Museum of Modern Art, Rio de Janeiro

Last updated
Museum of Modern Art of Rio de Janeiro
Museu de Arte Moderna do Rio de Janeiro
Museum of Modern Art Rio de Janeiro Logo.svg
MAM - Museu de Arte Moderna do Rio de Janeiro 02.jpg
The museum in 2013
Location map Brazil Rio de Janeiro.png
Red pog.svg
Location of Museum of Modern Art in Rio de Janeiro
Established1948 (1948)
Location Rio de Janeiro, Brazil
Coordinates 22°54′48″S43°10′19″W / 22.913375°S 43.171980°W / -22.913375; -43.171980
TypeArt museum
Visitors250,000 (2012)
DirectorFabio Szwarcwald
CuratorFernando Cocchiarale
Architect Affonso Eduardo Reidy
Website mam.rio

The Museum of Modern Art of Rio de Janeiro (Portuguese : Museu de Arte Moderna do Rio de Janeiro, MAM) is a museum located in northeastern Flamengo Park, in the city of Rio de Janeiro, Brazil. [1] It is in the Centro district, west of Santos Dumont Airport, on Guanabara Bay.

Contents

Architecture

Flamengo Park was an urban planning project on the coast of Rio under the direction of Roberto Burle Marx (1909-1994) in the 1950s and 1960s. [2] The Modernist concrete museum building, designed by Affonso Eduardo Reidy (1909-1964), was completed in 1955. The museum's landmark Modernist gardens were designed by Burle Marx. [2] [3]

The main building has a dramatic cadence of external pillar elements, connected by longitudinal beams, providing a galley level free of internal columns or structural walls. The park was created on landfill in the bay, so the pillars footings reach 20 metres (66 ft) down. [2]

A large outdoor terrace is framed by the entrance façades of the main building and theater wing. The northern façade has aluminum shutters to control the amount of (low) natural light entering the gallery space during the winter solstice period. The windows of the gallery are oriented to the north and south. [2]

An inner courtyard was also designed by Burle Marx. A broad spiral ramp element reaches an upper level, with a roof terrace, restaurant, bar, and lounge overlooking Guanabara Bay, Sugarloaf, and Rio's other granitic mountain formations.

Scope

Affonso Eduardo Reidy's essay for the meaning of the museum expressed:

The cultural influence of a modern art museum is not only drawn from the collection of works of art and of courses of study and conferences held there, but more particularly the creation of their own intellectual atmosphere in which the artist is to enrich their own work and ideas in which the public can absorb the artistic culture required by the mind of modern man. [2]

The museum's scope is as an arts center, and includes: [2]

  1. exhibitions — galleries for the permanent collection and travelling shows.
  2. school of art — with lecture and studio spaces.
  3. theater — for concerts, plays, classical ballets, film exhibitions, and conferences.
  4. operations — public services (dining, etc.), workshops, collections warehouses, administration offices and bookstore.

1978 fire

On July 8, 1978, a rough fire caused by a cigarette or due to an electrical failure, destroyed 90% of the artworks – including artworks from Pablo Picasso ("Cubist Head" and "Portrait of Dora Maar"), Miró ("Persons in a Landscape"), Salvador Dalí ("Egg on a Plate, Without the Plate"), Max Ernst, Paul Klee, Diego Rivera, René Magritte, Louis Van Lint, Ivan Serpa, David Alfaro Siqueiros, Manabu Mabe and others – and all artworks showed in a big retrospective of artist Joaquín Torres-García.

See also

Related Research Articles

<span class="mw-page-title-main">Flamengo, Rio de Janeiro</span> Neighborhood in Rio de Janeiro, Rio de Janeiro, Brazil

Flamengo is a neighborhood in Rio de Janeiro, Brazil.

