Star Trek IV: The Voyage Home is a 1986 science fiction film directed by Leonard Nimoy based on the television series Star Trek: The Original Series and the fourth film in the Star Trek film series. The film is scored by Leonard Rosenman, who is the third Star Trek film composer after Jerry Goldsmith and James Horner. The score received an Academy Award nomination.
James Horner, who previously scored The Wrath of Khan (1982) and The Search for Spock (1984) declined to return for The Voyage Home. As a result, Nimoy turned to his friend Leonard Rosenman to score the film instead. [1] [2] : 119 Rosenman wrote an arrangement of Alexander Courage's Star Trek television theme as the title music for the film, but Nimoy requested an original composition. Hence, he wrote a six-note theme with variations set against a repetitive four-note brass motif, that borrowed content from Rosenman's "Riders Of Rohan" for The Lord of the Rings (1978). A cycle of fifths is heard for the second subject. The melody is played in the beginning of the film on Vulcan and the scenes of Taylor's search for Kirk to help find her whales. [2] : 119–20
Given the Earth-based setting of the filming, Rosenman was provided creative freedom to write a variety of music in different styles. Nimoy wanted the crew's introduction to the streets of San Francisco to be accompanied an instrumental piece which would be reminiscent of George Gershwin, but as Rosenman changed his mind, [2] : 131 the scene was scored by a contemporary jazz fusion piece by the band Yellowjackets. When Chekov flees detention aboard the aircraft carrier, Rosenman wrote a bright cue that incorporates classical Russian compositions. The music for the escape from the hospital was done in a baroque style. More familiar Rosenman compositions include the action music for the face off between the Bird-of-Prey and a whaling ship in open water, and the atmospheric music (reminiscent of the composer's work in Fantastic Voyage) during the probe's communication. After the probe leaves, a Vivaldiesque "whale fugue" begins. The first sighting of the Enterprise-A uses the Alexander Courage theme before the end titles. [2] : 120
The punk music during the bus scene was written by Kirk Thatcher who worked with the film's sound designer Mark Mangini and two other sound editors from punk bands to create their own music. [3] They would be credited as the fictional punk band "Edge of Etiquette" and wrote a song named "I Hate You" which contained few explicit lyrics. The song was recorded outside the sound studio in a single take using cheap microphones to create a distorted sound. [3] The song was not included in the original release, but featured along with the Intrada Records expanded edition. [4]
Star Trek IV: The Voyage Home | ||||
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Film score by | ||||
Released | 1986 | |||
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Genre | Film score | |||
Length | 36:16 | |||
Label | MCA | |||
Producer | Leonard Rosenman | |||
Star Trek soundtracks chronology | ||||
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Leonard Rosenman chronology | ||||
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The original score album which consisted of 11 tracks with a runtime of 36 minutes was released through MCA Records. [5]
No. | Title | Music | Length |
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1. | "Main Title" | Leonard Rosenman | 2:39 |
2. | "The Whaler" | Rosenman | 2:00 |
3. | "Market Street" | Yellowjackets | 4:39 |
4. | "Crash-Whale Fugue" | Rosenman | 8:15 |
5. | "Ballad Of The Whale" | Yellowjackets | 5:03 |
6. | "Gillian Seeks Kirk" | Rosenman | 2:42 |
7. | "Chekov's Run" | Rosenman | 1:19 |
8. | "Time Travel" | Rosenman | 1:29 |
9. | "Hospital Chase" | Rosenman | 1:13 |
10. | "The Probe" | Rosenman | 1:17 |
11. | "Home Again/End Credits" | Rosenman | 5:40 |
Total length: | 36:16 |
Star Trek IV: The Voyage Home (Expanded Edition) | |
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Film score by Leonard Rosenman | |
Released | December 13, 2011 |
Genre | Film score |
Length | 71:24 |
Label | Intrada |
Producer | Leonard Rosenman |
On December 13, 2011, Intrada Records issued an expanded edition that consisted of the complete score with outtakes and alternate cues that were not included in the final album. It also included the original song "I Hate You" composed for the film. [4]
No. | Title | Music | Length |
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1. | "Logo/Main Title" (contains theme from Star Trek by Alexander Courage) | Rosenman | 2:52 |
2. | "Starfleet Command/On Vulcan/Spock/Ten Seconds of Tension" | Rosenman | 1:40 |
