Naomi Beckwith

Last updated

Naomi Beckwith
Occupation(s)Senior Curator, Museum of Contemporary Art, Chicago

Naomi Beckwith (born 1976) is an American art historian who has been serving as the deputy director and chief curator of the Solomon R. Guggenheim Museum since 2021. [1] Previously she had been the senior curator at the Museum of Contemporary Art, Chicago. Beckwith joined the curatorial staff there in May 2011. [2]

Contents

Early life and education

A native Chicagoan, Beckwith grew up in Hyde Park and attended Lincoln Park High School, going on to receive a BA in history from Northwestern University in Evanston, Illinois. [3] She completed an MA with Distinction from the Courtauld Institute of Art in London, presenting her master's thesis on Adrian Piper and Carrie Mae Weems. [4]

Afterward, Beckwith was a Helena Rubenstein Critical Studies Fellow at the Whitney Museum Independent Study Program in New York. Beckwith was a fall 2008 grantee of the Andy Warhol Foundation for the Visual Arts and was named the 2011 Leader to Watch by ArtTable. [5]

Career

Early career

Prior to joining the MCA staff, Beckwith was associate curator at The Studio Museum in Harlem. Preceding her tenure at the Studio Museum, Beckwith was the Whitney Lauder Curatorial Fellow at the Institute of Contemporary Art, Philadelphia, where she worked on numerous exhibitions including Locally Localized Gravity (2007), an exhibition and program of events presented by more than 100 artists whose practices are social, participatory, and communal. [6]

Beckwith has also been the BAMart project coordinator at the Brooklyn Academy of Music and a guest blogger for Art:21. She has curated and co-curated exhibitions at New York alternative spaces Recess Activities, Cuchifritos, and Artists Space. [7] In 2018, she served as curatorial adviser for the biennial SITElines art exhibition in Santa Fe. [8] In 2021, she was a member of the curatorial team that realized Okwui Enwezor's posthumous show “Grief and Grievance: Art and Mourning in America” at the New Museum. [9]

Beckwith was a member of the international jury that selected Armenia as recipient of the Golden Lion for best national participation at the 56th Venice Biennale in 2015. [10] She later served on the jury that chose Deana Lawson as recipient of the Guggenheim’s 2020 Hugo Boss Prize. [11]

Guggenheim Museum, 2021–present

Since joining the Guggenheim and succeeding Nancy Spector in 2021, Beckwith has overseen the organization's collections and exhibitions programs at its various sites in New York, Bilbao and Venice. [12]

Beckwith co-chaired (with Fred Wilson) the jury that chose the winners of the Rome Prize for the 2023–24 cycle. [13]

In December 2024, Beckwith was chosen as Artistic Director of documenta 16, held in Kassel in summer 2027. [14]

Key exhibitions

Beckwith curated the exhibition 30 Seconds off an Inch, which was presented by the Studio Museum in Harlem November 12, 2009 – March 14, 2010. [15] Exhibiting artworks by 42 artists of color or those inspired by black culture from more than 10 countries, the show asked viewers to think about ways in which social meaning is embedded formally within artworks. [16] [17]

Lynette Yiadom-Boakye: Any Number of Preoccupations was on view at the Studio Museum from 2010 to 2011, marking British artist Lynette Yiadom-Boakye’s first solo museum show with 24 canvases on display. [18]

In 2018, Beckwith also co-curated the first major survey of the art of Howardena Pindell at the MCA. [19] [20] [21]

Other activities

Beckwith serves on the boards of the Laundromat Project (New York) and Res Artis (Amsterdam). [22] [23]

Recognition

Beckwith has been awarded the 2017 VIA (Visionary Initiatives in Art) Art Fund Curatorial Fellowship, [24] [25] the 2017 Center for Curatorial Leadership Fellowship, [26] and the High Museum of Art's 2024 David C. Driskell Prize. [27]

Personal life

Beckwith is married. [28]

Related Research Articles

<span class="mw-page-title-main">Studio Museum in Harlem</span> Art museum in New York City

The Studio Museum in Harlem is an art museum that celebrates artists of African descent. The museum is located at 144 West 125th Street between Adam Clayton Powell Jr. Boulevard and Lenox Avenue in the Harlem neighborhood of Manhattan, New York City, United States. Founded in 1968, the museum collects, preserves and interprets art created by African Americans, members of the African diaspora, and artists from the African continent. Its scope includes exhibitions, artists-in-residence programs, educational and public programming, and a permanent collection. The museum building was demolished and replaced in the 2020s; a new building on the site is to open in 2025.

