-main">Original Dixieland Jass Band</span> American jazz band

The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band.

<span class="mw-page-title-main">Kid Ory</span> American jazz trombonist

Edward "Kid" Ory was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz.

Johnny Dodds was an American jazz clarinetist and alto saxophonist based in New Orleans, best known for his recordings under his own name and with bands such as those of Joe "King" Oliver, Jelly Roll Morton, Lovie Austin and Louis Armstrong. Dodds was the older brother of the drummer Warren "Baby" Dodds, one of the first important jazz drummers. They worked together in the New Orleans Bootblacks in 1926. Dodds is an important figure in jazz history. He was the premier clarinetist of his era and, in recognition of his artistic contributions, he was posthumously inducted into the Jazz Hall of Fame. He has been described as "a prime architect in the creation of the Jazz Age."

<span class="mw-page-title-main">Baby Dodds</span> American jazz drummer

Warren "Baby" Dodds was an American jazz drummer born in New Orleans, Louisiana, United States. He is regarded as one of the best jazz drummers of the pre-big band era, and one of the most important early jazz drummers. He varied his drum patterns with accents and flourishes, and he generally kept the beat with the bass drum while playing buzz rolls on the snare. Some of his early influences included Louis Cottrell, Sr., Harry Zeno, Henry Martin, and Tubby Hall. Dodds was among the first drummers to be recorded improvising while performing.

<span class="mw-page-title-main">New Orleans Rhythm Kings</span> American jazz band

The New Orleans Rhythm Kings (NORK) were one of the most influential jazz bands of the early to mid-1920s. The band included New Orleans and Chicago musicians who helped shape Chicago jazz and influenced many younger jazz musicians.

<span class="mw-page-title-main">Emmett Hardy</span> American musician

Emmett Louis Hardy was an American jazz cornet player during the early 1900s.

<span class="mw-page-title-main">Eddie Edwards (musician)</span> American jazz trombonist

Edwin Branford "Eddie" Edwards was an early jazz trombonist who was a member of the Original Dixieland Jass Band.

<span class="mw-page-title-main">Tom Brown (trombonist)</span> New Orleans dixieland jazz trombonist (1888–1958)

Tom P. Brown, sometimes known by the nickname Red Brown, was an American dixieland jazz trombonist. He also played string bass professionally.

<span class="mw-page-title-main">New Orleans Records</span>

New Orleans Records was an American record label based in New Orleans, Louisiana and active from 1949 until the early 1980s. Originally founded by Orin Blackstone in 1949, it was revived by Clive Wilson in 1972. The label specialized in New Orleans jazz.

<span class="mw-page-title-main">Ben Pollack</span> American swing drummer and bandleader (1903–1971)

Ben Pollack was an American drummer and bandleader from the mid-1920s through the swing era. His eye for talent led him to employ musicians such as Benny Goodman, Jack Teagarden, Glenn Miller, Jimmy McPartland, and Harry James. This ability earned him the nickname the "Father of Swing".

Mel Stitzel was a German-born pianist best known for his work with the New Orleans Rhythm Kings, a leading jazz band of the early 1920s. The leading members of the group including cornetist Paul Mares, trombonist George Brunies and clarinet player Leon Roppolo were school friends from New Orleans who recruited others such as Stitzel and drummer Gene Krupa to join their band. Stitzel also played with The Bucktown Five in the early 1920s.

<span class="mw-page-title-main">Ray Bauduc</span> American drummer

Ray Bauduc was an American jazz drummer best known for his work with the Bob Crosby Orchestra and their band-within-a-band, the Bobcats, between 1935 and 1942. He is also known for his shared composition of "Big Noise from Winnetka," a jazz standard.

<span class="mw-page-title-main">Johnny Wiggs</span> American jazz musician

Johnny Wiggs was a jazz musician and band leader.

Joseph Hilton "Nappy" Lamare was an American jazz banjoist, guitarist, and vocalist.

<span class="mw-page-title-main">Tony Parenti</span> American jazz clarinetist and saxophonist

Tony Parenti was an American jazz clarinetist and saxophonist born in New Orleans, Louisiana, United States. After starting his musical career in New Orleans, he had a successful career in music in New York City for decades.

Charles "Charlie" Hartmann was a New Orleans jazz trombonist.

Red Hot Peppers was a recording jazz band led by Jelly Roll Morton from 1926–1930. It was a seven- or eight-piece band formed in Chicago that recorded for Victor and featured the best New Orleans-style freelance musicians available, including cornetist George Mitchell, trombonist Kid Ory, clarinetists Omer Simeon and Johnny Dodds, banjoists Johnny St. Cyr and Bud Scott, double bass player John Lindsay, and drummers Andrew Hilaire and Baby Dodds.

Leon "Leo" Adde was an American jazz drummer.

Sidney Arnandan or Arnondrin or Arnondin, better known as Sidney Arodin was an American jazz clarinetist and songwriter, best known for co-writing the pop standard "Lazy River" with Hoagy Carmichael.

References

  1. 1 2 3 4 5 6 Rye, Howard; Barry Kernfeld. "Hazel, Monk". Grove Music Online. Oxford University Press. Retrieved 27 November 2022.