The Museum of Jurassic Technology at 9341 Venice Boulevard in the Palms district of Los Angeles, California, was founded by David Hildebrand Wilson and Diana Drake Wilson in 1988. [1] [2] It calls itself "an educational institution dedicated to the advancement of knowledge and the public appreciation of the Lower Jurassic", [3] the relevance of the term "Lower Jurassic" to the museum's collections being left uncertain and unexplained. [4]
The museum's collection includes a mixture of artistic, scientific, ethnographic, and historic items, as well as some unclassifiable exhibits; the diversity evokes the cabinets of curiosities that were the 16th-century predecessors of modern natural-history museums. The factual claims of many of the museum's exhibits strain credibility, provoking an array of interpretations.
David Hildebrand Wilson received a MacArthur Foundation fellowship in 2001. [5] [6]
The museum contains an unusual collection of exhibits and objects with varying and uncertain degrees of authenticity. The New York Times critic Edward Rothstein described it as a "museum about museums", "where the persistent question is: what kind of place is this?" [4] Smithsonian magazine called it "a witty, self-conscious homage to private museums of yore . . . when natural history was only barely charted by science, and museums were closer to Renaissance cabinets of curiosity." [2] In a similar vein, The Economist said the museum "captures a time chronicled in Richard Holmes's recent book The Age of Wonder , when science mingled with poetry in its pursuit of answers to life's mysterious questions." [7]
Lawrence Weschler's 1995 book, Mr. Wilson's Cabinet of Wonder: Pronged Ants, Horned Humans, Mice on Toast, And Other Marvels of Jurassic Technology , attempts to explain the mystery of the Museum of Jurassic Technology. Weschler deeply explores the museum through conversations with its founder, David Wilson, and through outside research on several exhibitions. His investigations into the history of certain exhibits led to varying results of authenticity; some exhibits seem to have been created by Wilson's imagination while other exhibits might be suitable for display in a natural history museum. The Museum of Jurassic Technology at its heart, according to Wilson, is "a museum interested in presenting phenomena that other natural history museums are unwilling to present." [8]
The museum's introductory slideshow recounts that "In its original sense, the term, 'museum' meant 'a spot dedicated to the Muses, a place where man's mind could attain a mood of aloofness above everyday affairs'". In this spirit, the dimly lit atmosphere, wood and glass vitrines, and labyrinthine floorplan lead visitors through an eclectic range of exhibits on art, natural history, history of science, philosophy, and anthropology, with a special focus on the history of museums and the variety of paths to knowledge. The museum attracts approximately 25,000 visitors per year. [9]
The museum maintains more than thirty permanent exhibits, including:
From 1992 to 2006, the museum's Foundation Collection was on display in its Tochtermuseum at the Karl Ernst Osthaus-Museum in Hagen, Germany. This exhibition was part of the Museum of Museums wing at the KEOM, which came into being under the stewardship of director Michael Fehr. [10]
In 2005, the museum opened its Tula Tea Room, a Russian-style tea room where Georgian tea and accompanying cookies are served, the cost covered by the price of admission. [11] This room is a miniature reconstruction of the study of Tsar Nicolas II from the Winter Palace in St. Petersburg, Russia.[ citation needed ] The tea room is shared with a number of live doves and other birds. [11] [12]
The Borzoi Kabinet Theater screens a series of poetic documentaries produced by the Museum of Jurassic Technology in collaboration with the St. Petersburg–based arts and science collective Kabinet. The series of films, entitled A Chain of Flowers, draws its name from the quotation by Charles Willson Peale: "The Learner must be led always from familiar objects toward the unfamiliar, guided along, as it were, a chain of flowers into the mysteries of life". The titles of the films are Levsha: The Cross-eyed Lefty from Tula and the Steel Flea (2001), Obshee Delo: The Common Task (2005), Bol'shoe Sovietskaia Zatmenie: The Great Soviet Eclipse (2008), The Book of Wisdom and Lies (2011), and Language of the Birds (2012).
The museum was the subject of a 1995 book by Lawrence Weschler entitled Mr. Wilson's Cabinet of Wonder: Pronged Ants, Horned Humans, Mice on Toast, and Other Marvels of Jurassic Technology, which describes in detail many of its exhibits. The museum is mentioned in the 2008 novel The Museum of Innocence , by Turkish Nobel-laureate Orhan Pamuk.
A museum is an institution dedicated to displaying and preserving culturally significant objects. Many museums have exhibitions of these objects on public display, and some have private collections that are used by researchers and specialists. Compared to a library, a museum hosts a much wider ranges of objects and usually focus around a specific theme such as the arts, science, natural history, local history, and other topics. Public museums that host exhibitions and interactive demonstrations are often considered to be tourist attractions, and many museums attract large numbers of visitors from outside their host country, with the most visited museums in the world regularly attracting millions of visitors annually.
The Smithsonian Institution, or simply the Smithsonian, is a group of museums, education and research centers, the largest such complex in the world, created by the U.S. government "for the increase and diffusion of knowledge." Founded on August 10, 1846, it operates as a trust instrumentality and is not formally a part of any of the three branches of the federal government. The institution is named after its founding donor, British scientist James Smithson. It was originally organized as the United States National Museum, but that name ceased to exist administratively in 1967.
A science museum is a museum devoted primarily to science. Older science museums tended to concentrate on static displays of objects related to natural history, paleontology, geology, industry and industrial machinery, etc. Modern trends in museology have broadened the range of subject matter and introduced many interactive exhibits. Modern science museums, increasingly referred to as 'science centres' or 'discovery centres', also feature technology.