<span class="mw-page-title-main">David Driskell</span> American painter, scholar, and curator (1931–2020)

David C. Driskell was an American artist, scholar and curator recognized for his work in establishing African-American Art as a distinct field of study. In his lifetime, Driskell was cited as one of the world's leading authorities on the subject of African-American Art. Driskell held the title of Distinguished University Professor of Art Emeritus at the University of Maryland, College Park. The David C. Driskell Center at the University of Maryland, is named in his honor.

<span class="mw-page-title-main">Hans Ulrich Obrist</span> Swiss art curator, critic and historian (born 24/5/1968)

Hans Ulrich Obrist is a Swiss art curator, critic, and art historian. He is artistic director at the Serpentine Galleries, London. Obrist is the author of The Interview Project, an extensive ongoing project of interviews. He is also co-editor of the Cahiers d'Art review. He lives and works in London.

<span class="mw-page-title-main">Okwui Enwezor</span> Nigerian-American curator

Okwui Enwezor was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. He lived in New York City and Munich. In 2014, he was ranked 24 in the ArtReview list of the 100 most powerful people of the art world.

Lynette Yiadom-Boakye is a British painter and writer, of Ghanaian heritage. She is best known for her portraits of imaginary subjects, or ones derived from found objects, which are painted in muted colours. Her work has contributed to the renaissance in painting the Black figure. Her paintings often are presented in solo exhibitions.

Thelma Golden is an American art curator, who is the Director and Chief Curator of The Studio Museum in Harlem, New York City, United States. She is noted as one of the originators of the term post-blackness. From 2017 to 2020, ArtReview chose her annually as one of the 10 most influential people in the contemporary art world.

<span class="mw-page-title-main">Deborah Willis (artist)</span> American artist and photographer (born 1948)

Deborah Willis is a contemporary African-American artist, photographer, curator of photography, photographic historian, author, and educator. Among her awards and honors, she is a 2000 MacArthur Fellow. She is currently Professor and Chair of the Department of Photography and Imaging at Tisch School of the Arts of New York University. In 2024, she was elected to the American Philosophical Society.

<span class="mw-page-title-main">Howardena Pindell</span> American painter

Howardena Pindell is an American artist, curator, critic, and educator. She is known as a painter and mixed media artist who uses a wide variety of techniques and materials. She began her long arts career working with the New York Museum of Modern Art, while making work at night. She co-founded the A.I.R. gallery and worked with other groups to advocate for herself and other female artists, Black women in particular. Her work explores texture, color, structures, and the process of making art; it is often political, addressing the intersecting issues of racism, feminism, violence, slavery, and exploitation. She has created abstract paintings, collages, "video drawings," and "process art" and has exhibited around the world.

<span class="mw-page-title-main">Carolyn Christov-Bakargiev</span> Art historian, critic and curator (born 1957)

Carolyn Christov-Bakargiev is an Italian-American writer, art historian, and exhibition maker who served as the Director of Castello di Rivoli Museo d'Arte Contemporanea in Turin in 2009 and from 2016 to 2023. She was also the founding Director of Fondazione Francesco Federico Cerruti from 2017 to 2023. She was Edith Kreeger Wolf Distinguished Visiting Professor in Art Theory and Practice at Northwestern University (2013–2019). She is the recipient of the 2019 Audrey Irmas Award for Curatorial Excellence. She is currently Honorary Guest Professor at FHNW University of Applied Sciences and Arts Northwestern, Switzerland. She has lectured widely at art and educational institutions and Universities for the Arts, including the Goethe University, Frankfurt; Harvard University, Cambridge; MIT, Boston; Jawaharlal Nehru University, New Dehli; Cooper Union, New York; The Courtauld Institute of Art, London; Monash University, Melbourne; Di Tella University, Buenos Aires; Northwestern University, Chicago, and UNITO, Università di Torino, Turin.

