This article's lead possibly contains original research .(January 2023) |
Moods of Marvin Gaye | ||||
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Studio album by | ||||
Released | May 23, 1966 | |||
Recorded | Hitsville U.S.A., Detroit | |||
Genre | Soul | |||
Length | 36:12 | |||
Label | Tamla | |||
Producer | Smokey Robinson, Brian Holland, Lamont Dozier, Clarence Paul | |||
Marvin Gaye chronology | ||||
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Singles from Moods of Marvin Gaye | ||||
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Moods of Marvin Gaye is the seventh studio album by Marvin Gaye, released on the Tamla label in 1966.
The album was the result of a plan to establish Gaye as a strong album-oriented artist as well as a hit maker. Gaye was still uncomfortable with performing strictly R&B and had begun work on a standards album around this time after meeting musician Bobby Scott. However, the sessions were unsuccessful and he would successfully complete a standards album only in his later years (released posthumously as Vulnerable in 1997). For the time being, Gaye was winning more fans and had become a crossover teen idol. Six songs from Moods of Marvin Gaye were released as singles: impressively, all reached the Top 40 on the R&B singles chart and four of them reached the Top 40 on the Pop Singles Chart, a rare feat for a solo R&B artist even at that time.
Gaye also scored his first two #1 R&B singles, "I'll Be Doggone" and "Ain't That Peculiar", both co-written by Gaye's friend, Berry Gordy's right-hand man Smokey Robinson.
Review scores | |
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Source | Rating |
Allmusic | [1] |
No. | Title | Writer(s) | Length |
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1. | "I'll Be Doggone" | Warren Moore, Smokey Robinson, Marvin Tarplin | 2:47 |
2. | "Little Darling (I Need You)" | Holland–Dozier–Holland | 2:35 |
3. | "Take This Heart of Mine" | Moore, Robinson, Tarplin | 2:49 |
4. | "Hey Diddle Diddle" | Johnny Bristol, Harvey Fuqua, Gaye | 2:30 |
5. | "One More Heartache" | Moore, Robinson, Bobby Rogers, Tarplin, Ronald White | 2:42 |
6. | "Ain't That Peculiar" | Moore, Robinson, Rogers, Tarplin | 3:00 |
No. | Title | Writer(s) | Length |
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7. | "Night Life" | Walt Breeland, Paul Buskirk, Willie Nelson | 3:05 |
8. | "You've Been a Long Time Coming" | Holland-Dozier-Holland | 2:13 |
9. | "Your Unchanging Love" | Holland-Dozier-Holland | 3:13 |
10. | "You're the One For Me" | Morris Broadnax, Clarence Paul, Stevie Wonder | 3:24 |
11. | "I Worry 'Bout You" | Norman Mapp | 3:24 |
12. | "One for My Baby (and One More for the Road)" | Harold Arlen, Johnny Mercer | 4:30 |
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single up to that time.
The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Martha Reeves & the Vandellas, the Temptations, Stevie Wonder, the Four Tops, Jimmy Ruffin, Edwin Starr, the Supremes, the Marvelettes, Marvin Gaye and the Isley Brothers, among others. It is estimated they appeared on 20,000 recordings.
"What's Going On" is a song by American singer-songwriter Marvin Gaye, released in 1971 on the Motown subsidiary Tamla. It is the opening track of Gaye's studio album of the same name. Originally inspired by a police brutality incident witnessed by Renaldo "Obie" Benson, the song was composed by Benson, Al Cleveland, and Gaye and produced by Gaye himself. The song marked Gaye's departure from the Motown Sound towards more personal material. Later topping the Hot Soul Singles chart for five weeks and crossing over to number two on the Billboard Hot 100, it would sell over two million copies, becoming Gaye's second-most successful Motown song to date. It was ranked at number 4 in Rolling Stone's 500 Greatest Songs of all Time in 2004 and 2010.
