N.Y. Ain't So Bad: Ali Plays the Blues | ||||
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Studio album by Rashied Ali featuring Royal Blue | ||||
Released | 1976 | |||
Recorded | July 12, 1975; August 26, 1975 | |||
Genre | Jazz, blues | |||
Length | 35:34 | |||
Label | Survival Records SR 111 | |||
Rashied Ali chronology | ||||
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N.Y. Ain't So Bad: Ali Plays the Blues is an album by drummer Rashied Ali that features blues singer Royal Blue. It was recorded during July and August, 1975, and was released on vinyl in 1976 by Ali's Survival Records. In 1999, it was reissued on CD by Survival in conjunction with the Knit Classics label. On the album, Ali and Blue are joined by saxophonists Marvin Blackman and James Vass, pianist Charles Eubanks, and bassist Benny Wilson. [1] [2] [3]
N.Y. Ain't So Bad marks Royal Blue's only recorded appearance. According to Ali, shortly after the session, the vocalist was beaten to death with a pipe following a domestic quarrel, and his body was dumped on the street. [4] Ali stated that Blue "was the only one of the younger cats who was singing from the heart," and reflected: "He was really articulate in his words, and if you listen to his songs, you can really hear where we was coming from. It was incredible; you don't have to know him, you can know him from his music." [5]
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz | [6] |
The Virgin Encyclopedia of Jazz | [7] |
In a review for AllMusic, Thom Jurek called the album an "all but lost gem, which, in a late modern context, reveals the true roots of jazz," and wrote: "In these seemingly 'straight' blues tunes, a jazz quintet is being itself, stretching the tunes, offering overtones as possibilities, and moving it on over into another space entirely, while firmly remaining a band that backs a blues singer." [1]
The authors of The Penguin Guide to Jazz Recordings described the band as "strong," but stated that "the chemistry isn't compelling." [6]
Michael J. West of JazzTimes called Blue "a joyful baritone in the Jimmy Rushing tradition," and commented: "In an earlier era of jazz, the 'New Thing' players were often accused of abandoning or indeed never properly learning the tradition; N.Y. Ain't So Bad is as deeply immersed in it as any mainstream jazz record." [8]
Author Will Hermes singled out "Moontipping" for praise, calling it "the record's most magical moment," with "Ali's scatter-groove conjuring both swing and clave without pledging allegiance to either, Royal Blue floating above." [4]
Steve Koenig of Perfect Sound Forever noted that Blue was "clearly from the Texas blue tradition," with a voice that "slurs like the horns do." He remarked: "He'll stretch out, yet soft, sweet, single notes are there too." [5]
Rashied Ali, born Robert Patterson was an American free jazz and avant-garde drummer who was best known for performing with John Coltrane in the last years of Coltrane's life.
Journey in Satchidananda is the fourth studio album by American jazz pianist and harpist Alice Coltrane, released in February 1971 on Impulse! Records. The first four tracks were recorded at Coltrane's home studio in Dix Hills, New York, in November 1970, while "Isis and Osiris" was recorded live at the Village Gate in Greenwich Village in July of that year. Coltrane is joined on the album by saxophonist Pharoah Sanders, bassists Cecil McBee and Charlie Haden, and drummer Rashied Ali. Vishnu Wood also appears on oud on "Isis and Osiris", while the studio recordings also feature Majid Shabazz on percussion and Tulsi on tanpura.
Huntington Ashram Monastery is the second solo album by Alice Coltrane. It was recorded in May 1969 at the Coltrane home studios in Dix Hills, New York, and was initially released later that year by John Coltrane Records, which was absorbed by Impulse! Records. On the album, Coltrane is heard on harp and piano, and is joined by bassist Ron Carter and drummer Rashied Ali.
Interstellar Space is a studio album by American jazz saxophonist John Coltrane, featuring drummer Rashied Ali. It was recorded in 1967, the year of his death, and released by Impulse! Records in September 1974.
Live At The Village Vanguard Again! is a live jazz album by saxophonist John Coltrane. Recorded in May 1966 during a live performance at the Village Vanguard jazz club in New York City, the album features Coltrane playing in the free jazz style that characterized his final years. The lineup features Coltrane's quintet, with Coltrane on tenor and soprano saxophones, bass clarinet, and flute, Pharoah Sanders on tenor saxophone and flute, Alice Coltrane on piano, Jimmy Garrison on bass, and Rashied Ali on drums, supplemented by Emanuel Rahim on percussion. It was the quintet's only official recording released during Coltrane's lifetime.