Michael Darling was the James W. Alsdorf Chief Curator at the Museum of Contemporary Art, Chicago (MCA). Darling joined the MCA staff in July 2010 and left in 2021, to co-found the start-up Museum Exchange as chief growth officer.

Mami Kataoka is a Japanese art curator and writer. She is presently the director of the Mori Art Museum in Tokyo.

Massimiliano Gioni is an Italian curator and contemporary art critic based in New York City, and artistic director at the New Museum. He is the artistic director of the Nicola Trussardi Foundation in Milan as well as the artistic director of the Beatrice Trussardi Foundation. Gioni was the curator of the 55th Venice Biennale in 2013.

Sergio Edelsztein founded and curated the Artifact Gallery, the International Video Art Biennale and Videozone, and also founded the Center for Contemporary Art in Tel Aviv, in 1997.

Alexandra Munroe is an American curator, Asia scholar, and author focusing on art, culture, and institutional global strategy. She has produced over 40 exhibitions and published pioneering scholarship on modern and contemporary Asian art. She organized the first major North American retrospectives of artists Yayoi Kusama (1989), Daido Moriyama (1999), Yoko Ono (2000), Mu Xin (2001), Cai Guo-Qiang (2008), and Lee Ufan (2011), among others, and has brought such historic avant-garde movements as Gutai, Mono-ha, and Chinese conceptual art, as well as Japanese otaku culture, to international attention. Her project Japanese Art after 1945: Scream Against the Sky (1994) is recognized for initiating the field of postwar Japanese art history in North America. Recently, Munroe was lead curator of the Guggenheim’s exhibition, Art and China after 1989: Theater of the World, which the New York Times named as one of 2017’s top ten exhibitions and ARTnews named as one of the decade’s top 25 most influential shows. Credited for the far-reaching impact of her exhibitions and scholarship bolstering knowledge of postwar Japanese art history in America and Japan, she received the 2017 Japan Foundation Award and the 2018 Commissioner for Cultural Affairs Award, both bestowed by the government of Japan.

Christine Y. Kim is an American curator of contemporary art. She is currently the Britton Family Curator-at-Large at Tate. Prior to this post, Kim held the position of Curator of Contemporary Art at the Los Angeles County Museum of Art (LACMA). Before her appointment at LACMA in 2009, she was Associate Curator at The Studio Museum in Harlem in New York. She is best known for her exhibitions of and publications on artists of color, diasporic and marginalized discourses, and 21st-century technology and artistic practices.

Valerie Cassel Oliver is curator of modern and contemporary art at the Virginia Museum of Fine Arts (VMFA). Previously she was senior curator at the Contemporary Arts Museum Houston (CAMH) in Texas. Cassel's work is often focused on representation, inclusivity and highlighting artists of different social and cultural backgrounds.

Adrienne Edwards is a New York–based art curator, scholar, and writer. Edwards is currently the Engell Speyer Family Curator and Director of Curatorial Affairs at the Whitney Museum of American Art.

Lauren Haynes is an American curator who is head curator of Governors Island, in New York City.

Legacy Russell is an American curator, writer, and author of Glitch Feminism: A Manifesto, published by Verso Books in 2020. In 2021, the performance and experimental art institution The Kitchen announced Russell as the organization's next executive director and chief curator. From 2018 to 2021, she was the associate curator of exhibitions at the Studio Museum in Harlem.

Jamillah James is an American curator. She is the Manilow Senior Curator at the Museum of Contemporary Art Chicago.

