The museum viewed from the Herengracht | |
Established | c. 1687 (building) |
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Location | Keizersgracht 633 Amsterdam, Netherlands |
Coordinates | 52°21′51″N4°53′28″E / 52.36417°N 4.89111°E Coordinates: 52°21′51″N4°53′28″E / 52.36417°N 4.89111°E |
Type | Art museum |
Public transit access | Tram line 16, 24, or 25 |
Website | www.geelvinckhinlopenhuis.nl |
Museum Geelvinck Hinlopen Huis was situated from its opening 1991 till the end of 2015 in a canal-side mansion, the Geelvinck Hinlopen Huis in Amsterdam, the Netherlands. This patrician mansion, close to the Rembrandtplein, was built for Albert Geelvinck (1647-1693) and Sara Hinlopen (1660-1749), then in an attractive and new laid-out section of the city towards the Amstel. [1] In the year 1687 the couple moved into this double wide house, with storage rooms in the cellar, under the attic and in the warehouse on Keizersgracht 633, now the entrance.
The canal mansion 'Geelvinck Hinlopen Huis' is now closed for the public, because the museum (including the rosarium) has moved to new premises. In Spring 2017 the museum opened its new premises in the historic mansion 'De Wildeman' in Zutphen, but had to close down already by the end of 2019. Today, Museum Geelvinck is located at the country estate 'Kolthoorn House' in Heerde and also has a modest venue at the 'Posthoornkerk' in Amsterdam.
Albert Geelvinck came from the upper class Geelvinck family, who had acquired their wealth through merchant shipping to Spain, Africa, Suriname and the West Indies. Sara Hinlopen came from a family of originally Flemish cloth merchants, private investors and in an early stage involved in the governing the city and the Dutch East India Company. Both families belonged to the regents of Amsterdam. The republican Geelvincks delivered five burgomasters (mayors) in the 17th and 18th century. They too served in the Admiralty of Amsterdam, Dutch West India Company or the Society of Surinam. [2]
Sara became an orphan at the age of six. Then she and her sister Johanna were raised by a stepmother Lucia Wijbrants. Because the cooperation did not work out well, they moved in with Jacob J. Hinlopen, their uncle, in 1672. [3] Keen on leaving the house, she married in 1680 the fifteen-year-older lawyer Albert Geelvinck. A few months before the girls came by lot in the possession of the paintings by Rembrandt, and Gabriel Metsu, collected by their father Jan J. Hinlopen. [4]
Twice Sara Hinlopen became a widow. In 1749 she died at the age of almost 89, but blind. [5] The house, her stakes, her paintings and her books, including the cash money (ƒ 2,50), was divided into lots and went to Nicolaes Geelvinck and his three sisters.
Between the entrance and the mansion is a spacious and quiet garden. The back of the garden is a Renaissance garden, while the front is a formal and symmetrical French garden with a large pond and a fountain. [6] Most of the time there is an exhibition of statues. Going up the stairs to the main floor of the museum, there are four rooms open to the public.
The Blue room in a Louis XVI or neo-classical style has an ensemble of five wallpaper panels, painted around 1788 by Egbert van Drielst. Van Drielst was a romantic painter, who in his style was influenced by Meindert Hobbema and Jacob van Ruisdael. On all the panels nature is idealized, the horizon is on eyeheight. Originally the panels were designed for a house on the Keizersgracht, then decorating a room in New York and Miami, but since 1990 they are back. [7] On the chimney are two porcelain jars from the factory of Joannes de Mol.
The Red Room is decorated in either a Louis XV or a neo-Rococo style. [8] The high ceiling and the fixed mirrors are impressive. [9] There are six 17th-century paintings in this room: a Flamish fantasy landscape with tree, game and birds by Gillis d'Hondecoeter; also depicting Christ healing the blind. Further there is still life with flowers but without a saint by Daniel Seghers, a Jesuit from Antwerp, a flashy still life by Pieter de Ring, a seascape by Hans Goderis and a winterscape by Antonie van Stralen. On the table is an interesting piece of Kraak porcelain.
