 | |
| Location | 147 N. Arizona Avenue, Prescott, Arizona |
|---|---|
| Coordinates | 34°32′37″N112°27′32″W / 34.5435°N 112.4590°W |
| Type | Native American |
| Visitors | 7,000 per year |
| Director | Manuel Lucero |
| President | Barbra Karkula |
| Curator | Andrew Christenson |
| Website | www |
The Museum of Indigenous People, formerly known as the Smoki Museum of American Indian Art and Culture, [1] is located in Prescott, Yavapai County, Arizona and holds collections of Native American artifacts.
The museum was started, in part, due to the efforts of Kate Cory, who donated eight of her paintings and her photograph album for its collection, and Dr. Byron Cummings of the University of Arizona in order to house some of the artifacts he and his crews were excavating at the time. Sharlot Hall provided other ethnographic information. The museum evolved from events conducted by a group of white Arizona residents who enacted Native American ceremonial dances, which was not appreciated by the Hopi people. The white ceremonial enactors called themselves the "Smoki Tribe." [2]
Beginning in 1931, Smokis met and held ceremonial presentations at a pueblo next to the current museum location. [3] The stone and log museum building was constructed in 1935 [4] by the Civilian Works Administration and operated as a museum. [3] By 1990, the "Smoki Tribe" no longer performed dances due in part to pressure by Hopis to desist what were considered insulting portrayals of their sacred ceremonial practices. [5] Instead of "Smoki Tribe" performances, the museum hosts educational programs. [6] In 1991 the museum became a non-profit museum. It is now listed on the National Register of Historic Places [3]
Effective Feb. 10, 2020, the museum is named the Museum of Indigenous People (MIP) [1]
Its more than 2000 artifacts include pottery, basketry, lithics and beadwork. The articles range in age dating from the Pre-Columbian era up to modern times. The baskets in the museum collection are considered among the best in the United States, and the pottery displays are impressive. Other exhibits rotate on an irregular schedule, but average 4–6 months in duration. [4] [7] The museum is open everyday from 10:00 a.m. until 4:00 p.m. except sunday from 1:00 a.m. until 4:00 p.m. [8]
Nampeyo was a Hopi-Tewa potter who lived on the Hopi Reservation in Arizona. Her Tewa name was also spelled Num-pa-yu, meaning "snake that does not bite". Her name is also cited as "Nung-beh-yong," Tewa for Sand Snake.
Indigenous peoples of Arizona are the Native American people who currently live or have historically lived in what is now the state of Arizona. There are 22 federally recognized tribes in Arizona, including 17 with reservations that lie entirely within its borders. Reservations make up over a quarter of the state's land area. Arizona has the third largest Native American population of any U.S. state.
The Yavapai-Prescott Indian Tribe, formerly known as the Yavapai-Prescott Tribe of the Yavapai Reservation, a federally recognized tribe of Yavapai people. Fewer than 200 people are enrolled in the tribe.
Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. Pottery is fired ceramics with clay as a component. Ceramics are used for utilitarian cooking vessels, serving and storage vessels, pipes, funerary urns, censers, musical instruments, ceremonial items, masks, toys, sculptures, and a myriad of other art forms.
Mogollon culture is an archaeological culture of Native American peoples from Southern New Mexico and Arizona, Northern Sonora and Chihuahua, and Western Texas. The northern part of this region is Oasisamerica, while the southern span of the Mogollon culture is known as Aridoamerica.
Jesse Walter Fewkes was an American anthropologist, archaeologist, writer, and naturalist.
The Sinagua were a pre-Columbian culture that occupied a large area in central Arizona from the Little Colorado River, near Flagstaff, to the Verde River, near Sedona, including the Verde Valley, area around San Francisco Mountain, and significant portions of the Mogollon Rim country, between approximately 500 and 1425 CE.
Oasisamerica is a cultural region of Indigenous peoples in North America. Their precontact cultures were predominantly agrarian, in contrast with neighboring tribes to the south in Aridoamerica. The region spans parts of Northwestern Mexico and Southwestern United States and can include most of Arizona and New Mexico; southern parts of Utah and Colorado; and northern parts of Sonora and Chihuahua. During some historical periods, it might have included parts of California and Texas as well.
The Yavapai are a Native American tribe in Arizona. Historically, the Yavapai – literally “people of the sun” – were divided into four geographical bands who identified as separate, independent peoples: the Ɖulv G’paaya, or Western Yavapai; the Yaavpe', or Northwestern Yavapai; the Gwev G’paaya, or Southeastern Yavapai; and the Wiipukpaa, or Northeastern Yavapai – Verde Valley Yavapai.
