My Own True Love | |
---|---|
Directed by | Compton Bennett |
Screenplay by | Josef Mischel Theodore Strauss Arthur Kober |
Based on | novel Make You a Fine Wife by Yolanda Foldes |
Produced by | Val Lewton |
Starring | Phyllis Calvert Melvyn Douglas Wanda Hendrix Philip Friend Binnie Barnes Alan Napier |
Cinematography | Charles B. Lang Jr. |
Edited by | LeRoy Stone |
Music by | Robert Emmett Dolan |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 84 minutes |
Country | United States |
Language | English |
My Own True Love is a 1949 American drama film directed by Compton Bennett and written by Arthur Kober, Josef Mischel and Theodore Strauss. The film stars Phyllis Calvert, Melvyn Douglas, Wanda Hendrix, Philip Friend, Binnie Barnes and Alan Napier. The film was released on February 2, 1949, by Paramount Pictures. [1] [2] [3]
It is an adaptation of the novel Make You a Fine Wife by Yolanda Foldes. In postwar England, a woman is emotionally torn when her fiancée's son returns from the army and they strike up a potential romance.
Shortly after VE Day, widowed Colonel Clive Heath encounters ATS Joan Clews at the barracks where his daughter Sheila, a corporal, is stationed. He has been working in the Army film unit, while he discovers that Joan has spent some time imprisoned by the Germans who caught her in France assisting escaping RAF airmen. Encouraged by his daughter they head out on a date, but his elaborate plans for a dinner in London are cut short by engine failure in his car.
The two bond, but problems arise when Clive's son who had been thought dead at the hands of the Japanese is discovered alive in a Malay village, but missing a leg. His old spark is gone and his father is discouraged, particularly when he shows more interest in Joan who his father has become engaged to. She tries to help him, working out that his attraction to her is a displacement to the Malaysian wife and child he lost when the Japanese captured the village. Father and son are eventually reconciled.
The film was based on the novel Make You a Fine Wife. Paramount, who had already bought Golden Earrings by the same author, bought the screen rights in September 1946. [4] Val Lewton was assigned to produce and Leonore Coffee given the job of writing the script. [5]
Val Lewton had left RKO in 1945 to accept a contract with Paramount Pictures. He developed an adaption of The Cricket on the Hearth by Charles Dickens but the studio elected not to make it. Instead he was assigned to Make You a Fine Wife. [6]
In December 1946 Paramount announced they had signed a contract with Phyllis Calvert — then in Los Angeles making her Hollywood debut with Time Out of Mind. She was to make six films, three over two years then one a year after that, starting with Make You a Fine Wife. [7] In February 1947 Paramount announced the film version od Make You a Fine Wife would be called My Own True Love. [8] Calvert returned to England to make a film then came back to Hollywood for the movie. [9]
In April 1947 Compton Bennett signed to direct. [10] By June Wanda Hendrix and Melvyn Douglas were set as co stars; they were the only Americans in the lead cast. [11] Filming started in July. It was shot entirely in Los Angeles. [12]
In September, while the film was still being shot, it was reported that the filmmakers had still not decided who Calvert's character should end up with. "In England we wouldn't worry about it," said Calvert. "It'd be either 'A' or 'U' and make big money." [13]
Filming was difficult, marked by a conflict between Calvert and Val Lewton. At one stage Calvert walked off the set refusing to say a particular line of dialogue. Paramound ended up giving Calvert script approval rather than Lewton. The movie would be the only project Lewton would make at Paramount (which he left in March 1948( although he did develop The Sainted Sisters and Bride of Vengeance . [6]
In October 1947 Calvert returned to London, where she appeared in a production of Peter Pan. [14]
Variety called the film "ponderously handled" and "fully 20 minutes too long." [15]
Variety also called the movie "a major disappointment" financially. [16]
Cat People is a 1942 American supernatural horror film directed by Jacques Tourneur and produced for RKO by Val Lewton. The film tells the story of Irena Dubrovna, a newly married Serbian fashion illustrator obsessed with the idea that she is descended from an ancient tribe of Cat People who metamorphose into black panthers when aroused. When her husband begins to show interest in one of his coworkers, Irena begins to stalk her. The film stars Simone Simon as Irena, and features Kent Smith, Tom Conway, and Jane Randolph in supporting roles.
Dixie Wanda Hendrix was an American film and television actress.
Phyllis Hannah Murray-Hill, known professionally as Phyllis Calvert, was an English film, stage and television actress. She was one of the leading stars of the Gainsborough melodramas of the 1940s such as The Man in Grey (1943) and was one of the most popular movie stars in Britain in the 1940s. She continued her acting career for another 50 years.