<span class="mw-page-title-main">Roberto Burle Marx</span> Brazilian landscape architect (1909–1994)

Roberto Burle Marx was a Brazilian landscape architect whose designs of parks and gardens made him world-famous. He is accredited with having introduced modernist landscape architecture to Brazil. He was known as a modern nature artist and a public urban space designer. His work had a great influence on tropical garden design in the 20th century. Water gardens were a popular theme in his work. He was deftly able to transfer traditional artistic expressions such as graphic design, tapestry and folk art into his landscape designs. He also designed fabrics, jewellery and stage sets.

<span class="mw-page-title-main">Lasar Segall</span> Lithuanian-Brazilian artist

Lasar Segall was a Lithuanian Jewish and Brazilian painter, engraver and sculptor. Segall's work is derived from impressionism, expressionism and modernism. His most significant themes were depictions of human suffering, war, persecution and prostitution.

Museums of modern art listed alphabetically by country.

<span class="mw-page-title-main">Affonso Eduardo Reidy</span> Brazilian architect

Affonso Eduardo Reidy was a Brazilian architect. He was the son of an English father and a Brazilian mother. Reidy entered the Escola Nacional de Belas Artes in Rio de Janeiro at age 17. He apprenticed with the French urban planner Alfred Agache (1875-1959) during his studies. Reidy graduated and became an architect in 1930. Lúcio Costa appointed him as a teaching assistant to the architect Gregori Warchavchik (1896-1972) at the Escola Nacional de Belas Artes in the same year.

<span class="mw-page-title-main">Gustavo Capanema Palace</span> Modernist office building in Rio de Janeiro, Brazil

The Gustavo Capanema Palace, also known architecturally as the Ministry of Education and Health Building, is a government office building in the Centro district of Rio de Janeiro, Brazil. As the first modernist project in Brazil, it is historically important to the architectural development of Modernism in Brazil and has been placed on Brazil's UNESCO tentative list.

<span class="mw-page-title-main">Hélio Oiticica</span> Brazilian visual artist (1937–1980)

Hélio Oiticica was a Brazilian visual artist, sculptor, painter, performance artist, and theorist best known for his participation in the Neo-Concrete Movement, for his innovative use of color, and for what he later termed "environmental art," which included Parangolés and Penetrables, like the famous Tropicália. Oiticica was also a filmmaker and writer.

<span class="mw-page-title-main">Flamengo Park</span> Largest public park in Rio de Janeiro, Brazil

Flamengo Park, also known as Aterro do Flamengo, Eduardo Gomes Park, and Aterro do Brigadeiro Eduardo Gomes, is the largest public park and recreation area within the city of Rio de Janeiro, in eastern Brazil, and the largest urban seaside park in the world.

<span class="mw-page-title-main">Monument to the Dead of World War II</span> Brazilian war memorial in Rio de Janeiro

The Monument to the Dead of World War II, also the Monument to the Brazilian Soldiers of World War II, popularly known as Monumento aos Pracinhas commemorates Brazil's participation and losses in the Second World War (WWII).

<span class="mw-page-title-main">Laura Lima</span> Brazilian artist

Laura Lima is a contemporary Brazilian artist who lives and works in Rio de Janeiro. Since the 1990s, Lima has discussed in her works the matter of alive beings, among other topics. Her works can be found in the collections of institutions such as Bonniers Konsthall, Stockholm, Sweden; Inhotim Institute, Brumadinho, Brazil; MAM - Museum of Modern Art, São Paulo, Brazil; Migros Museum für Gegenwartskunst, Zurich, Switzerland; Pinacoteca of the State of São Paulo, Brazil; Itaú Cultural, São Paulo, Brazil; Pampulha Museum of Art, Belo Horizonte, Brazil; National Museum of Fine Arts, Rio de Janeiro, Brazil; Hammer Museum, Los Angeles, USA; MASP - Museum of Art of São Paulo, Brazil, among others.

<span class="mw-page-title-main">1955 in Brazil</span>

Events in the year 1955 in Brazil.

<span class="mw-page-title-main">Tunga (artist)</span> Brazilian sculptor and performance artist

Antonio José de Barros Carvalho e Mello Mourão, known professionally as Tunga, was a Brazilian sculptor and performance artist. Tunga was born in Palmares, Pernambuco, Brazil.