Charles Sequevya Loloma was a Hopi Native American artist known for his jewelry. He also worked in pottery, painting and ceramics.
The visual arts of the Indigenous peoples of the Americas encompasses the visual artistic practices of the Indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included.
Alfred H. Qöyawayma is a Hopi potter and bronze sculptor. He was born in Los Angeles on February 26, 1938. Qöyawayma is also a mechanical engineer who has worked in the development of inertial guidance systems and a co-founder of the American Indian Science and Engineering Society.
The Yavapai Wars, or the Tonto Wars, were a series of armed conflicts between the Yavapai and Tonto tribes against the United States in the Arizona Territory. The period began no later than 1861, with the arrival of American settlers on Yavapai and Tonto land. At the time, the Yavapai were considered a band of the Western Apache people due to their close relationship with tribes such as the Tonto and Pinal. The war culminated with the Yavapai's removal from the Camp Verde Reservation to San Carlos on February 27, 1875, an event now known as Exodus Day.
Art of the American Southwest is the visual arts of the Southwestern United States. This region encompasses Arizona, New Mexico, and parts of California, Colorado, Nevada, Texas, and Utah. These arts include architecture, ceramics, drawing, filmmaking, painting, photography, sculpture, printmaking, and other media, ranging from the ancient past to the contemporary arts of the present day.
Photography by indigenous peoples of the Americas is an art form that began in the late 19th century and has expanded in the 21st century, including digital photography, underwater photography, and a wide range of alternative processes. Indigenous peoples of the Americas have used photography as a means of expressing their lives and communities from their own perspectives. Native photography stands in contrast to the ubiquitous photography of indigenous peoples by non-natives, which has often been criticized as being staged, exoticized, and romanticized.
Kate Cory was an American photographer and artist. She studied art in New York, and then worked as commercial artist. She traveled to the southwestern United States in 1905 and lived among the Hopi for several years, recording their lives in about 600 photographs.
Patricia Ann McGee (Yavapai-Hualapai) was a Native American tribal leader who served as president of the Yavapai-Prescott Tribe. An effective advocate for her tribe, she garnered millions of dollars in federal and state funds to improve the infrastructure on the Yavapai reservation. She negotiated a water settlement agreement between the federal government and the tribe and established the first gaming license for any Indian tribe in Arizona. She helped develop a community center which earned a federal design award and served as an educational center to preserve both the culture and language of the Yavapai. In 2006, McGee was nominated by Supreme Court Justice Sandra Day O'Connor and inducted into the Arizona Women's Hall of Fame.
Iva Casuse Honwynum is a Hopi/Navajo artist, social activist, and cultural practitioner. A Native American, Honwynum is best known for her woven baskets and figurative sculpture. Honwynum's most important breakthrough was the development of the pootsaya basket, called "a rare innovation in Hopi basketry". She developed the pootsaya during her 2014 residency at the School for Advanced Research in Santa Fe, New Mexico, having been awarded the Eric and Barbara Dookin Artist Fellowship.
The Indigenous peoples of the North American Southwest are those in the current states of Colorado, Arizona, New Mexico, Utah, and Nevada in the western United States, and the states of Sonora and Chihuahua in northern Mexico. An often quoted statement from Erik Reed (1666) defined the Greater Southwest culture area as extending north to south from Durango, Mexico to Durango, Colorado and east to west from Las Vegas, Nevada to Las Vegas, New Mexico. Other names sometimes used to define the region include "American Southwest", "Northern Mexico", "Chichimeca", and "Oasisamerica/Aridoamerica". This region has long been occupied by hunter-gatherers and agricultural people.
Pueblo pottery are ceramic objects made by the indigenous Pueblo people and their antecedents, the Ancestral Puebloans and Mogollon cultures in the Southwestern United States and Northern Mexico. For centuries, pottery has been central to pueblo life as a feature of ceremonial and utilitarian usage. The clay is locally sourced, most frequently handmade, and fired traditionally in an earthen pit. These items take the form of storage jars, canteens, serving bowls, seed jars, and ladles. Some utility wares were undecorated except from simple corrugations or marks made with a stick or fingernail, however many examples for centuries were painted with abstract or representational motifs. Some pueblos made effigy vessels, fetishes or figurines. During modern times, pueblo pottery was produced specifically as an art form to serve an economic function. This role is not dissimilar to prehistoric times when pottery was traded throughout the Southwest, and in historic times after contact with the Spanish colonialists.
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