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Dream of a Lifetime | ||||
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Studio album by | ||||
Released | May 21, 1985 | |||
Recorded | 1971–1976, 1982–1983 (original) 1984–1985 (reworked) | |||
Length | 36:13 | |||
Label | Columbia | |||
Producer | Marvin Gaye (original versions), Gordon Banks, Harvey Fuqua | |||
Marvin Gaye chronology | ||||
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Singles from Dream of a Lifetime | ||||
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Dream of a Lifetime is the eighteenth and first posthumously released studio album by the American recording artist Marvin Gaye. It included the top five R&B single, "Sanctified Lady".
In 1982, after final negotiations to leave Motown Records were completed, Marvin Gaye signed a three-album deal with Columbia Records. During the recording of his Midnight Love album, Gaye and his frequent collaborator Gordon Banks worked on a series of recordings, several of which made it to Midnight Love; recording continued into 1983 after Gaye returned to Los Angeles even while Gaye was promoting his album. Following the end of Gaye's final grueling U.S. tour, Gaye remained secluded in the home he shared with his parents at the West Adams district of Los Angeles. Prior to his death, Gaye had planned to work on a duet with Barry White, but White said that on the day they were to record in the studio, Gaye was shot and killed by his father. With two albums left from his Columbia contract, Columbia and Gaye's former label, Motown, began to work together to complete the singer's original contract to alleviate any debts left over by the singer after his death. [1] [2] [3] [4]
In the summer of 1984, Harvey Fuqua and Gordon Banks worked on finishing or "modernizing" several of Gaye's songs left over from both Columbia and Motown recording sessions. Of the Columbia material, Banks brought in several tracks he and Gaye worked on together between 1982 and 1983 including a song that Gaye had mentioned to interviewers titled, "Sanctified Pussy". Reworked, with vocals from several session background singers including the Waters, the song was renamed "Sanctified Lady". Despite being originally planned and expected by Gaye to be his next hit song after "Sexual Healing", the singer had warned that Columbia would not release it due to the song's offensive title and its lyrics. Another controversial song Gaye and Banks composed was "Masochistic Beauty", a song dedicated to S&M which Gaye played the role of a dominatrix in a faux British accent, where he rapped throughout the track. Banks provided vocoder in both "Sanctified Pussy" and "Masochistic Beauty", giving both songs an electro-funk flavor. Both tracks were unfinished outtakes from the Midnight Love sessions. [1] [2] [3] [4]
Fuqua assembled leftover sessions from Gaye's Motown days, including an obscure track Gaye composed on the fly as a joke titled "Savage in the Sack", a song David Ritz later stated was a song Gaye would not have wanted released. Originally, a vamp in the song had Gaye repeating the words, "dem niggers". In the remixed Fuqua production, it was rewritten as "it's getting bigger", with the Waters replacing Gaye on background vocals. The mid-tempo "Ain't It Funny How Things Turn Around", written and recorded around the time Gaye recorded Here, My Dear , was also remixed by Fuqua. The track later resurfaced in another remixed version, this time by Bootsy Collins in the deluxe edition re-issue of Here, My Dear. A 1971 track, "It's Madness", was also reworked with a modern drum programming beat over the original strings and music accompanying the song. "Symphony", a track recorded during the Let's Get It On sessions, was reworked with what sounded like beatboxing as its "drums". In the re-issue of Let's Get It On, the original recording was included. The seven-minute "Life's Opera" was recorded in 1976 and was remixed again by Fuqua with the Waters again adding background vocals. A 1972 track, "Dream of a Lifetime", later became the title of the album, and was written as a demo for Sammy Davis, Jr., who did not record it.
Dream of a Lifetime found modest success after its release in May 1985. The leading single, "Sanctified Lady", reached #2 on the Hot R&B Singles chart, while "It's Madness" peaked at #55 on that chart. The album itself peaked at #8 on the R&B chart and #41 on the Billboard 200.