Judith Lauand was a Brazilian painter and printmaker. She is considered a pioneer of the Brazilian modernist movement that started in the 1950s, and was the only female member of the concrete art movement based in São Paulo, the Grupo Ruptura.

<span class="mw-page-title-main">Ivan Serpa</span>

Ivan Ferreira Serpa was a Brazilian painter, draftsman, printmaker, designer, and educator active in the concrete art movement. Much of his work was in geometric abstractionism. He founded Grupo Frente, which included fellow artists Lygia Clark, Helio Oiticica, and Franz Weissmann, among others, and was known for mentoring many artists in Brazil.

Valeska Soares is a Brooklyn-based Brazilian-American sculptor and installation artist.

<span class="mw-page-title-main">Wanda Pimentel</span> Brazilian artist (1943–2019)

Wanda Pimentel was a Brazilian painter, based in Rio de Janeiro, Brazil. Her work is distinguished by "a precise, hard-edge quality encompassing geometric lines and smooth surfaces in pieces that often defy categorization as abstract or figurative. “My studio is in my bedroom,” Pimentel said in an interview. “Everything has to be very neat. .. I work alone. I think my issues are the issues of our time: the lack of perspective for people, their alienation. The saddest thing is for people to be dominated by things.”

Marcia Grostein Marcia Grostein is a Brazilian-American artist known for using various mediums across public art, sculpture, painting, video art, photography, and portable wearable art/jewelry. She was the first contemporary Brazilian artist to be acquired by the Metropolitan Museum of Art for the 20th Century Collection by the curator Lowery Sims.

<span class="mw-page-title-main">Oskar Metsavaht</span> Brazilian fashion designer

Oskar Metsavaht is a Brazilian artist, academic degree in medicine, fashion designer environmental activist and Amazon guardian. Oskar's work expresses the theme of preserving the forest, water and the empowerment and protection of the peoples of the forest, as an artist, designer and activist. He is founder and creative director of Osklen, a Brazilian fashion brand, recognized as one of the forerunners of the New Luxury concept that strives for the fusion between ethics and aesthetics and advocates conscious fashion through the adoption of sustainable practices. Creative Director of OM.art studio, where he hosts his art studio, an exhibition space and the studio for the development and production of art projects. Metsavaht serves as UNESCO Goodwill Ambassador. Creator of Janeiro Hotel, located in Leblon, Rio de Janeiro. He is also on the advisory board of the Inhotim Institute and board member of Museum of Modern Art (MAM) of Rio de Janeiro. In 2014, Oskar Metsavaht was awarded as Knight of Ordem do Mérito Cultural medal from the Ministry of Culture (Brazil) an honorary order granted by the Federal Government to personalities and institutions that make relevant contributions to Brazil's culture.

<span class="mw-page-title-main">Vivo Rio</span>

Vivo Rio is a concert hall located in Aterro do Flamengo, Rio de Janeiro. The site is attached to the Museu de Arte Moderna (MAM) and was opened in November 2006.

<span class="mw-page-title-main">Niomar Moniz Sodré Bittencourt</span> Brazilian journalist

Niomar Moniz Sodré Bittencourt was a Brazilian journalist and businesswoman.

References

  1. Museos do Rio: Museu de Arte Moderna do Rio de Janeiro - MAM-Rio; website: http://mamrio.org.br/; Av. Infante Dom Henrique, nº 85, Glória; Schedule: Tuesdays to Sundays,12:00 p.m. - 6:00 p.m./ Sat, Sun and Holidays,12:00 p.m. - 7:00 p.m.
  2. 1 2 3 4 5 6 Wikiarquitectura: Museum of Modern Art in Rio de Janeiro. accessed 11.23.2013.
  3. Mimoa.eu: MAM—Modern Arts Museum of Rio de Janeiro Archived 2013-12-03 at the Wayback Machine . accessed 11.23.2013.

22°54′S43°09′W / 22.900°S 43.150°W / -22.900; -43.150