3. | "The Probe" | Rosenman | 1:16 |
4. | "The Probe—Transition/The Take-Off/Menace of the Probe/Clouds and Water/Crew Stunne" | Rosenman | 3:08 |
5. | "Time Travel" | Rosenman | 1:28 |
6. | "Market Street" | Yellowjackets | 4:38 |
7. | "In San Francisco" | Rosenman | 2:01 |
8. | "Chekov's Run" | Rosenman | 1:21 |
9. | "Gillian Seeks Kirk" | Rosenman | 2:42 |
10. | "Hospital Chase" | Rosenman | 1:14 |
11. | "The Whaler" | Rosenman | 2:00 |
12. | "Crash/Whale Fugue" | Rosenman | 8:38 |
13. | "Kirk Freed" | Rosenman | 0:44 |
14. | "Home Again/End Credits" | Rosenman | 5:39 |
15. | "Ballad of the Whale" | Yellowjackets | 4:59 |
16. | "Main Title" (alternate) | Rosenman | 2:56 |
17. | "Time Travel" (alternate) | Rosenman | 1:29 |
18. | "Chekov's Run" (album ending) | Rosenman | 1:19 |
19. | "The Whaler" (alternate) | Rosenman | 2:05 |
20. | "Crash/Whale Fugue" (album track) | Rosenman | 8:15 |
21. | "Home Again/End Credits" (alternate) | Rosenman | 5:16 |
22. | "Main Title" (album track) | Rosenman | 2:40 |
23. | "Whale Fugue" (alternate) | Rosenman | 1:05 |
24. | "I Hate You" (contains explicit lyrics) |
| 1:59 |
Total length: | 71:24 |
James Southall of Movie Wave wrote "This is a fabulous album which affirms the music's right to be considered alongside the classic material which went before (and to a lesser extent after) it in the Star Trek series." [6] Craig Lysy of Movie Music UK called it as "a fun and enjoyable score". [7] Christian Clemmensen of Filmtracks.com was critical of the score, calling it as "too short, too silly, too dated, and too incohesive to be considered a success in retrospect." [8] Steve Vivona of TrekMovie.com called it as "a buoyant, joyful soundtrack that perfectly matched the film's tonal shift from heavy and operatic to light and fun." [9]
At the 59th Academy Awards, Rosenman was nominated for Best Original Score for his work in the film. [10] [11] Rosenman became the second composer to receive an Oscar nomination for a Star Trek feature, after Jerry Goldsmith for Star Trek: The Motion Picture (1979). [11]
Credits adapted from liner notes [12]
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Leonard Simon Nimoy was an American actor and director, famed for playing Spock in the Star Trek franchise for almost 50 years. This includes originating Spock in the original Star Trek series in 1966, then Star Trek: The Animated Series, the first six Star Trek films, Star Trek: The Next Generation, the 2009 Star Trek film, and Star Trek Into Darkness. Nimoy also directed films, including Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986), and Three Men and a Baby (1987), and his career included roles in music videos and video games. In addition to acting and filmmaking, Nimoy was a photographer, author, singer, and songwriter.
Spock is a fictional character in the Star Trek media franchise. He first appeared in the original Star Trek series serving aboard the starship USS Enterprise as science officer and first officer and later as commanding officer of the vessel. Spock's mixed human–Vulcan heritage serves as an important plot element in many of the character's appearances. Along with Captain James T. Kirk and Dr. Leonard "Bones" McCoy, he is one of the three central characters in the original Star Trek series and its films. After retiring from active duty in Starfleet, Spock served as a Federation ambassador, and later became involved in the ill-fated attempt to save Romulus from a supernova, leading him to live out the rest of his life in a parallel universe.
Star Trek IV: The Voyage Home is a 1986 American science fiction film, the fourth installment in the Star Trek film franchise based on the television series Star Trek. The second film directed by Leonard Nimoy, it completes the story arc begun in Star Trek II: The Wrath of Khan (1982), and continued in Star Trek III: The Search for Spock (1984). Intent on returning home to Earth to face consequences for their actions in the previous film, the crew of the USS Enterprise finds the planet in grave danger from an alien probe attempting to contact now-extinct humpback whales. The crew travel to Earth's past to find whales who can answer the probe's call.
Star Trek V: The Final Frontier is a 1989 American science fiction film directed by William Shatner and based on the television series Star Trek created by Gene Roddenberry. It is the fifth installment in the Star Trek film series, and takes place shortly after the events of Star Trek IV: The Voyage Home (1986). Its plot follows the crew of the USS Enterprise-A as they confront renegade Vulcan Sybok, who is searching for God at the center of the galaxy.
