Barbara Stanwyck was an American actress, model and dancer. A stage, film, and television star, during her 60-year professional career she was known for her strong, realistic screen presence and versatility. She was a favorite of directors, including Cecil B. DeMille, Fritz Lang, and Frank Capra, and made 85 films in 38 years before turning to television.
Ball of Fire is a 1941 American screwball comedy film directed by Howard Hawks and starring Gary Cooper and Barbara Stanwyck. The Samuel Goldwyn Productions film concerns a group of professors laboring to write an encyclopedia and their encounter with a nightclub performer who provides her own unique knowledge. The supporting cast includes Oscar Homolka, S. Z. Sakall, Henry Travers, Richard Haydn, Dana Andrews, and Dan Duryea.
The Colbys is an American prime time television soap opera that originally aired on ABC from November 20, 1985, to March 26, 1987. Created by Richard and Esther Shapiro and Eileen and Robert Pollock and produced by Aaron Spelling, it is a spin-off of Dynasty and revolves around the Colbys, another vastly wealthy family who own a large multinational conglomerate and are connected to the Carringtons of Dynasty. Intended to surpass its predecessor in opulence, the series' producers were handed an immensely high budget for the era, and cast a handful of well-known movie stars among its leads.
Clash by Night is a 1952 American film noir drama directed by Fritz Lang and starring Barbara Stanwyck, Paul Douglas, Robert Ryan, Marilyn Monroe and Keith Andes. The film is based on the 1941 play by Clifford Odets, adapted for the screen by writer Alfred Hayes. It is the first major film to credit Monroe before the title, albeit with fourth billing.
The File on Thelma Jordon is a 1950 American film noir drama film directed by Robert Siodmak and starring Barbara Stanwyck and Wendell Corey. The screenplay by Ketti Frings, based on an unpublished short story by Marty Holland, concerns a woman who pretends to fall in love with an assistant district attorney and uses him to escape conviction for the murder of her wealthy aunt.
No Man of Her Own is a 1950 American film noir drama directed by Mitchell Leisen and featuring Barbara Stanwyck, John Lund, Phyllis Thaxter, Jane Cowl and Lyle Bettger. The production is the second film Stanwyck made with director Mitchell Leisen. Its screenplay was adapted from Cornell Woolrich's 1948 novel I Married a Dead Man. Woolrich is cited in the film's opening credits by one of his commonly used pseudonyms, "William Irish".
Hurricane Streets is a 1997 American coming-of-age drama film directed and written by Morgan J. Freeman in his feature directorial debut. It stars Brendan Sexton III, Shawn Elliot, L. M. Kit Carson, and Edie Falco. The film tells the story of Marcus, a New York City street kid who is conflicted between running with a gang who want to move up in more serious crimes and a girl he meets who tries to steer him clear from a potential life in prison.
Phyllis Dietrichson is a fictional character in the book and two film adaptations of James M. Cain's novella Double Indemnity. For the 1944 film of the same name, Barbara Stanwyck was nominated for the Academy Award for Best Actress. The character is considered one of the best femme fatale roles in film noir history. The character was ranked as the #8 film villain of the first 100 years of American cinema by the American Film Institute in the AFI's 100 Years... 100 Heroes and Villains.
Lovers is a 1991 Spanish film noir written and directed by Vicente Aranda, starring Victoria Abril, Jorge Sanz and Maribel Verdú. The film brought Aranda to widespread attention in the English-speaking world. It won two Goya Awards and is considered one of the best Spanish films of the 1990s.
Ladies They Talk About is a 1933 pre-Code American crime drama directed by Howard Bretherton and William Keighley, and starring Barbara Stanwyck, Preston Foster, and Lyle Talbot. The film is about an attractive woman who is a member of a bank-robbery gang. It is based on the play Gangstress, or Women in Prison by Dorothy Mackaye and Carlton Miles. In 1928, Dorothy Mackaye, #440960, served less than ten months of a one- to three-year sentence in San Quentin State Prison.
Gambling Lady is a 1934 American pre-Code romantic drama film directed by Archie Mayo, and starring Barbara Stanwyck, Joel McCrea and Pat O'Brien.
Annie Oakley is a 1935 American Western film directed by George Stevens and starring Barbara Stanwyck, Preston Foster, Melvyn Douglas and Moroni Olsen. The film is based on the life of Annie Oakley.
Internes Can't Take Money is a 1937 American drama film directed by Alfred Santell and starring Barbara Stanwyck, Joel McCrea, Lloyd Nolan and Stanley Ridges. McCrea portrays Dr. Kildare in the character's first screen appearance. Metro-Goldwyn-Mayer continued the Dr. Kildare series with Young Dr. Kildare (1938) starring Lew Ayres as Kildare and Laraine Day as a nurse in love with Kildare. The film was released in the United Kingdom as You Can't Take Money.
Under the Same Moon is a 2007 Mexican-American drama film in Spanish and English directed by Patricia Riggen and starring Kate del Castillo, Adrián Alonso, and Eugenio Derbez.
Más Sabe el Diablo is a successful Spanish-language telenovela produced by the United States-based television network Telemundo. This melodrama features lovers embroiled in intrigue, betrayal, vengeance and unbridled passion. It stars Gaby Espino, Jencarlos Canela and Miguel Varoni. Telemundo says that about 1 million people tuned in each weeknight.
Ever in My Heart is a 1933 American pre-Code drama film directed by Archie Mayo and starring Barbara Stanwyck, Otto Kruger, and Ralph Bellamy. It portrays the tragic consequences of the virulent propaganda that spread false stories of atrocities and stigmatized anything German during the Great War.
Red Salute is a 1935 American comedy film directed by Sidney Lanfield and starring Barbara Stanwyck and Robert Young. Based on a story by Humphrey Pearson, the film is about the daughter of a US Army general who becomes involved with a suspected communist agitator.
Ten Cents a Dance is a 1931 American pre-Code romance-drama film directed by Lionel Barrymore and starring Barbara Stanwyck as a married taxi dancer who falls in love with one of her customers. The film was inspired by the popular song of the same name, which is sung over the title sequence. The film was also made in a Spanish language version, titled, Carne de Cabaret, directed by Christy Cabanne.
All I Desire is a 1953 American drama romance film directed by Douglas Sirk and starring Barbara Stanwyck, Richard Carlson, Lyle Bettger, Marcia Henderson, Lori Nelson, and Maureen O'Sullivan. It is based on Carol Ryrie Brink's 1951 novel Stopover.
Carmina or Blow Up is a Spanish comedy-drama film, directed and written by Paco León. The film stars his mother Carmina Barrios (Carmina), his sister, María León (María), Paco Casaus and Ana Mª García (Ani). It is the first Spanish film released in cinemas, online and as a digital copy at the same time.
