Movie packaging

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In film industry terminology, movie packaging or film packaging is a type of product bundling where a top level talent agency starts up a film or television project using writers, directors and/or actors it represents, before giving other agencies a chance to submit their clients for the project. For this service the talent agency negotiates a packaging fee. Instead of collecting the usual 10% fee from individual clients, the agency receives the equivalent of 5% of what the studio or network pays the production company; 5% of half of any profit the production company earns; and 15% of adjusted gross (syndication revenue minus costs the network does not pay). [1] [2] [3]

Contents

Packaging incentive

Packaging can be much more lucrative for agencies than the usual 10% fee; in 1989 The New York Times reported that a major agency could earn $21,000 to $100,000 for each episode of a network show. [1] Packaging is frequently done by the major talent agencies Creative Artists Agency, Endeavor, ICM Partners, and United Talent Agency. [2] Although packaging has existed since the Golden Age of Radio, in the late 1970s Michael Ovitz of CAA was the first to package movies. [1] This is disputed as Freddie Fields and David Begelman have been credited with pioneering the movie "package" at CMA in the early 70s. [4] [5] WGA West estimated that 87% of TV shows were packaged during the 2016-2017 season. [6]

Criticism

Packaging as a practice has been criticized by several writers, directors, and actors as inherently causing a major conflict of interest between the agency and its clients. [7] In 2019, David Simon published a letter detailing how packaging incentivized his agents to work against his best interests on the deal for Homicide: Life on the Street . [8] Simon's letter eventually led to a breakdown between the WGA and the Association of Talent Agents (ATA), the group representing the major agencies, when the sides were unable to negotiate a "Code Of Conduct" agreement that addressed the concerns of packaging, resulting in the mass firing of talent agents by all WGA members on April 15, 2019. [9]

Lawsuit

On April 17, 2019, the two Writers Guild of America groups, WGA East and WGA West, sued the "big four" packaging agencies, claiming that packaging fees are an “egregious conflict of interest” that “constitute unlawful kickbacks” from the studios to the agencies. [10]

The lawsuit was filed in Los Angeles Superior Court against the four dominant Hollywood talent agencies: William Morris Endeavor, Creative Artists Agency, United Talent Agency and ICM Partners. [11] Approximately 95 percent of WGA members voted "in favor of a code of conduct that would cease packaging fees." [12]

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ICM Partners

ICM Partners is a talent and literary agency with offices in Los Angeles, New York, Washington D.C. and London. ICM Partners represents clients in the fields of motion pictures, television, music, publishing, live performance, branded entertainment and new media. Its corporate headquarters are in Constellation Place in Century City, Los Angeles.

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Ariel Zev Emanuel is an American businessman and the CEO of Endeavor, an entertainment and media agency. He was a founding partner of the Endeavor Talent Agency and was instrumental in shaping its June 2009 merger with the William Morris Agency.

United Talent Agency American talent management firm

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The Endeavor Talent Agency was a Beverly Hills-based talent agency founded by Ari Emanuel, Rick Rosen, Tom Strickler, and David Greenblatt. It was launched in March 1995 and went on to represent a wide variety of acclaimed film and television stars. In April 2009, Emanuel and Endeavor executive Patrick Whitesell orchestrated a merger with the William Morris Agency, resulting in William Morris Endeavor. William Morris Endeavor was renamed Endeavor in October 2017.

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Endeavor Group Holdings, Inc. is an American holding company for talent and media agencies with its primary offices in Beverly Hills, California, United States. The company was founded in April 2009 after the merger of the William Morris Agency and the original Endeavor Talent Agency. Endeavor represents artists in movies, television, music, theater, digital media, and publishing. It also represents the NFL and NHL. Endeavor owns the Ultimate Fighting Championship and Miss Universe. It is headed by CEO Ari Emanuel and executive chairman Patrick Whitesell.

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References

  1. 1 2 3 Davis, L. J. (1989-07-09). "Hollywood's Most Secret Agent". The New York Times. ISSN   0362-4331 . Retrieved 2019-04-13.
  2. 1 2 Koblin, John (2019-04-12). "Hollywood Upended as Unions Tell Writers to Fire Agents". The New York Times. p. B1. ISSN   0362-4331 . Retrieved 2019-04-13.
  3. "'But I'm not a lawyer. I'm an agent.'". The Audacity of Despair. Mar 18, 2019. Retrieved Jan 4, 2020.
  4. "Archives". Los Angeles Times .
  5. "Freddie Fields". 18 January 2008.
  6. Ng, David (2019-03-13). "Hollywood writers consider firing their agents en masse". Los Angeles Times. Retrieved 2019-04-14.
  7. "Explaining Conflict of Interest". JohnAugust.com. 28 March 2019.
  8. "'The Wire' Creator David Simon Rips "Greedhead" Agencies Over Packaging, Urges Lawsuit Against ATA". The Hollywood Reporter. 19 March 2019.
  9. "Inside the Final WGA-ATA Meeting Before Breakdown As Balance Of Power Shifts To Rank-And-File Writers". Deadline Hollywood. 13 April 2019.
  10. "WGA: More Than 7,000 Writers Have Fired Their Agents". Deadline Hollywood. 22 April 2019.
  11. Littleton, Cynthia; Donnelly, Matt (2019-04-17). "GA Sues Talent Agencies in Battle Against Packaging Fees". Variety. Retrieved 2019-06-29.
  12. Donnelly, Matt (2019-04-22). "Writers Guild Says Over 7,000 Members Have Fired Agents". Variety. Retrieved 2019-06-29.