Apache Drums | |
---|---|
Directed by | Hugo Fregonese |
Screenplay by | David Chandler |
Story by | Harry Brown |
Based on | His original story "Stand at Spanish Boot" |
Produced by | Val Lewton |
Starring | Stephen McNally Coleen Gray |
Cinematography | Charles P. Boyle |
Edited by | Milton Carruth |
Music by | Hans J. Salter |
Color process | Technicolor |
Production company | Universal Pictures |
Distributed by | Universal Pictures |
Release date |
|
Running time | 75 minutes |
Country | United States |
Language | English |
Budget | $395,000 [1] |
Box office | $1.4 million (US rentals) [2] |
Apache Drums is a 1951 American Western film directed by Hugo Fregonese and produced by Val Lewton. The drama features Stephen McNally, Coleen Gray, and Willard Parker. The film was based on an original story: Stand at Spanish Boot, by Harry Brown. [3] Apache Drums was the last film Val Lewton produced before his death. [4]
A notorious gambler is thrown out of a small town named Spanish Boot, but he quickly returns when he discovers the town is threatened by the Mescalero Apaches led by Chief Victorio.[ citation needed ]
Val Lewton wrote a script for a story about the American Revolution, Ticonderoga, and sent it to various studios including Universal. Universal liked the script and signed Lewton to develop it. The studio decided not to make that film but assigned Lewton to Apache Drums instead. [1]
The film was based on a story called Siege at Spanish Boot which had been bought by Universal in May 1950. [5] It was known during production as War Dance. [6]
The film was shot in Apple Valley and the Mojave Desert in California.
In contrast with his experiences at Paramount and RKO, Lewton enjoyed working at Universal. The studio wanted to make more films with Lewton and he was interested but instead he accepted an offer to work for Stanley Kramer just before his death of a heart attack in 1951. [1]
The film was successful at the box office. [7]
When the film was released The New York Times gave the film a mixed review and wrote, "Apache Drums is tense and exciting fare when its green and red-painted Indians, yelping and keening, ride to attack or literally bite the dust with authentic thuds. When it is loquaciously appraising its principals, it is, to quote one of them, 'kind of dull and tame.'" [8]
Recently, film critic Dennis Schwartz reviewed the film favorably, writing, "It's the kind of effective kickass B western where the cavalry comes in the nick of time to rescue the white folks from the attacking Indians. Director Hugo Fregonese (Untamed Frontier) gives a nod to Lewton's eye for detail and shadowy photography...David Chandler turns in a crisp screenplay that's always tense and filled with exciting action sequences except when he keeps things too chatty, which tamps down the narrative with a dull soap opera romantic feud...Pretty darn good stuff for such a modest western, showing that it takes all kinds to be brave and that the worst situation might bring out the best in a man." [9]
Time Out London's review was also complimentary, writing, "Beautifully staged by Fregonese, especially the climactic attack on the church where the survivors make their stand, with painted Apaches erupting through the high windows like demons from hell. Val Lewton's last production, it is full of touches instantly recognisable from his RKO series: the subtle ambivalence undermining attitudes and ethical principles, the generous stance against racism, the concern for childhood (the gambler distracts the frightened kids with an exhibition of sleight of hand), the love of traditional songs (the kids led into a chorus of 'Oranges and Lemons'; the minister countering the Apache chanting by launching into 'The Men of Harlech')." [10]
Cat People is a 1942 American supernatural horror film directed by Jacques Tourneur and produced for RKO by Val Lewton. The film tells the story of Irena Dubrovna, a newly married Serbian fashion illustrator obsessed with the idea that she is descended from an ancient tribe of Cat People who metamorphose into black panthers when aroused. When her husband begins to show interest in one of his co-workers, Irena begins to stalk her. The film stars Simone Simon as Irena, and features Kent Smith, Tom Conway, Jane Randolph, and Jack Holt in supporting roles.
Val Lewton was a Ukrainian-American novelist, film producer and screenwriter best known for a string of low-budget horror films he produced for RKO Pictures in the 1940s. His son, also named Val Lewton, was a painter and exhibition designer.
Mark Robson was a Canadian-American film director, producer, and editor. Robson began his 45-year career in Hollywood as a film editor. He later began working as a director and producer. He directed 34 films during his career, including Champion (1949), Bright Victory (1951), The Bridges at Toko-Ri (1954), Peyton Place (1957), The Inn of the Sixth Happiness (1958), Von Ryan's Express (1965), Valley of the Dolls (1967), and Earthquake (1974).
Coleen Gray was an American actress. She was best known for her roles in the films Nightmare Alley (1947), Red River (1948), and Stanley Kubrick's The Killing (1956).
Nicholas Musuraca, A.S.C. was a motion-picture cinematographer best remembered for his work at RKO Pictures in the 1940s, including many of Val Lewton's series of B-picture horror films.
