Operation Crossbow (later re-released as The Great Spy Mission) is a 1965 British espionage thriller set during the Second World War. This movie concerns an actual series of events where British undercover operatives targeted the German manufacturing facilities for experimental rocket-bombs.
Although it is largely fictional, the movie does touch on the main aspects of the operation, which was geared to thwart the German long-range weapons programme in the final years of World War II. The story alternates between Nazi Germany's development of the V-1 flying bomb and V-2 rocket, and the efforts of British Intelligence and its agents to counter those threats. All characters speak in the appropriate language, with English subtitles for those speaking German or Dutch.[3]
Plot
In 1943, Nazi Germany is developing the V-1 flying bomb and V-2 rocket. Technical issues with the V-1 lead the Germans to create a crewed version for flight testing, but the test pilots die flying it. Eventually, aviatorHanna Reitsch successfully flies the prototype, and realises that mechanical shifting of the missile's weight and change of speed requires the trim controls to be changed.
The Germans move production underground to the Mittelwerk in Southern Germany and progress to develop the more deadly V-2 rocket. The head of British intelligence learns that engineers are being recruited across occupied Europe and decides to infiltrate the factory. He finds three volunteers, American, Dutch, and British, all experienced engineers who speak fluent German or Dutch. They are hastily trained and sent to Germany. Amongst the volunteers interviewed but not selected is a British officer named Bamford, who is later revealed as a German undercover agent.
After the agents parachute into occupied Europe, the British learn that one of them, Robert Henshaw, has been given the identity of a Dutch sailor who is wanted by German police for murder. He is arrested but agrees to act as an informant for the Germans. However, he is recognised by Bamford, who has returned to Germany. Refusing to reveal his mission, Henshaw is shot after refusing to co-operate.
Nora, the wife of the man whom USAAF Lieutenant John Curtis is impersonating, visits the hotel where she believes her husband is staying, to obtain full custody of their children. After Curtis gains her silence with a promise to free her and leaves for the factory, Nora is killed by another agent.
Curtis and Phil Bradley infiltrate the underground rocket factory. Bradley is assigned as a porter/cleaner while his papers are checked. Curtis joins the heart of the project, assigned to fix the vibration that is delaying the V-2's development. V-1 flying bombs are shown being launched from their 'ski' ramps and falling on London, while others are destroyed by anti-aircraft fire, after defensive guns are moved forward to the Kent coast. The more devastating V-2 attacks begin. Launched from undetectable mobile platforms, the only way to fight them is to destroy the factory. The agents learn that the Royal Air Force is mounting a night-time bombing raid, but the launch doors covering the large A9/A10 "New York rocket" must be opened so that the light provides a visible target. Bradley tries to discover which powerhouse switch opens the doors.
Bamford arrives and reviews the photos of the engineering staff, searching for a familiar face. He recognises no-one, and orders all employee records to be checked. The face of the man Curtis is impersonating does not match that taken at the factory, and Bamford realises Curtis is a spy. He sounds the alarm just as the agents are heading for the powerhouse. Bradley is captured, but Curtis, who does not know which switch to pull, makes his way inside, sealing himself in, while holding the staff hostage.
Bamford demands that Curtis surrender, using Bradley as his bargaining chip. As the air raid sirens sound, Bradley lunges for the microphone and tells Curtis which switch to pull, and is shot by Bamford. The powerhouse workers attack Curtis, but he shoots them. One shoots Curtis as he pulls the lever, opening the launch doors. The Germans try to launch the rocket but, as it lifts off, bombs explode, obliterating the facility.
In a final scene, Churchill congratulates Sandys, who observes that the names of the agents will never be known. Churchill adds that, without the RAF's courageous raid on Peenemünde, London would have been devastated. He makes Sandys Minister of Works and speaks of rebuilding London.
To help increase box office receipts, Sophia Loren appears, courtesy of her husband and producer of the film Carlo Ponti. Despite getting lead billing, she has only a modest role, in the hotel sequence. She plays the Italian wife of engineer Erik van Ostamgen, a dead man whose identity has been appropriated by Curtis, Peppard's character. To help her, he forges the signature of her dead husband on a legal document, but she later is killed to maintain secrecy.
Peppard was chosen for his role because of contract difficulties. MGM held his contract and insisted on him being in this film before he gained his release.[6][bettersourceneeded] He signed a new agreement with MGM for which Crossbow was the first, one film a year for three years.[7]
Filming began July 1964. Peppard said, "Mikey Anderson is one of those gifted directors who let you play it your own way and only when you see your own rushes do you realise you've been doing it his way all along".[8]
During filming, Anderson said:
I like working in the extremes of either sheer fantasy – that's what made Around the World in 80 Days such a joy – or sheer reality. Crossbow falls into this second class and has given me a wonderful opportunity to dig into the past and into the truth. I researched Crossbow like an FBI man on a murder case, flying to the States, France, Holland, Belgium, Switzerland, and Germany because the story concentrates just as much on the Nazis' efforts to get their V rockets into the air as on the Allies' efforts to bring them down. This isn't going to be one of those films where all the German soldiers are square-headed idiots repeating 'Donner und Blitzen'. The Crossbow mission was a vital mission and had it not come off we might well have all been doing the goosestep now.[8]
The sets were the largest ever built at MGM British studios. Stages 6 and 7 were combined into one large set of 30,000 square feet.[8] Some scenes of the bombing of the factory at the end of the film were later used in Battlestar Galactica to show the inside of the spacecraft burning.