References

  1. Greenberger, Alex (14 January 2021). "Naomi Beckwith Named Deputy Director and Chief Curator at Guggenheim Museum". ArtNews. Retrieved 11 February 2022.
  2. "MCA - Media". press.mcachicago.org. Retrieved 30 September 2022.
  3. Lauren Viera, “MCA appoints Naomi Beckwith its newest curator,” Chicago Tribune, April 12, 2011, accessed June 16, 2011, .
  4. “Curator: Naomi Beckwith,” Curate NYC, accessed June 16, 2011, http://www.curatenyc.org/naomi-beckwith.html Archived 2010-11-08 at the Wayback Machine .
  5. “Awarded Grants,” The Andy Warhol Foundation for the Visual Arts, accessed June 15, 2011, http://www.warholfoundation.org/grant/index.html#/2008/NY.
  6. “Locally Localized Gravity,” Institute of Contemporary Art, accessed June 16, 2011, http://www.icaphila.org/exhibitions/locally.php.
  7. “Naomi Beckwith Named Curator at MCA Chicago.”
  8. Durón, Maximilíano (3 August 2018). "A Tour of SITElines 2018 in 24 Photos". ARTnews. Retrieved 26 February 2019.
  9. Robin Pogrebin (14 January 2021), Guggenheim Names First Black Deputy Director and Chief Curator New York Times .
  10. Andrew Russeth (23 April 2015), Venice Biennale Awards Golden Lions to El Anatsui, Susanne Ghez, Names Jury ARTnews .
  11. Robin Pogrebin (14 January 2021), Guggenheim Names First Black Deputy Director and Chief Curator New York Times .
  12. Torey Akers (8 March 2024), Curator Naomi Beckwith awarded the $50,000 David C. Driskell Prize ARTnews .
  13. Maximilíano Durón (24 April 2023), Artists Win Coveted Rome Prize, Including Dread Scott and Nao Bustamante ARTnews .
  14. Source FAZ
  15. "The Studio Museum in Harlem". The Studio Museum in Harlem. Retrieved 30 September 2022.
  16. Smith, Roberta (11 December 2009). "A Beating Heart of Social Import". The New York Times. ISSN   0362-4331 . Retrieved 30 September 2022.
  17. “30 Seconds off an Inch,” Press Release, October 20, 2009, Studio Museum Harlem, accessed June 16, 2011, http://www.studiomuseum.org/sites/default/files/30-seconds-of-an-inch_release.pdf.
  18. "The Studio Museum in Harlem". The Studio Museum in Harlem. Retrieved 30 September 2022.
  19. Pogrebin, Robin (8 August 2018). "With New Urgency, Museums Cultivate Curators of Color". The New York Times. Retrieved 9 March 2019.
  20. Johnson, Steve (8 August 2018). "Naomi Beckwith named new senior curator at MCA". chicagotribune.com. Retrieved 9 March 2019.
  21. Waxman, Lori (25 April 2018). "The diverse, dizzying majesty of Howardena Pindell". chicagotribune.com. Retrieved 9 March 2019.
  22. “Board of Directors,” The Laundromat Project, accessed June 16, 2011, http://www.laundromatproject.org/board-of-directors.htm.
  23. “New Res Artis Board Members,” Res Artis, November 11, 2010, accessed June 15, 2011, http://www.ressupport.org/index.php?id=42&tx_ttnews%5Btt_news%5D=733&cHash=ef06bc7469.
  24. Kinsella, Eileen (7 April 2017). "Will VIA Art Fund's Philanthropic Model Fill An NEA Void?". artnet News. Retrieved 9 March 2019.
  25. "VIA Art Fund Curatorial Fellowship". VIA Art Fund. Retrieved 9 March 2019.
  26. "Center for Curatorial Leadership Announces 2017 Fellows". Center for Curatorial Leadership. 3 November 2016. Retrieved 9 March 2019.
  27. Torey Akers (8 March 2024), Curator Naomi Beckwith awarded the $50,000 David C. Driskell Prize ARTnews .
  28. Victoria Woodcock (24 September 2020), ‘I want the world to ask, “Why not champion more women, more artists of colour?” ’ Financial Times .