Nelson George of Spin wrote, "Clearly, side one is a reflection of his sexually troubled, drug-filled last year. Yet Marvin's attitude toward the material is hardly dire. He seems to revel in his outrageousness, and enjoys poking fun at his obsessions. The myth of Marvin Gaye, sexual sophisticate/sexual slave, will surely grow." [5]
Review scores | |
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Source | Rating |
Rolling Stone | (mixed) link |
Robert Christgau | C+ [6] |
Side One
Side Two
Marvin Pentz Gay Jr., who also spelled his surname as Gaye, was an American R&B and soul singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul".
Easy is an album recorded by Marvin Gaye and Tammi Terrell, and released by Motown Records on September 16, 1969 under the Tamla Records label. One song on the album, "Good Lovin' Ain't Easy To Come By", was a hit single and remains popular to this day. Terrell had been ill, suffering from complications caused by a brain tumor, since the fall of 1967. Marvin Gaye later claimed that as a result, most of the female vocals on this album were performed by Valerie Simpson, who served as co-songwriter and co-producer for the LP with her boyfriend and future husband Nickolas Ashford.
Let's Get It On is the thirteenth studio album by American soul singer, songwriter, and producer Marvin Gaye. It was released on August 28, 1973, by the Motown subsidiary label Tamla Records on LP.
"Sexual Healing" is a song recorded by American singer Marvin Gaye from his seventeenth and final studio album, Midnight Love (1982). It was his first single since his exit from his long-term record label Motown earlier in the year, following the release of the In Our Lifetime (1981) album the previous year. It peaked at No. 3 on the Billboard Hot 100 and is listed at number 198 on Rolling Stone's list of 500 Greatest Songs of All Time. "Sexual Healing" is written and composed in the key of E-flat major and is set in time signature of 4/4 with a tempo of 94 beats per minute.
"Distant Lover" is the sixth song issued on singer Marvin Gaye's 1973 album, Let's Get It On and the B-side of the second single from that album, "Come Get to This". A live recording was issued as a single in 1974. The live version of the song was Gaye's most successful single during the three-year gap between Let's Get It On and his following 1976 album, I Want You.
Midnight Love is the seventeenth studio album by Marvin Gaye and the final album to be released during his lifetime. He signed with the label Columbia in March 1982 following his exit from Motown.
United is a studio album by soul musicians Marvin Gaye and Tammi Terrell, released August 29, 1967 on the Motown-subsidiary label Tamla Records. Harvey Fuqua and Johnny Bristol produced all of the tracks on the album, with the exception of "You Got What It Takes" and "Oh How I'd Miss You". Fuqua and Bristol produced "Hold Me Oh My Darling" and "Two Can Have a Party" as Tammi Terrell solo tracks in 1965 and 1966, and had Gaye overdub his vocals to them in order to create duet versions of the songs.
You're All I Need is the second studio album by soul musicians Marvin Gaye and Tammi Terrell, released in August 1968 on Motown-subsidiary label Tamla Records. Highlighted by three hit singles written by Nickolas Ashford and Valerie Simpson, You're All I Need was recorded throughout 1966 and 1967 and features two Top 10 Billboard Hot 100 hits, "Ain't Nothing Like the Real Thing" and "You're All I Need to Get By". It peaked at #60 on the U.S. Billboard 200 Album Chart. You're All I Need was the two singers' final collaboration effort, as Terrell would become ill following recording, before succumbing to a brain tumor in 1970.
In Our Lifetime? is the sixteenth studio album by soul musician Marvin Gaye, released January 15, 1981, on Motown label Tamla Records. Recording sessions for the album took place at Marvin's Room in Los Angeles, California, Seawest Recording Studio in Honolulu, Hawaii, and at Odyssey Studios in London, England, throughout 1979 and 1980. The album cover was designed by Neil Breeden. Gaye's final album for Motown before leaving for Columbia Records, the album was the follow-up to the commercial failure of Here, My Dear, a double album which chronicled the singer's divorce from Anna Gordy. Entirely written, produced, arranged, and mixed by Gaye, In Our Lifetime? was a departure for Gaye from the disco stylings of his previous two studio efforts and was seen as one of the best albums of the singer's late-Motown period.