"Sexual Healing" is a song recorded by American singer Marvin Gaye from his seventeenth and final studio album, Midnight Love (1982). It was his first single since his exit from his long-term record label Motown earlier in the year, following the release of the In Our Lifetime (1981) album the previous year. It peaked at No. 3 on the Billboard Hot 100 and is listed at number 198 on Rolling Stone's list of 500 Greatest Songs of All Time. "Sexual Healing" is written and composed in the key of E-flat major and is set in time signature of 4/4 with a tempo of 94 beats per minute.
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
"I Want You" is a song written by songwriters Leon Ware and Arthur "T-Boy" Ross and performed by singer Marvin Gaye. It was released as a single in 1976 on his fourteenth studio album of the same name on the Tamla label. The song introduced a change in musical styles for Gaye, who before then had been recording songs with a funk edge. Songs such as this gave him a disco audience thanks to Ware, who produced the song alongside Gaye.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"Ain't That Peculiar" is a 1965 song recorded by American soul musician Marvin Gaye for the Tamla (Motown) label.
"Dancing in the Street" is a song written by Marvin Gaye, William "Mickey" Stevenson and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha and the Vandellas whose version reached No. 2 on the Billboard Hot 100 chart and peaked at No. 4 in the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song. A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra and Karen Carpenter.
"I'll Be Doggone" is a 1965 song recorded by American soul singer Marvin Gaye and released on the Tamla label. The song talks about how a man tells his woman that he'll be "doggone" about simple things but if she did him wrong that he'd be "long gone". The song was written by Miracles members Smokey Robinson, Pete Moore and Marv Tarplin, initially for The Temptations, who rejected the song.
I Want You is the fourteenth studio album by American soul singer and songwriter Marvin Gaye. It was released on March 16, 1976, by the Motown Records-subsidiary label Tamla.
"Stubborn Kind of Fellow" is a 1962 song recorded by Marvin Gaye for the Tamla label. Co-written by Gaye and produced by William "Mickey" Stevenson, "Stubborn Kind of Fellow" became Gaye's first hit single, reaching the top 10 of the R&B chart and the top 50 of the Billboard Hot 100 in late 1962.
That Stubborn Kinda Fellow is the second studio album by Marvin Gaye, released on the Tamla label in 1963. The second LP Gaye released on the label, it also produced his first batch of successful singles for the label and established Gaye as one of the label's first hit-making acts in its early years.
Diana & Marvin is a duets album by American soul musicians Diana Ross and Marvin Gaye, released October 26, 1973 on Motown. Recording sessions for the album took place between 1971 and 1973 at Motown Recording Studios in Hollywood, California. Gaye and Ross were widely recognized at the time as two of the top pop music performers.
Love Child is the fifteenth studio album released by Diana Ross & the Supremes for the Motown label in 1968. The LP was the group's first studio LP not to include any songs written or produced by any member of the Holland–Dozier–Holland production team, who had previously overseen most of the Supremes' releases.
Marvin Gaye Live! is the second live album issued by soul musician Marvin Gaye, released on June 19, 1974, by Tamla Records.
"Baby Don't You Do It" is a 1964 single by American singer Marvin Gaye. Released on the Tamla label, this song discusses a man who is at a standstill with his girlfriend, who he feels is neglecting his love stating "Don't break my heart/...I've tried to do my best".
Marvin Gaye's Greatest Hits, Vol. 2 is a compilation album of greatest hits, a second compilation by American R&B/soul singer Marvin Gaye, released on the Tamla label in 1967. This album focused on the singer's best hits from 1964 to 1966 including signature hits "How Sweet It Is " and "Ain't That Peculiar".
"Pretty Little Baby" is a 1965 single released by soul singer Marvin Gaye on the Tamla label.
Take Me for What I'm Worth is the fifth studio album by the English rock band The Searchers and the group's first LP which missed the official Record Retailer Top 20 album chart in the United Kingdom. Released in the end of 1965 it was the last album by the Searchers before the leader of the band Chris Curtis left. Album included some songs written by members of the band as well as cover versions of some well known tracks originally recorded by The Ronettes, Fats Domino, Marvin Gaye or Ian and Sylvia. The title track, written by P. F. Sloan, was the last Top 20 hit for the band in the UK.