Ponti and the production company worried that the authentic name chosen for the film was confusing and led to a poor initial showing at the box office. This reappraisal led to new names, Code Name: Operation Crossbow and The Great Spy Mission, the name chosen for a re-release in North America. The film was also known as Operazione Crossbow in Italy.[9]
Realistic props and detailed sets added to the look of authenticity in recreating the German secret weapons projects. The now-defunct St. Pancras and Battersea power stations in London were used as filming locations for the power house scenes.
Parts of Norfolk were used as filming locations, including the town of King's Lynn and the Holkham National Nature Reserve. Also used was the grand staircase at the former Midland Grand Hotel at St. Pancras.
Dialogue
An unusual aspect of Operation Crossbow is that all the German characters, and the disguised Allied characters in their roles, speak (subtitled) German instead of accented English. The same was true of the 1962 film The Longest Day. According to Turner Classic Movies' commentary,[10] actor Paul Henreid argued the German would not work well, and that they should use English with a heavy German accent. Director Michael Anderson insisted on staying with the idea. However, it did not come across well, apparently leading to many of Henreid's scenes being cut.
Historical accuracy
Some real people were portrayed quite accurately in the film:
Duncan Sandys was the son-in-law of Winston Churchill. He was wounded in action in Norway in 1941, giving him a permanent limp, as portrayed in the film. Sandys was Chairman of a War Cabinet Committee for defence against German flying bombs and rockets.[12] (As Minister of Defence in 1957 he produced the 1957 Defence White Paper, which proposed a radical shift in the Royal Air Force by ending the development of most fighter aircraft in favour of missile technology.)
Hanna Reitsch was a well-known German test pilot who performed such flights with the V-1,[13] though she complained in a later interview that the film "was all technically wrong".[14]
Conspicuous by his absence from the film is Wernher von Braun, designer and developer of the V-2 rocket, possibly because of the sensitivity of his later role with the US military and NASA, which led to the development of the Saturn V rocket used for the Apollo Moon launches.
Reception
Operation Crossbow opened in the United States on 1 April 1965. The UK premiere was on 20 May 1965 at MGM's Empire Theatre, Leicester Square, London, where it was presented in 70mm (it was shown only in 35mm in the US). The film played a total of nineteen weeks in three West End cinemas over the next six months, highly unusual at the time for a non-roadshow presentation that had already started its general release (on 29 August). Operation Crossbow was one of the 13 most popular films in the UK in 1965.[16]
The New York Times designated Operation Crossbow a "critic's pick" by film reviewer Bosley Crowther, who wrote that the film "is a beauty that no action-mystery-spy movie fan should miss", "part fact and part fiction", and a "grandly engrossing and exciting melodrama of wartime espionage, done with stunning documentary touches in a tight, tense, heroic story line".[17]Variety reviewers gave a similar evaluation, praising the "suspenseful war melodrama" that boasted ambitious production values but also commented that "what the Carlo Ponti production lacks primarily is a cohesive story line".[2] A later review by Alun Evans reinforces the more prevalent view that a "starry cast add to the attractive vista but a tighter script would have been appreciated".[3]
Stanley Kauffmann of The New Republic wrote "Michael Anderson, a capable director, has made a picture which there is no strenuous reason to see but which, if you do see it, is not boring.[18]
Operation Crossbow has been released worldwide on videocassette, with a PAL release for the United Kingdom and other markets.[20] A DVD Region 1 version of Operation Crossbow was released in the United States and in certain parts of Europe. A Region 1 Blu-ray was released on 12 November 2019 with a runtime of 1 hour and 56 minutes. A region-free DVD has subsequently been released in Europe.
Comic book adaption
Dell Movie Classic: Operation Crossbow (October–December 1965)[21]
Related Research Articles
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References
Notes
↑ This figure consists of anticipated rentals accruing distributors in North America. See "Big Rental Pictures of 1965", Variety, 5 January 1966 p. 6
↑ Hopper, Hedda (20 June 1964). "Looking at Hollywood: Sinatra Hires Cameraman as Producer". Chicago Tribune. p.A6.
1 2 3 Scheuer, Philip K. (17 September 1964). "'King Rat' Sparks Invasion by British: Pal's 'Odd John' Sci-Fic; 'Crossbow' at Crossroads". Los Angeles Times. p.C13.
Babington Smith, Constance. Air Spy: The Story of Photo Intelligence in World War II. New York: Harper & Brothers, 1957.
Dolan Edward F. Jr. Hollywood Goes to War. London: Bison Books, 1985. ISBN0-86124-229-7.
Evans, Alun. Brassey's Guide to War Films. Dulles, Virginia: Potomac Books, 2000. ISBN1-57488-263-5.
Fort, A. Prof: The Life and Times of Frederick Lindemann. London: Pimlico, 2004. ISBN0-7126-4007-X.
Harwick, Jack and Ed Schnepf. "A Viewer's Guide to Aviation Movies". The Making of the Great Aviation Films, General Aviation Series, Volume 2, 1989.
King, Benjamin and Timothy Kutta. Impact: The History of Germany's V-weapons in n World War II (Classic Military History). New York: Da Capo Press, 2003. ISBN978-0-306-81292-7.
Orriss, Bruce. When Hollywood Ruled the Skies: The Aviation Film Classics of World War II. Hawthorne, California: Aero Associates Inc., 1984. ISBN0-9613088-0-X.
Piszkiewicz, Dennis. From Nazi Test Pilot to Hitler's Bunker: The Fantastic Flights of Hanna Reitsch. Westport, Connecticut: Praeger Publishers, 1997. ISBN978-0-275-95456-7.
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