The Soulful Moods of Marvin Gaye is the debut studio album by Marvin Gaye, released in 1961, and the second long-playing album (TM-221) released by Motown. The first was Hi... We're the Miracles (TM-220). It is most notable as the album that caused the first known struggle of Gaye's turbulent tenure with the label.
"My Last Chance" is a song by American recording artist Marvin Gaye. Gaye originally recorded this song as a demo during the making of the What's Going On period, initially as an instrumental. Two years later, he added vocals. Eventually he revised the song, along with Anna Gordy Gaye, his wife, and collaborator Elgie Stover as "I Love You Secretly" for The Miracles on their 1973 album, Renaissance.
Romantically Yours is the second posthumous release by American recording artist Marvin Gaye, released by Columbia Records in 1985.
"Ego Tripping Out" is a 1979 funk-styled dance record released by American soul singer Marvin Gaye, released as a single on the Tamla (Motown) label. The record was originally meant to be the lead single for the singer's aborted Love Man album. However, as the album was scrapped and reworked into In Our Lifetime, the song received further work, before being omitted from the final album tracklist. The single was later included in a 1994 re-release of In Our Lifetime and a 2007 re-release deluxe edition featured two different alternate mixes for the sessions of In Our Lifetime as well as the original Love Man single of it.
Vulnerable is the third posthumous album by Marvin Gaye. Recorded in sessions throughout 1977, the album was a decade in the making, first being worked on in 1968 during sessions in New York with Bobby Scott. Reworked by Gaye a decade later, the album was originally going to be released in 1979 under the title, The Ballads, but was shelved. Two decades later, Motown released it under the title Vulnerable, including seven songs from the sessions and three alternate cuts.
"My Love is Waiting" is a 1982 R&B/Soul song written by musician Gordon Banks and recorded and released by American singer Marvin Gaye, as a European-only single in early 1983, it was also the last track on Gaye's final album in his lifetime, Midnight Love; released in 1982.
"Sanctified Lady" is a song by American soul singer Marvin Gaye, released posthumously in 1985 by Columbia Records.
"It's Madness" was the second posthumous record released by American soul singer Marvin Gaye, released off his Dream Of A Lifetime album, in 1985.
"Far Cry" is the infamous unfinished recording that was included on singer Marvin Gaye's 1981 final Motown album, In Our Lifetime. The song, essentially a funk-styled instrumental, featured a vocally conscious Gaye mouthing words while playing multiple instruments, including the drums and keyboards, on the first part of the song. The brief second half features a jazz instrumental with Gaye playing piano and drums and singing in falsetto, while his fellow instrumentalists, bassist Frank Blair and guitarist Gordon Banks, accompany him. The song's release among the eight original recordings on In Our Lifetime angered Marvin to the point where he severed ties with Motown, his home for twenty years, leaving the label for Columbia. As he told his biographer David Ritz,
"I hadn't completed it....The song was in its most primitive stage. All I had was this jive vocal track, and they put it out as a finished fact. How could they embarrass me like that? I was humiliated. They also added guitar licks and bass lines. How dare they second guess my artistic decisions! Can you imagine saying to an artist, say Picasso, 'Okay, Pablo, you've been fooling with this picture long enough. We'll take your unfinished canvas and add a leg here, an arm there. You might be the artist, but you're behind schedule, so we'll finish up this painting for you. If you don't like the results, Pablo, baby, that's touch!'"
Gordon Banks, a.k.a. Gordon 'Guitar' Banks, is an American guitarist, producer, writer and musical director. He was voted one of the top 100 guitarists in America by Rolling Stone magazine in 1985.
"Masochistic Beauty" is a song by American soul singer Marvin Gaye, released posthumously in 1985 by Columbia Records.