The examples and perspective in this article deal primarily with the United States and do not represent a worldwide view of the subject.(July 2024) |
In film industry terminology, movie packaging or film packaging is a type of product bundling in which a top-level talent agency starts up a film or television project using writers, directors and/or actors it represents, before giving other agencies a chance to submit their clients for the project. For this service, the talent agency negotiates a packaging fee. Packaging is frequently done by the "big four" talent agencies Creative Artists Agency (CAA), Endeavor, United Talent Agency, and ICM Partners (now merged with CAA). [1]
In 2019, the Writers Guild of America (WGA) sued several large talent agencies over the practice, arguing that they created conflicts of interest between the agents and those they represented. As a result, packaging practices were prohibited on all new WGA-covered projects after June 30, 2022. [2]
Talent agent Charles K. Feldman has been credited with coming up with the first Hollywood "package deal". [3] In June 1942, Feldman signed Marlene Dietrich, Randolph Scott, and John Wayne, and presented them, along with the script and director, as a package to Universal Pictures for the film Pittsburgh . [4]
Freddie Fields and David Begelman have also been credited with pioneering the movie "package" at their agency Creative Management Associates in the early 1970s. [5] [6] It has also been claimed[ weasel words ] that Michael Ovitz of CAA was the first to package movies, in the late 1970s. [7]
Packaging can be much more lucrative for agencies than the usual 10% fee. Instead, the packaging agency receives the equivalent of 5% of what the studio or network pays the production company; 5% of half (i.e., 2.5%) of any profit the production company earns; and 15% of adjusted gross (syndication revenue minus costs the network does not pay). [7] [1] [8] In 1989, The New York Times reported that a major talent agency could earn between $21,000 and $100,000 for each episode of a network show. [7]
The Writers Guild of America West (WGA West) estimated that 87% of TV shows were packaged during the 2016–2017 season. [9]
Packaging as a practice has been criticized by several writers, directors, and actors as inherently causing a major conflict of interest between an agency and its clients. [10] In 2019, David Simon published a letter detailing how packaging incentivized his agents to work against his best interests on the deal for the television show Homicide: Life on the Street . [11] Simon's letter eventually led to a breakdown between the Writers Guild of America (WGA, the labor union representing screenwriters in the US) and the Association of Talent Agents (ATA, the group representing the major agencies), when the sides were unable to negotiate a "Code Of Conduct" agreement that addressed the concerns of packaging, resulting in the mass firing of talent agents by all WGA members on April 15, 2019. [12]
On April 17, 2019, the two WGA groups, Writers Guild of America East and WGA West, sued the "big four" agencies, claiming that packaging fees are an "egregious conflict of interest" that "constitute unlawful kickbacks" from studios to the agencies. [13]
The lawsuit was filed in Los Angeles Superior Court against the four dominant Hollywood talent agencies: Endeavor, CAA, United Talent Agency and ICM Partners. [14] Approximately 95 percent of WGA members voted "in favor of a code of conduct that would cease packaging fees." [15]
Creative Artists Agency LLC (CAA) is an American talent and sports agency based in Los Angeles, California. With 1,800 employees in March 2016, it is regarded as an influential company in the talent agency business and manages numerous clients.
ICM Partners was a talent and literary agency with offices in Los Angeles, New York City, Washington, D.C., and London. The company represented clients in the fields of motion pictures, television, music, publishing, live performance, branded entertainment and new media. Its corporate headquarters were in Constellation Place in Century City, Los Angeles. In 2022, ICM became part of Creative Artists Agency.
A talent agent, or booking agent, is a person who finds work for actors, authors, broadcast journalists, film directors, musicians, models, professional athletes, screenwriters, writers, and other professionals in various entertainment or sports businesses. In addition, an agent defends, supports and promotes the interest of their clients. Talent agencies specialize, either by creating departments within the agency or developing entire agencies that primarily or wholly represent one specialty. For example, there are modeling agencies, commercial talent agencies, literary agencies, voice-over agencies, broadcast journalist agencies, sports agencies, music agencies and many more.
Daniel Chun is a Korean American comedy writer. He has written for The Office and The Simpsons. He received a Writers Guild Award nomination and an Annie Award for his work on The Simpsons. He was once head writer and an executive producer of The Office, receiving two Emmy nominations for his work on the show. Chun has also contributed to the Harvard Lampoon, TNR.com, 02138 Magazine, New York Magazine, The Huffington Post, and Vitals magazine, where he wrote the back page column. He wrote for the ABC comedy series Happy Endings, joining the show as a writer and producer in season three. In 2015, his ABC Studios pilot Grandfathered, starring John Stamos, was ordered to series on Fox.
