The October Revolution | ||||
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Live album by | ||||
Released | 1996 | |||
Recorded | October 22, 1994 | |||
Venue | Fez Room under the Time Cafe, New York City | |||
Genre | Free jazz | |||
Length | 1:13:41 | |||
Label | Evidence Music ECD 22166-2 | |||
Producer | John F. Szwed, Matthew Szwed | |||
Rashied Ali chronology | ||||
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The October Revolution is a live album that documents a concert celebrating the 30th anniversary of the 1964 music festival known as the October Revolution in Jazz. It contains two long tracks, dedicated to composer, trumpeter, and festival organizer Bill Dixon, by a quartet that features drummer Rashied Ali (a participant in the festival), pianist Borah Bergman, saxophonist Joe McPhee, and bassist Wilber Morris, plus a single short track featuring the Myra Melford Trio, led by pianist Melford, and featuring bassist Lindsey Horner and drummer Tom Rainey. (Saxophonist Zane Massey and his trio also performed at the event, but the music was not included due to technical problems.) The album was recorded on October 22, 1994, at the Fez Room under the Time Cafe in New York City, and was released in 1996 by Evidence Music. [1] [2]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Tom Hull – on the Web | B+ [5] |
In a review for AllMusic, Scott Yanow called the quartet piece "quite coherent, full of energy, and worth a few listens" despite the fact that the four musicians had not played together prior to the performance. He commented: "It is a pity that Dixon himself, along with more of the original players, were not at this concert, but the music does have its exciting moments." [1]
The authors of The Penguin Guide to Jazz Recordings stated that Melford's contribution is "crisp, responsive, and engagingly short," while the quartet tracks "ramble portentously." [3]
Bill Shoemaker of JazzTimes described Melford's track as a "poignant, blues-drenched, space-sensitive piece" that "taps both the pianist's strengths as a balladeer and her strong rapport" with her sidemen. Regarding "For Bill Dixon I," he noted "Morris' skitterish bow effects, Bergman's swirling piano clusters and McPhee's spattered flugelhorn fragments" leading to a "culminating well-sculpted ensemble statement," while part II ends with "the aural equivalent of watching a hurricane disappear on a time-elapsed weather map." [6]
Writing for Metroactive , Nicky Baxter called the album "an experience not to be missed... like hearing music for the first time." He praised McPhee's saxophone work, stating that he "refuses to follow trends, and his playing is as fresh and inventive as ever," spitting out "jagged shards here, honey-coated laconic droplets there." He also called Morris's bass playing "a marvel to hear," and noted "the vast range of emotions he summons from his instrument." [7]
Rashied Ali, born Robert Patterson was an American free jazz and avant-garde drummer who was best known for performing with John Coltrane in the last years of Coltrane's life.
Joe McPhee is an American jazz multi-instrumentalist born in Miami, Florida, a player of tenor, alto, and soprano saxophone, the trumpet, flugelhorn and valve trombone. McPhee grew up in Poughkeepsie, New York, and is most notable for his free jazz work done from the late 1960s to the present day.
Myra Melford is an American avant-garde jazz pianist and composer. A 2013 Guggenheim Fellow, Melford was described by the San Francisco Chronicle as an "explosive player, a virtuoso who shocks and soothes, and who can make the piano stand up and do things it doesn't seem to have been designed for."
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The October Revolution in Jazz was a four-day festival of new jazz music which took place at the Cellar Café in New York City. It occurred from October 1–4, 1964, and was organized by composer and trumpeter Bill Dixon. The success of the festival was directly responsible for the formation of the Jazz Composers Guild.
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Marion Brown Quartet is an album by American saxophonist Marion Brown, his debut as a leader. It was recorded in November 1965 in New York City, and was released in 1966 on the ESP-Disk label. The album features Brown on alto saxophone, Alan Shorter on trumpet, Bennie Maupin on tenor saxophone, Reggie Johnson and Ronnie Boykins on bass, and Rashied Ali on drums.
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