Universal Consciousness is the fifth solo album by Alice Coltrane. It was recorded from April to June, 1971, in New York City and at the Coltrane home studios in Dix Hills, New York, and was released later that year by Impulse! Records. On the album, Coltrane appears on harp and organ, and is joined by bassist Jimmy Garrison, drummers Jack DeJohnette, Rashied Ali, and Clifford Jarvis, and, on three tracks, a quartet of violins playing parts arranged by Ornette Coleman. It was the first in a series of three albums on which Coltrane appeared with an ensemble of strings.
On the Town with the Oscar Peterson Trio is a live album by jazz pianist Oscar Peterson, released in 1958.
Which Way Is East is a double-album of duets by jazz saxophonist Charles Lloyd and percussionist Billy Higgins recorded in January 2001 and released on ECM in March 2004. The album contains the last recordings by Higgins before he died in May 2001.
Equilibrium is an album by American jazz pianist Matthew Shipp recorded in 2002 and released on Thirsty Ear. According to Shipp, this fourth Blue Series record is a synthesis of what he learned from all their other albums in the series. He continues exploring beat elements with modern jazz.
Storyline is an album by American jazz trumpeter Raphe Malik featuring a trio with bassist Cecil McBee and drummer Codaryl "Cody" Moffett, which was recorded in 1999 and released on the Boxholder label.
Back Door Blues is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson with the Cannonball Adderley Quintet recorded in Chicago in late 1961 and New York in early 1962 and released by the Riverside label. The album was partially rereleased with additional recordings and alternate takes as Cleanhead & Cannonball on CD by Landmark Records in 1988 and the complete recordings issued on Fresh Sound in 2013.
Why Not? is an album by American saxophonist Marion Brown. It was recorded in October 1966 in New York City, and was released in 1968 on the ESP-Disk label. The album, which was also released with the title Why Not, features Brown on alto saxophone, Stanley Cowell on piano, Sirone on bass, and Rashied Ali on drums. The album was recorded roughly a month prior to Brown's album Juba-Lee. The tracks were reissued on the 2020 ezz-thetics album Why Not? Porto Novo! Revisited.
Marion Brown Quartet is an album by American saxophonist Marion Brown, his debut as a leader. It was recorded in November 1965 in New York City, and was released in 1966 on the ESP-Disk label. The album features Brown on alto saxophone, Alan Shorter on trumpet, Bennie Maupin on tenor saxophone, Reggie Johnson and Ronnie Boykins on bass, and Rashied Ali on drums.
Swift Are the Winds of Life is an album by drummer Rashied Ali and violinist / composer Leroy Jenkins. It was recorded in September 1975 at Studio 77 in New York City, and was released by Survival Records in 1976. The album was reissued by Knit Classics in 2000.
Duo Exchange is an album by drummer Rashied Ali and saxophonist Frank Lowe. It was probably recorded in September 1972 at the studio of Marzette Watts in New York City, and was issued by Ali's Survival Records in 1973 as the label's inaugural release. In 2020, Survival Records released an expanded double-CD album titled Duo Exchange: Complete Sessions featuring incomplete and alternate takes, as well as studio discussion.
New Directions in Modern Music is a live album by the Rashied Ali Quartet. It was recorded at The East in Brooklyn, New York, during 1971, and was released in 1973 by Ali's Survival Records. On the album, Ali is featured on drums and percussion, and is joined by saxophonist and flutist Carlos Ward, pianist Fred Simmons, and bassist Stafford James. In 1999, the recording was reissued by Survival in conjunction with Knit Classics.
Songlines is an album by saxophonist Peter Brötzmann, bassist Fred Hopkins, and drummer Rashied Ali. It was recorded on October 30 and 31, 1991, in Berlin, and was released in 1994 by FMP.
Survival Records is an independent record label that was founded by drummer Rashied Ali, and that focuses on free jazz.
Rashied Ali Quintet is an album by the free jazz ensemble of the same name, led by drummer Ali, and featuring saxophonist Bob Ralston, trumpeter Earl Cross, guitarist James Blood Ulmer, and bassist John Dana. It was recorded during 1973 at Marzette Watts's studio in New York City, and was released on vinyl that year by Ali's Survival Records. In 1999, the album was reissued on CD by Survival in conjunction with the Knit Classics label. The recording marks one of Ulmer's first recorded appearances.
Moon Flight is an album by drummer Rashied Ali on which he is featured in quartet and quintet settings. It was recorded on August 26, 1975, at Studio 77 in New York City, and was released on vinyl in 1976 by Ali's Survival Records. In 1999, it was reissued on CD by Survival in conjunction with the Knit Classics label. On the album, Ali is joined by saxophonists Marvin Blackman and James Vass, pianist Charles Eubanks, and bassist Benny Wilson.