The ceiling in the library is in a neo-classical style, resembling the work of the Scottish architect and interior decorator Robert Adam. [10] Adam, was inspired by the Domus Aurea in Rome and the palace of Diocletian in Split. [7]
In the hall one can see a tapestry, made in Brussels around 1600, depicting Cyrus the Great and the rich Croesus, after his defeat and the revolt of the citizens. The story comes from Herodotus, (book I: 155). The carton was designed by Michiel Coxcie, the Flemish Raphael, and the original belongs to the Spanish royal family. [11]
The Chinese Room has eight Rococo wallpaper panels on canvas with fantasy flowers and birds, vegetables and chinoiserie, made somewhere between the years 1765–1775. The artist, working in the cuir de Cordoue manufacture of Cornelis 't Kindt in Brussels, perhaps used engravings by Jean-Baptiste Pillement, then famous for his Chinoiserie. [12] The table is in scagliolatechnique, and once belonged to Frederick William III of Prussia. [13]
By the end of 2015, Museum Geelvinck had to move to new premises. Therefore, unfortunately, the Geelvinck Hinlopen Huis is closed to the public today. Since Spring 2017, the Geelvinck Muziek Museum opened for the public at the historic house 'De Wildeman' in Zutphen (till end of 2016 this was the Museum Henriëtte Polak, which had moved to the 'Hof van Heeckeren'). Regretfully, Museum Geelvinck was forced out of its Zutphen venue already by the end of 2019 and since moved to the country estate 'Kolthoorn House' in Heerde. Since 2012, Museum Geelvinck also has a modest venue in the 'Posthoornkerk' in Amsterdam (the collection of historic pianos is on view by appointment only). Museum Geelvinck collaborates in the partnership 'Geelvinck Muziek Musea/ with the Pianola Museum Geelvinck Pianola Museum IAmsterdam) and Huis Midwoud (Midwoud). Museum Geelvinck continued its weekly Geelvinck Salon concert series first in the Museum Cromhouthuis in de Cromhouthuizen and, since the closure of this venue, starting in Autumn 2018 in the Luther Museum Amsterdam.
The Keizersgracht is a canal in Amsterdam, the Netherlands. It is the second of the three main Amsterdam canals that together form the Grachtengordel, or canal belt, and lies between the inner Herengracht and outer Prinsengracht.
The Herengracht is the second of four Amsterdam canals belonging to the canal belt and lies between the Singel and the Keizersgracht. The Gouden Bocht in particular is known for its large and beautiful canal houses.
Finchcocks is an early Georgian manor house in Goudhurst, Kent. For 45 years it housed a large, visitor-friendly museum of historical keyboard instruments, displaying a collection of harpsichords, clavichords, fortepianos, square pianos, organs and other musical instruments. The museum was run by the owners of the house, Richard and Katrina Burnett. It is now owned by Neil and Harriet Nichols who use it as a family home and a venue for residential piano courses.
Jan Jacobszoon Hinlopen was a rich Dutch cloth merchant, an officer in the civic guard, a real estate developer in the Jordaan, alderman in the city council and a keen art collector. He would have been elected as a burgomaster, if he had not died at the age of forty, an age considered acceptable to be eligible. He was a prominent patron of the arts in his time, and there is some speculation on being an influential protector of Rembrandt and it is likely that he had good connections with Gabriel Metsu. Hinlopen, like his father-in-law, Joan Huydecoper I, is known in art history because of the poems by Jan Vos reciting the paintings in his house and members of the family. These paintings are spread all over the world, the poems nearly forgotten.
Jacob J. Hinlopen lived in a house with Hinlopen in the gable, now at 155 Nieuwendijk. He traded in cloth and Indian wares. In 1602 he was co-founder of the Dutch East India Company in Enkhuizen: his descendants inherited very old stocks. In 1617 he became the first person of Flemish origin to obtain a seat on the City Council.
Lieve Geelvinck was the son of Joan Geelvinck and grandson of Cornelis Geelvinck and, following them into the vroedschap, he became administrator of the Dutch East India Company and member of the Council of State. He became mayor of Amsterdam for the first time in 1720. Through political marriage alliances, the Geelvinck family had already played an important role the council of Amsterdam for years on end, but in the first half of the 18th century all but one or two of the city's mayors were related to each other.