Jay Kogen is an American comedy writer, producer, actor and director.
David Avram Goodman is an American television writer and producer. He has been a writer for numerous television series, such as Family Guy, The Golden Girls, Futurama, and Star Trek: Enterprise. In film, Goodman produced Stewie Griffin: The Untold Story, and wrote the 2010 comedy film Fred: The Movie, based on the Fred Figglehorn YouTube series, as well as its sequel, Fred 2: Night of the Living Fred. In 2022, he wrote the critically-acclaimed film Honor Society for Paramount+.
The Writers Guild of America, East (WGAE) is a labor union representing writers in film, television, radio, news, and online media.
The Writers Guild of America West (WGAW) is a labor union representing film, television, radio, and new media writers. It was formed in 1954 from five organizations representing writers, including the Screen Writers Guild. It has around 20,000 members.
APA was a diversified talent agency in the entertainment industry with headquarters in Los Angeles, New York, Nashville, Atlanta, Toronto, and London. Founded in 1962 by a group of former MCA agents in New York, the company represented actors, writers, producers, showrunners, directors, performers, physical production services, film studios, as well as luxury and lifestyle brands across all media platforms worldwide. The agency also packaged feature films and television series such as Away on Netflix, The Dublin Murders on Showtime, All Rise on CBS, and For Life on ABC, as well as classic TV series Home Improvement and Roseanne. APA was one of the first among the top 5 packaging agencies to sign The WGA's new franchise agreement on January 21, 2020, when the agency integrated its Television and Motion Picture departments under one APA Scripted Literary banner.
Freddie Fields, born Fred Feldman, was an American theatrical agent and film producer.
Jeremy Pikser is an American screenwriter. Pikser is best known for Bulworth, which was nominated for Academy, Golden Globe and WGA Awards for Best Screenplay and which won the Los Angeles Film Critics' Best Screenplay award for 1998.
Endeavor Group Holdings, Inc. is an American holding company for talent and media agencies with its primary offices in Beverly Hills, California. The company was founded in April 2009 after the merger of the William Morris Agency and Endeavor Talent Agency. Endeavor represents artists in film, television, music, theater, digital media, and publishing. It also represents the NFL and NHL. Endeavor owns Professional Bull Riders (PBR) and is majority owner of World Wrestling Entertainment (WWE) and Ultimate Fighting Championship (UFC) through TKO Group. In collegiate athletics Endeavor-Learfield IMG represents The American, A10, Big 12, Conference USA, Horizon League, MAC, MEAC, OVC, SEC and WCC.
Jonathan Fernandez is an American writer and producer. He wrote the film Rob The Mob starring Michael Pitt, Nina Arianda, Andy Garcia, Ray Romano, and directed by Raymond DeFellitta based on the true-life story of Thomas Uva and Rose Marie De Toma His first film, Crisis In The Kremlin, was written for producer Roger Corman. He has written for Star Trek: Enterprise. He was the executive producer of the Kurt Russell film Breakdown which opened at number one at the box office. Fernandez worked as Vice President of Production for Dino De Laurentiis and a production executive for Roger Corman. His book WINNING ESSAYS was published by Berkley/G.P. Putnam's Sons.
Creative Management Associates (CMA) was an American talent booking agency. Co-founded by Freddie Fields and David Begelman, CMA was instrumental in the development of movie stars, prominent directors, and popular musicians.
Ashley Gable is an American screenwriter and producer who has worked on a variety of well-known television series including Buffy the Vampire Slayer and Person of Interest. She was an executive producer on the CBS crime drama The Mentalist for its first four seasons.
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Thomas Schnauz is an American television producer and television writer. His credits include The X-Files, The Lone Gunmen, Night Stalker, Reaper, Breaking Bad, and Better Call Saul.
Jen Statsky is an American television writer and comedian known for her work on Hacks, The Good Place, Parks and Recreation, and Broad City. She is the co-creator and co-showrunner of the critically-acclaimed HBO Max series Hacks, for which she has received a Primetime Emmy, Peabody Award, and multiple WGA Awards, among others.
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David Guggenheim is an American screenwriter, producer, and novelist. He is best known for writing the 2012 films Safe House and Stolen, as well as creating and writing for the 2016 television series Designated Survivor. In 2013, the film rights to a suspense novel published by Little, Brown and Company that Guggenheim co-wrote with Nicholas Mennuti entitled Weaponized, were purchased by Bluegrass Films and Guggenheim was attached as screenwriter. He also worked on an earlier draft of Bad Boys for Life, and the screenplays for Uncharted and the upcoming film Narco Sub.