The Los Angeles County Museum of Art (LACMA) is an art museum located on Wilshire Boulevard in the Miracle Mile vicinity of Los Angeles. LACMA is on Museum Row, adjacent to the La Brea Tar Pits.
The National Museum of American History: Kenneth E. Behring Center collects, preserves, and displays the heritage of the United States in the areas of social, political, cultural, scientific, and military history. Among the items on display is the original Star-Spangled Banner. The museum is part of the Smithsonian Institution and located on the National Mall at 14th Street and Constitution Avenue NW in Washington, D.C.
The National Museum of Natural History (NMNH) is a natural history museum administered by the Smithsonian Institution, located on the National Mall in Washington, D.C., United States. It has free admission and is open 364 days a year. In 2022, with 3.9 million visitors, it was the most-visited museum in the United States.
Cabinets of curiosities, also known as wonder-rooms, were encyclopedic collections of objects whose categorical boundaries were, in Renaissance Europe, yet to be defined. Although more rudimentary collections had preceded them, the classic cabinets of curiosities emerged in the sixteenth century. The term cabinet originally described a room rather than a piece of furniture. Modern terminology would categorize the objects included as belonging to natural history, geology, ethnography, archaeology, religious or historical relics, works of art, and antiquities. In addition to the most famous and best documented cabinets of rulers and aristocrats, members of the merchant class and early practitioners of science in Europe formed collections that were precursors to museums.
The Natural History Museum of Los Angeles County is the largest natural and historical museum in the western United States. Its collections include nearly 35 million specimens and artifacts and cover 4.5 billion years of history. This large collection comprises not only of specimens for exhibition, but also vast research collections housed on and offsite.
The Orange County Museum of Art (OCMA) is a modern and contemporary art museum located on the campus of the Segerstrom Center for the Arts in Costa Mesa, California. The museum's collection comprises more than 4,500 objects, with a concentration on the art of California and the Pacific Rim from the early 20th century to present. Exhibits include traditional paintings, sculptures, and photography, as well as new media in the form of video, digital, and installation art.
Museum Folkwang is a major collection of 19th- and 20th-century art in Essen, Germany. The museum was established in 1922 by merging the Essener Kunstmuseum, which was founded in 1906, and the private Folkwang Museum of the collector and patron Karl Ernst Osthaus in Hagen, founded in 1902.
The Karl Ernst Osthaus-Museum is an art museum in Hagen, North Rhine-Westphalia, Germany. The center of the museum is a building whose interior was designed by Henry van de Velde to house Karl Ernst Osthaus' art collection, open to the public as the Museum Folkwang. When Osthaus' heirs sold his art collection to the city of Essen, the city of Hagen gained possession of the empty museum building. For a time it served as offices for the local electric company.
The Zeppelin Museum Friedrichshafen is a museum in Friedrichshafen in Germany, the birthplace of the Zeppelin airship. The museum houses the largest collection on airship travel in the world, and chronicles the history of the Zeppelin airships. In addition, it is the only museum in Germany that combines technology and art. The museum has been in its current location at the Hafenbahnhof since it was reopened in 1996. The exhibition was designed by HG Merz.
Bathers with a Turtle is a painting by Henri Matisse from 1907 to 1908, in the collection of the Saint Louis Art Museum in St. Louis, Missouri. In 1908 it has been acquired by Karl Ernst Osthaus who included it into the Folkwang Museum in Hagen, Germany. It was removed from being exhibited by the Nazis in 1937 and brought to Niederschönhausen Palace. It was purchased for $2400 by Joseph Pulitzer Jr. in 1939 at an auction of art that the Nazi government considered "degenerate". The socalled "Degenerate Art auction" took place in the Grand Hotel National in Lucerne, Switzerland. Pulitzer purchased it at the urging of Matisse's son Pierre Matisse, in order to prevent the artwork from being destroyed, despite the profit from the auction going to the Nazis. Pulitzer later donated it to the art museum in Saint Louis.
Adrian Saxe is an American ceramic artist who was born in Glendale, California in 1943. He lives and works in Los Angeles, California.
David Hildebrand Wilson is the co-founder, along with his wife, Diana Wilson, of the enigmatic Museum of Jurassic Technology in Los Angeles, California.
Hagop Sandaldjian (1931–1990) was an Egyptian-born Armenian American musician and microminiature sculptor, best known for his tiny art pieces, currently displayed at the Museum of Jurassic Technology in Los Angeles, California. Sandaldjian's creations included a carving of Mount Ararat on a grain of rice; a crucifix in which a minute golden figure of Jesus hangs upon a cross made from a bisected strand of Sandaldjian's own hair; and recreations of Disney figures or historical figures presented in the eye or on the tip of a needle.
Mr. Wilson's Cabinet of Wonder: Pronged Ants, Horned Humans, Mice on Toast, and Other Marvels of Jurassic Technology is a 1995 book by Lawrence Weschler primarily about the Museum of Jurassic Technology in Los Angeles, California, and, more broadly, the history and role of museums.
Elena Herzog is a Russian-American visual artist and photographer.
Smithsonian Affiliations is a division of the Smithsonian Institution that establishes long-term partnerships with non-Smithsonian museums and educational and cultural organizations in order to share collections, exhibitions and educational strategies and conduct joint research. Partner organizations are known as "Smithsonian Affiliates".
Micro miniature is a fine art form. Micro miniatures are made with the assistance of microscopes, or eye surgeon tools. It originated at the end of 20th century.