The Face Behind the Mask is a 1941 American film noir crime film directed by Robert Florey and starring Peter Lorre, Evelyn Keyes and Don Beddoe. The screenplay was adapted by Paul Jarrico, Arthur Levinson, and Allen Vincent from the play Interim, written by Thomas Edward O'Connell (1915–1961).
The Last House on the Left is a 1972 rape and revenge film written and directed by Wes Craven in his directorial debut, and produced by Sean S. Cunningham. The film stars Sandra Peabody, Lucy Grantham, David Hess, Fred J. Lincoln, Jeramie Rain, and Marc Sheffler. Additionally, Martin Kove appears in a supporting role. The plot follows Mari Collingwood (Peabody), a teenager who is abducted, raped, and tortured by a family of violent fugitives led by Krug Stillo (Hess) on her seventeenth birthday. When her parents discover what happened to her, they seek vengeance against the family, who have taken shelter at their home.
It Conquered the World is an independently made 1956 American black-and-white science fiction film, produced and directed by Roger Corman, starring Peter Graves, Lee Van Cleef, Beverly Garland, and Sally Fraser. It Conquered the World was released theatrically by American International Pictures as a double feature with The She-Creature.
The Believers is a 1987 Canadian-American neo-noir thriller horror-noir film directed by John Schlesinger, starring Martin Sheen, Robert Loggia and Helen Shaver. It is based on the 1982 novel The Religion by Nicholas Conde.
The Wasp Woman is a 1959 American independent science-fiction horror film produced and directed by Roger Corman. Filmed in black-and-white, it stars Susan Cabot, Anthony Eisley, Michael Mark, and Barboura Morris. The film was originally released by Filmgroup as a double feature with Beast from Haunted Cave. To pad out the film's running time when it was released to television two years later, a new prologue was added by director Jack Hill.
Butcher, Baker, Nightmare Maker is a 1981 American exploitation horror film directed by William Asher, and starring Susan Tyrrell, Jimmy McNichol, Julia Duffy, and Bo Svenson. Framed as a contemporary Oedipus tale, the plot focuses on a teenager who, raised by his neurotic aunt, finds himself at the center of a murder investigation after she stabs a man to death in their house. The boy's sexually repressed aunt secretly harbors incestuous feelings for him, while a detective investigating the crime irrationally believes the murder to be a result of a homosexual love triangle.
Lurking Fear is a 1994 horror film, loosely based on the H. P. Lovecraft short story "The Lurking Fear". It was produced by Charles Band's Full Moon Entertainment and written and directed by C. Courtney Joyner.
The Beast with a Million Eyes is a 1955 independently made American black-and-white science fiction film, produced and directed by David Kramarsky, that stars Paul Birch, Lorna Thayer, and Dona Cole. Some film sources have said that the film was co-directed by Lou Place. The film was co-produced by Roger Corman and Samuel Z. Arkoff. and was released by American Releasing Corporation, which later became American International Pictures.
Bog is a 1979 American independent horror film directed by Don Keeslar and starring Gloria DeHaven, Aldo Ray, Marshall Thompson, and Leo Gordon.
Don't Answer the Phone! is a 1980 American psychological horror film co-written and directed by Robert Hammer. While not prosecuted for obscenity, the film was seized and confiscated in the UK under Section 3 of the Obscene Publications Act 1959 during the video nasty panic.
Russian Holiday is a 1992/1993 film directed by Greydon Clark and starring Susan Blakely and Barry Bostwick.
The Vampire is a 1957 American horror film produced by Arthur Gardner and Jules V. Levy, directed by Paul Landres, and starring John Beal and Coleen Gray. Its plot follows a San Francisco physician who inadvertently ingests pills laced with the blood of vampire bats, leading him to take on vampiric qualities. Like 1956's The Werewolf, it offered a science fiction take on a traditionally supernatural creature, although the films were produced by different production companies.