Star Trek VI: The Undiscovered Country is a 1991 American science fiction film directed by Nicholas Meyer, who also directed the second Star Trek film, The Wrath of Khan. It is the sixth feature film based on the 1966–1969 Star Trek television series. Taking place after the events of Star Trek V: The Final Frontier, it is the final film featuring the entire main cast of the original television series. The destruction of the Klingon moon Praxis leads the Klingon Empire to pursue peace with their longtime adversary, the Federation; the crew of the Federation starship USS Enterprise must race against unseen conspirators with a militaristic agenda.
Star Trek III: The Search for Spock is a 1984 American science fiction film, written and produced by Harve Bennett, directed by Leonard Nimoy, and based on the television series Star Trek. It is the third film in the Star Trek franchise and is the second part of a three-film story arc that begins with Star Trek II: The Wrath of Khan (1982) and concludes with Star Trek IV: The Voyage Home (1986). After the death of Spock (Nimoy), the crew of the USS Enterprise return to Earth. When James T. Kirk learns that Spock's spirit, or katra, is held in the mind of Dr. Leonard "Bones" McCoy, Kirk and company steal the decommissioned USS Enterprise to return Spock's body to his homeworld. The crew must also contend with hostile Klingons, led by Kruge, who are bent on stealing the secrets of the powerful terraforming device, Genesis.
Jerrald King Goldsmith was an American composer, with a career in film and television scoring that spanned nearly 50 years and over 200 productions, between 1954 and 2003. He was considered one of film music's most innovative and influential composers. He was nominated for eighteen Academy Awards, six Grammy Awards, five Primetime Emmy Awards, nine Golden Globe Awards, and four British Academy Film Awards.
Leonard Rosenman was an American film, television and concert composer with credits in over 130 works, including East of Eden, Rebel Without a Cause, Star Trek IV: The Voyage Home, Beneath the Planet of the Apes, Battle for the Planet of the Apes, Barry Lyndon, Race with the Devil, and the animated The Lord of the Rings.
Star Trek: The Music is conducted by Erich Kunzel of the Cincinnati Pops Orchestra, and hosted/narrated by John de Lancie and Robert Picardo.
Star Trek: Nemesis – Music from the Original Motion Picture Soundtrack is a soundtrack album for the 2002 film, Star Trek: Nemesis, composed by Jerry Goldsmith. Released on December 10, 2002 through Varèse Sarabande, the soundtrack features fourteen tracks of score at a running time just over forty-eight minutes, though bootleg versions containing the entire score have since been released. A deluxe edition soundtrack limited to 5000 copies was released on January 6, 2014 by Varèse Sarabande.
Mind Meld: Secrets Behind the Voyage of a Lifetime is a 2001 American documentary film in which actors William Shatner and Leonard Nimoy discuss the Star Trek science fiction franchise and its effects on their lives. Shatner and Nimoy portrayed the characters James T. Kirk and Spock respectively in the 1960s Star Trek television series, the 1970s animated television series, and their film sequels.
The Rocketeer: Original Motion Picture Soundtrack is the soundtrack album composed by James Horner for the 1991 film of the same name directed by Joe Johnston. The original score was released by Hollywood Records on June 10, 1991, which includes much of Horner's score and two cover songs — "Begin the Beguine" (1935) and "When Your Lover Has Gone" (1931) — all of them were performed by Melora Hardin and arranged by Billy May. Upon release, the album was issued in multiple physical formats.
Star Trek III: The Search for Spock is the 1984 science fiction film directed by Leonard Nimoy based on the television series Star Trek: The Original Series and the third film in the Star Trek franchise. The film score is composed by James Horner, that served as a continuation from the score of Star Trek II: The Wrath of Khan (1982) with few themes being reworked for this film.
Star Trek V: The Final Frontier is a 1989 science fiction film directed by William Shatner based on the television series Star Trek: The Original Series and the fifth film in the Star Trek film series. Jerry Goldsmith composed the film's musical score after he did the same for Star Trek: The Motion Picture (1979) which was nominated for an Academy Award. The score was positively received, unlike the film, which garnered mixed-to-negative reception.
The music for the 1991 science fiction film Star Trek VI: The Undiscovered Country directed by Nicholas Meyer, based on Star Trek: The Original Series and the sixth film in the Star Trek franchise, features an original score composed by Cliff Eidelman. He produced a darker score that accentuates the film's theme in contrast to the epic themes in previous Star Trek films. The score was well received by critics and led Eidelman to being a prominent composer at that time.
The musical score for the 1994 science fiction film Star Trek Generations is composed by Dennis McCarthy. Generations, the seventh Star Trek film overall, is directed by David Carson and based on the television series Star Trek: The Next Generation, which was also scored by McCarthy. He had to balance the score from the series and film score and emphasize the dramatic writing to complement the action onscreen. The album was released through the independent label GNP Crescendo Records on November 8, 1994.
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