Marvin Pentz Gay Jr., who also spelled his surname as Gaye, was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul".
What's Going On is the eleventh studio album by American soul singer Marvin Gaye. It was released on May 21, 1971, by the Motown Records subsidiary label Tamla. Recorded between 1970 and 1971 in sessions at Hitsville U.S.A., Golden World, and United Sound Studios in Detroit, and at The Sound Factory in West Hollywood, California, it was Gaye's first album to credit him as a producer and to credit Motown's in-house studio band, the session musicians known as the Funk Brothers.
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single up to that time.
Norman Jesse Whitfield was an American songwriter and producer, who worked with Berry Gordy's Motown labels during the 1960s. He has been credited as one of the creators of the Motown Sound and of the late-1960s subgenre of psychedelic soul.
"Ain't Too Proud to Beg" is a 1966 song and hit single by The Temptations for Motown Records' Gordy label, produced by Norman Whitfield and written by Whitfield and Edward Holland Jr. The song peaked at number 13 on the Billboard Pop Chart, and was a number-one hit on the Billboard R&B charts for eight non-consecutive weeks. The song's success, in the wake of the relative underperformance of the previous Temptations' single, "Get Ready", resulted in Norman Whitfield replacing Smokey Robinson, producer of "Get Ready", as The Temptations' main producer. In 2004 it finished number 94 in AFI's 100 Years...100 Songs poll thanks to its inclusion in The Big Chill soundtrack.
Barrett Strong Jr. was an American singer and songwriter known for his recording of "Money ", which was the first hit single for the Motown record label. He is also known for his songwriting work in association with producer Norman Whitfield; together, they penned such songs as "I Heard It Through the Grapevine", "War", "Just My Imagination ", and "Papa Was a Rollin' Stone".
"Let's Get It On" is a song by soul musician Marvin Gaye, released June 15, 1973, on Motown-subsidiary label Tamla Records. The song was recorded on March 22, 1973, at Hitsville West in Los Angeles, California. The song features romantic and sexual lyricism and funk instrumentation by The Funk Brothers. The title track of Gaye's album of the same name, it was written by Marvin Gaye and producer Ed Townsend. "Let's Get It On" became Gaye's most successful single for Motown and one of his most well-known songs. With the help of the song's sexually explicit content, "Let's Get It On" helped give Gaye a reputation as a sex symbol during its initial popularity. "Let's Get It On" is written and composed in the key of E-flat major and is set in time signature of common time with a tempo of 82 beats per minute.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"Pride and Joy" is a 1963 single by Marvin Gaye, released on the Tamla label. The single, co-written by William "Mickey" Stevenson, Gaye and Norman Whitfield, and produced by Stevenson, was considered to be a tribute to Gaye's then-girlfriend, Anna Gordy. The album version of the single featured on Gaye's second album, That Stubborn Kinda Fellow is different in parts to the single version presenting a more jazz effect than the gospel-emulated version that became a single. The song was also Gaye's first top ten pop single peaking at number ten on the chart and just missed the top spot of the R&B singles chart peaking at number two. The song also helped continue Gaye's successful hit streak as the singer would score another Top 40 pop hit at the end of that year with "Can I Get a Witness".
"Too Busy Thinking About My Baby" is a Motown song written by Norman Whitfield, Barrett Strong, and Janie Bradford. The song was first recorded by The Temptations as a track on their 1966 album Gettin' Ready. Eddie Kendricks sings lead on the recording, which was produced by Whitfield. Jimmy Ruffin also recorded a version with The Temptations providing background vocals in 1966. It remained unreleased until 1997.
"That's the Way Love Is" is a 1967 Tamla (Motown) single recorded by The Isley Brothers and produced by Norman Whitfield.
I Want You is the fourteenth studio album by American soul singer and songwriter Marvin Gaye. It was released on March 16, 1976, by the Motown Records-subsidiary label Tamla.
Midnight Love is the seventeenth studio album by Marvin Gaye and the final album to be released during his lifetime. He signed with the label Columbia in March 1982 following his exit from Motown.