Val Lewton was a Russian-American novelist, film producer and screenwriter best known for a string of low-budget horror films he produced for RKO Pictures in the 1940s. His son, also named Val Lewton, was a painter and exhibition designer.
Mark Robson was a Canadian-American film director, producer, and editor. Robson began his 45-year career in Hollywood as a film editor. He later began working as a director and producer. He directed 34 films during his career, including Champion (1949), Bright Victory (1951), The Bridges at Toko-Ri (1954), Peyton Place (1957), The Inn of the Sixth Happiness (1958), Von Ryan's Express (1965), Valley of the Dolls (1967), and Earthquake (1974).
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Royden Denslow Webb was an American film music composer. One of the charter members of ASCAP, Webb has hundreds of film music credits to his name, mainly with RKO Pictures. He is best known for film noir and horror film scores, in particular for the films of Val Lewton.
The Man in Grey is a 1943 British film melodrama made by Gainsborough Pictures; it is considered to be the first of a series of period costume dramas now known as the "Gainsborough melodramas". It was directed by Leslie Arliss and produced by Edward Black from a screenplay by Arliss and Margaret Kennedy that was adapted by Doreen Montgomery from the 1941 novel The Man in Grey by Eleanor Smith. The film's sets were designed by Walter Murton.
No Man of Her Own is a 1932 American pre-Code romantic comedy-drama film starring Clark Gable and Carole Lombard as a married couple in their only film together, several years before their own legendary marriage in real life. The film was directed by Wesley Ruggles, and originated as an adaptation of No Bed of Her Own, a 1931 novel by Val Lewton, but ended up based more on a story by Benjamin Glazer and Edmund Goulding, although it retained the title from Lewton's novel. It is not related to the 1950 film of the same name.
The Accused is a 1949 American film noir drama film directed by William Dieterle and written by Ketti Frings, based on Be Still, My Love, a 1947 novel written by June Truesdell. The film stars Loretta Young and Robert Cummings.
The Sign of the Ram is a 1948 American film noir directed by John Sturges and screenplay by Charles Bennett, based on a novel written by Margaret Ferguson. The drama features Susan Peters, Alexander Knox and Phyllis Thaxter. It also featured Ron Randell. The film's title alludes to people born under the astrological sign Aries, who are supposedly strong-willed and desire to be admired, as explained in the dialogue.
Broken Journey is a 1948 British drama film directed by Ken Annakin and featuring Phyllis Calvert, James Donald, Margot Grahame, Raymond Huntley and Guy Rolfe. Passengers and crew strugge to survive after their airliner crashes on top of a mountain; based on a true-life accident in the Swiss Alps.
The Magic Bow is a 1946 British musical film based on the life and loves of the Italian violinist and composer Niccolò Paganini. It was directed by Bernard Knowles. The film was entered into the 1946 Cannes Film Festival.
Theresa Harris was an American television and film actress, singer and dancer.
The Sainted Sisters is a 1948 American comedy film starring Veronica Lake and co-starring Joan Caulfield, Barry Fitzgerald, George Reeves, William Demarest and Beulah Bondi. The film was distributed by Paramount Pictures and is notable for being the last film Veronica Lake made under her contract with the studio.
Apache Drums is a 1951 American Western film directed by Hugo Fregonese and produced by Val Lewton. The drama features Stephen McNally, Coleen Gray, and Willard Parker. The film was based on an original story: Stand at Spanish Boot, by Harry Brown. Apache Drums was the last film Val Lewton produced before his death.
Welcome Stranger is a 1947 film directed by Elliott Nugent and starring Bing Crosby, Barry Fitzgerald, and Joan Caulfield. It was filmed in Hollywood with location shots at Munz Lakes during March to May 1946. Elliott Nugent appeared in one scene as a doctor sent to examine Barry Fitzgerald and that scene was directed by Billy Wilder.
The Highwayman is a 1951 American historical adventure film directed by Lesley Selander and starring Philip Friend, Wanda Hendrix and Cecil Kellaway. The film was shot in Cinecolor and distributed by Allied Artists, the prestige subsidiary of Monogram Pictures. It was based on the poem of the same name by Alfred Noyes.
Time Out of Mind is a 1947 American film noir drama film directed by Robert Siodmak and starring Phyllis Calvert, Robert Hutton and Ella Raines. The film was made by Universal Pictures on a large budget of $1,674,500, but the film was not a commercial success. The British actress Calvert was a major star in Britain and other countries for her roles in the Gainsborough Melodramas.
Ardel Wray was an American screenwriter and story editor, best known for her work on Val Lewton's classic horror films in the 1940s. Her screenplay credits from that era include I Walked with a Zombie, The Leopard Man and Isle of the Dead.