Plot
In the years immediately after World War II, a Dutchman, ex resistance, is sentenced to life imprisonment for a murder, committed during a robbery, that he confessed to but did not commit. After discovering that the girl he has loved since childhood is not dead, as he had been told, he escapes from prison and goes on the run through a devastated Germany in search of the witnesses who can clear him, with her help. But the witnesses begin to die apparently accidental deaths shortly before he finds them...
Production
Producer George H. Brown bought the film rights to the novel in 1951 and promised the lead role to Dirk Bogarde. Bogarde had prior commitments so Brown delayed filming for a year until the actor could play the part. Brown called the love scenes "the most tender I have read for a long time." [3]
The film was made through British Film-Makers, a short lived production scheme that operated in Britain in the early 1950s as a co operative venture between the Rank Organisation and the National Film Finance Corporation (NFFC), whereby Rank would provide 70% of finance and the rest came from the NFFC. [4] [5]
Dirk Bogarde's biographer called the film one of Bogarde's "seemingly unending supply of men-on-the-run " movies that followed his success in The Blue Lamp , others including Blackmailed , Hunted and The Gentle Gunman . [6]
Filming started in September 1952. [7] It was made at Pinewood Studios and on location in West Germany including scenes shot at Berlin's Brandenburg Gate. The film's sets were designed by the art director Maurice Carter.
Critical reception
Variety wrote, "There is ample suspense and action... to compensate for some of the weaknesses in plot construction. The German location provides the right atmosphere." [8]
The Monthly Film Bulletin wrote: "It is impossible to say anything good of this rigmarole, with its improbably contrived story, its flat dialogue and direction, its lachrymose performance by Mai Zetterling and characteristically bedraggled and hunted appearance by Dirk Bogarde. All the villains are old-fashioned stock characters, and nothing seems to bear any relation to life as it exists." [9]
The New York Times wrote, "the sum and substance of this production...is a great deal of panting exercise within and all over two cities, offering little about which to care." [10]
Filmknk called it " a little dull, despite Mai Zetterling and German location filming." [5]
TV Guide found it "quite suspenseful, with Bogarde turning in an exceptionally fine performance." [11]
In The Radio Times Guide to Films Tony Sloman gave the film 3/5 stars, writing: "This was one of several films in which handsome young Dirk Bogarde played a fugitive on the run, prior to consolidating his popularity and stardom with the following year's Doctor in the House . The meaningless title conceals a ludicrous plot in which Bogarde, believing girlfriend Mai Zetterling is dead, confesses to a murder he did not commit. When he discovers she is still alive, they go off to catch the real villain. The stars make it entertaining enough." [12]
Leslie Halliwell wrote "Cliché-ridden melodrama climaxing in a car chase; poor in all departments." [13]
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