That Stubborn Kinda Fellow is the second studio album by Marvin Gaye, released on the Tamla label in 1963. The second LP Gaye released on the label, it also produced his first batch of successful singles for the label and established Gaye as one of the label's first hit-making acts in its early years.
In the Groove is the eighth studio album by soul musician Marvin Gaye, released on August 26, 1968 on the Motown-subsidiary label Tamla Records. It was the first solo studio album Gaye released in two years, in which during that interim, the singer had emerged as a successful duet partner with female R&B singers such as Kim Weston and Tammi Terrell. In the Groove was reissued and retitled as I Heard It Through the Grapevine after the unexpected success of Gaye's recording of the same name, which had been released as a single from the original album.
Live at the London Palladium is a live double album by soul musician Marvin Gaye, released March 15, 1977, on Tamla Records. Recording sessions took place live at several concerts at the London Palladium in London, England, in October 1976, with the exception of the hit single "Got to Give It Up", which was recorded at Gaye's Los Angeles studio Marvin's Room on January 31, 1977. Live at the London Palladium features intimate performances by Gaye of many of his career highlights, including early hits for Motown and recent material from his previous three studio albums. As with his previous live album, Marvin Gaye Live!, production of the record was handled entirely by Gaye, except for the studio portion, "Got to Give It Up", which was managed by Art Stewart.
That's the Way Love Is is the tenth studio album by soul musician Marvin Gaye, released on January 8, 1970, on the Tamla (Motown) label. Built on the success of the title track originally taken from M.P.G., and much like Gaye's "I Heard It Through The Grapevine" after its success, was released with intent to sell albums based on the success of one particular single. Gaye was showing signs of disillusionment from the label's powers-that-be mentality but it didn't affect the singer's performance as he gave a powerful vocal in the title track and was especially impressive with his version of The Beatles' "Yesterday". He achieved some success with a cover version of "How Can I Forget?", which just missed out on the US Pop Top 40, making #41, and reached #18 on the R&B Charts. Its B-side, a cover of Jimmy Ruffin's "Gonna Give Her All the Love I've Got", made a separate chart entry, and peaked at #67 and #27 on the Pop and Soul Charts respectively. Gaye also recorded a version of Ruffin's "Don't You Miss Me a Little Bit Baby" for the album. The LP also features Gaye's rendition of the socially conscious tune "Abraham, Martin & John", which became a hit in the UK, peaking at #9 in June 1970. The single is widely regarded as a hint of what would follow a year later with his What's Going On. He also covered The Temptations' hits "I Wish It Would Rain" and "Cloud Nine".
Super Hits is a compilation album by American soul singer, songwriter, and producer Marvin Gaye. It was released in 1970 by Motown's subsidiary Tamla Records and compiles Gaye's pop-R&B singles recorded from 1962 to 1969.
The Norman Whitfield Sessions is compilation album of songs by Marvin Gaye from 1962 to 1969. The album covers the Norman Whitfield-produced sessions of soul singer Marvin Gaye's late sixties period as he moved away from teen pop-driven R&B songs that made him a pop star. It covers more mature, grittier and funkier material as Whitfield guided the direction of Gaye's career, the high point being the 1968 song, "I Heard It Through the Grapevine", which became Gaye's first international smash. Other hits during that period included the more upbeat "Too Busy Thinking About My Baby", the darker "That's the Way Love Is" and "The End of Our Road". The collection includes "Wherever I Lay My Hat", which Whitfield co-penned and produced with Gaye on his That Stubborn Kinda Fellow; the song was covered by British singer Paul Young. There are covers of rock songs such as "Groovin'", "Yesterday", "Abraham, Martin & John" and two Temptations covers.
"How Can I Forget" was originally recorded as a love ballad by Motown group The Temptations in 1968 and was re-recorded in a psychedelic soul/funk styling by fellow Motown artist, Marvin Gaye in 1969. His version, released on Motown's first subsidiary, Tamla, became a modest hit that almost reached the Top 40 of the pop charts while peaking at number-eighteen on the Hot Selling Soul Singles chart in 1970. Marvin's recording was featured on his That's the Way Love Is album. The song is also notable for being one of the shortest recordings for both The Tempts and for Gaye; recorded when most songs are over three minutes, its length is just under two.