I Walked with a Zombie is a 1943 American horror film directed by Jacques Tourneur and produced by Val Lewton for RKO Pictures. It stars James Ellison, Frances Dee, and Tom Conway, and follows a Canadian nurse who travels to care for the ailing wife of a sugar plantation owner in the Caribbean, where she witnesses Vodou rituals and possibly encounters the walking dead. The screenplay, written by Curt Siodmak and Ardel Wray, is based on an article of the same title by Inez Wallace, and also partly reinterprets the narrative of the 1847 novel Jane Eyre by Charlotte Brontë.
Royden Denslow Webb was an American film music composer. One of the charter members of ASCAP, Webb has hundreds of film music credits to his name, mainly with RKO Pictures. He is best known for film noir and horror film scores, in particular for the films of Val Lewton.
The Ghost Ship is a 1943 American black-and-white psychological thriller film starring Richard Dix and directed by Mark Robson. It was produced by Val Lewton for RKO Radio Pictures as part of a series of low-budget horror films. The film can be seen as a "low-key psychological thriller", a "suspense drama", and a "waterlogged melodrama". Russell Wade, Edith Barrett, Ben Bard and Edmund Glover appear in support.
The Seventh Victim is a 1943 American horror film directed by Mark Robson and starring Tom Conway, Jean Brooks, Isabel Jewell, and Kim Hunter. Written by Charles O'Neal and DeWitt Bodeen, and produced by Val Lewton for RKO Radio Pictures, the film focuses on a young woman who stumbles on an underground cult of devil worshippers in Greenwich Village, New York City, while searching for her missing sister. It marks Robson's directorial debut, and was Hunter's first onscreen role.
The Body Snatcher is a 1945 American horror film directed by Robert Wise, based on the 1884 short story of the same name by Robert Louis Stevenson. Philip MacDonald adapted the story for the screen, and producer Val Lewton, credited as "Carlos Keith", modified MacDonald's screenplay. The film stars Boris Karloff as John Gray, a cab driver who moonlights as a grave robber, and later murderer, to illegally supply Dr. MacFarlane with cadavers for his classes, and makes mention of Burke, Hare, and Dr. Knox, in reference to the West Port murders of 1828. Alongside Karloff and Daniell, the film's cast includes Russell Wade, Edith Atwater, and Bela Lugosi. It was the last film in which both Karloff and Lugosi appeared.
Hugo Geronimo Fregonese was an Argentine film director and screenwriter who worked both in Hollywood and his home country.
Fort Apache is a 1948 American Western film directed by John Ford and starring John Wayne and Henry Fonda. The film was the first of the director's "Cavalry Trilogy" and was followed by She Wore a Yellow Ribbon (1949) and Rio Grande (1950), both also starring Wayne. The screenplay was inspired by James Warner Bellah's short story "Massacre" (1947). The historical sources for "Massacre" have been attributed both to George Armstrong Custer and the Battle of Little Bighorn and to the Fetterman Fight.
His Kind of Woman is a 1951 film noir starring Robert Mitchum and Jane Russell. The film features supporting performances by Vincent Price, Raymond Burr and Charles McGraw. The direction of the film, which was based on the unpublished story "Star Sapphire" by Gerald Drayson, is credited to John Farrow.
The Las Vegas Story is a 1952 American suspense film noir starring Jane Russell and Victor Mature, directed by Robert Stevenson and produced by Robert Sparks and Howard Hughes with Samuel Bischoff as the executive producer.
Willard Parker was an American film and television actor. He starred in the TV series Tales of the Texas Rangers (1955–1958).
Bedlam is a 1946 American horror film directed by Mark Robson and starring Boris Karloff, Anna Lee and Richard Fraser, and was the last in a series of stylish horror B films produced by Val Lewton for RKO Radio Pictures. The film was inspired by William Hogarth's 1732–1734 painting series A Rake's Progress, and Hogarth was given a writing credit.
I Married a Woman is a 1958 American comedy film made in 1956, directed by Hal Kanter, written by Goodman Ace, and starring George Gobel, Diana Dors, and Adolphe Menjou. The picture was produced by Gobel's company, Gomalco Productions. I Married a Woman also features John Wayne in a cameo role as himself. It was filmed in RKO-Scope and black and white except for one of Wayne's two scenes, which was shot in Technicolor. The film's original title was So There You Are. The film was a box-office disappointment, which hurt the careers of Dors and Gobel.
Tomahawk is a 1951 American Western film directed by George Sherman and starring Van Heflin and Yvonne De Carlo. The film is loosely based on events that took place in Wyoming in 1866 to 1868 around Fort Phil Kearny on the Bozeman Trail such as the Fetterman Fight and Wagon Box Fight. In the UK, the film was released as The Battle of Powder River.
My Own True Love is a 1949 American drama film directed by Compton Bennett and written by Arthur Kober, Josef Mischel and Theodore Strauss. The film stars Phyllis Calvert, Melvyn Douglas, Wanda Hendrix, Philip Friend, Binnie Barnes and Alan Napier. The film was released on February 2, 1949, by Paramount Pictures.
Ardel Wray was an American screenwriter and story editor, best known for her work on Val Lewton's classic horror films in the 1940s. Her screenplay credits from that era include I Walked with a Zombie, The Leopard Man and Isle of the Dead.