Nicolaes Geelvinck was lord of Castricum, Bakkum, Santpoort, Velsen, Stabroek, schepen, and owner of the country estate Akerendam-by-Beverwijk. He was appointed as mayor of Amsterdam in 1747, but in 1748 lost his seat in the vroedschap and as a counsellor to the Admiralty of Amsterdam, thanks to Mattheus Lestevenon.
Egbert van Drielst began his study of the painting in a factory in Groningen which produced mainly lacquered objects. He soon went to Haarlem, where he became an apprentice in the wallpaper factory of Jan Augustini. Van Drielst entered the wallpaper studio in Amsterdam where he established friendships with Adriaan de Lelie. He studied the old masters Salomon van Ruysdael, Jacob van Ruisdael, Jan Wijnants and in particular, Meindert Hobbema, and sought to make use of their techniques in his nature studies. In 1768 he became a member of the Guild of Saint Luke in Amsterdam.
Lucia Wijbrants or Wybrants was the daughter of Johannes Wijbrants, a silk merchant, whose ancestors had moved from Stavoren to Antwerp. After 1585 when Antwerp was occupied by the Spanish army, the family moved to Amsterdam and lived in a house in the Warmoesstraat, then a fashionable shopping street. They had eight more children: only Hendrick (1623–1669), Helena (1628–1721), and Johannes survived.
The Portrait of the Family Hinlopen or Family of burgomaster Gillis Valckenier is a painting in the Berlin Gemäldegalerie by the Dutch Golden Age painter Gabriël Metsu of about 1663. There have been various ideas among art historians as to which family is actually represented, with the two main candidates being the families of Jan J. Hinlopen or Gillis Valckenier, both wealthy and powerful figures in Amsterdam at the time.
Constanti(j)n Ranst de Jonge was a Dutch businessman employed by the Dutch East India Company (VOC) who was chief of the trading posts in Tonkin and Dutch Bengal and three times opperhoofd of Dejima in Japan.
A canal house is a house overlooking a canal. These houses are often slim, high and deep. Canal houses usually had a basement and a loft and attic where trade goods could be stored. A special beam or pulley installation would be located in the attic to hoist up valuable goods, like spices, cotton, or heavier stuff like cocoa. In recent times, the pulleys are only used for moving furniture.
The Grachtengordel is a neighborhood in Amsterdam, Netherlands located in the Centrum district. The seventeenth-century canals of Amsterdam, located in the center of Amsterdam, were added to the UNESCO World Heritage List in August 2010. The Amsterdam Canal District consists of the area around the city's four main canals: the Singel, the Herengracht, the Keizersgracht, and the Prinsengracht. From the Brouwersgracht, the canals are generally parallel with one another, leading gradually southeast into the Amstel river.
De Negen Straatjes is a neighbourhood of Amsterdam, Netherlands located in the Grachtengordel, a UNESCO World Heritage Site.
Leather wallpaper is a type of wallpaper used in various styles for wall covering. It is often referred to as wrought leather. It is often gilded, painted and decorated. Leather was used to cover and decorate sections of walls in the houses of the rich, and some public buildings. Leather is pliable and could be decorated in various ways.
Jan Gildemeester Jansz. was a Dutch art collector.
Hans Bontemantel was a Dutch merchant and for a long time a schepen of Amsterdam, where he was born. He also served as acting-schout in 1672, whilst he was 'president-schepen'. As a supporter of Johan de Witt's political system, he was one of the nine regenten dismissed on 10 September 1672 by stadthouder William III of Orange, at the same time as the dismissal of Lambert Reynst, Andries de Graeff and Pieter de Graeff.
The Nieuwe Herengracht is a canal in Centrum district of Amsterdam. The canal is an extension of the Herengracht that runs between the Amstel and the Scharrebiersluis (lock) leading to the Schippersgracht from the Entrepotdok. It is in the Plantage neighborhood in the eastern part of the Grachtengordel.
The Nieuwe Keizersgracht is a canal in Amsterdam, part of the eastern Grachtengordel.