Skate punk is a skater subculture and punk rock subgenre that developed in the 1980s. Originally a form of hardcore punk that had been closely associated with skate culture, skate punk evolved into a more melodic genre of punk rock in the 1990s similar to pop punk. Since then, it has predominately featured fast tempos, lead guitar playing, fast drumming, and singing. Occasionally, skate punk also combines the fast tempos of hardcore punk and melodic hardcore with the catchy hooks of pop-punk.
Zen Arcade is the second studio album by American punk rock band Hüsker Dü, released in July 1984 on SST Records. Originally released as a double album on two vinyl LPs, Zen Arcade tells the story of a young boy who runs away from an unfulfilling home life, only to find the world outside is even worse. Zen Arcade and subsequent Hüsker Dü albums were instrumental in the creation of the alternative rock genre, and it is considered by some to be one of the greatest rock albums of all time.
New Day Rising is the third studio album by American punk rock band Hüsker Dü, released in 1985 on SST Records. The album continued the move away from the fast hardcore punk of the band's earliest releases toward slower, more melodic material.
Hüsker Dü was an American punk rock band formed in Mendota Heights, Minnesota, in 1979. The band's continuous members were guitarist/vocalist Bob Mould, bassist/vocalist Greg Norton, and drummer/vocalist Grant Hart. They first gained notability as a hardcore punk band, and later crossed over into alternative rock. Mould and Hart were the band's principal songwriters, with Hart's higher-pitched vocals and Mould's baritone taking the lead in alternating songs.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period. The genre also began to incorporate more dense, complex, and atmospheric instrumentals with bands like Slint and Unwound, and also experienced some crossover from indie rock with bands like The Dismemberment Plan. In the early- and mid-2000s, post-hardcore achieved mainstream success with the popularity of bands like At the Drive-In, My Chemical Romance, Dance Gavin Dance, AFI, Underoath, Hawthorne Heights, Silverstein, The Used, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved mainstream success under the post-hardcore label. Meanwhile, bands like Title Fight and La Dispute experienced underground popularity playing music that bore a closer resemblance to the post-hardcore bands of the 1980s and 1990s.
The War on Errorism is the ninth studio album by the American punk rock band NOFX. It was released on May 6, 2003, through Fat Wreck Chords.
The All-American Rejects is the debut studio album by American rock band The All-American Rejects, originally released October 15, 2002, by Doghouse Records before being re-released on February 4, 2003, by DreamWorks Records.
Toxic Reasons were an American punk rock band, formed in 1979. The band released nine full-length studio albums between 1982 and 1995.
The Neats were a Boston rock band that existed from the late 1970s to early 1990s. They first recorded for the independent Propeller label, which in 1981 released the song, "Six", a swirling, Vox-washed slab of garage rock reminiscent of Question Mark & the Mysterians. The following year, their well-received debut, 7-song EP, The Monkey's Head in the Corner of the Room, was released on Boston's Ace of Hearts Records. It was voted one of the best EPs of 1982 in the Village Voice's annual Pazz & Jop poll. Three full-length albums followed. The band featured well-crafted songs and a psychedelic power pop sound in a similar vein as The Dream Syndicate and The Feelies. They occasionally played on the same bill as Mission of Burma; they once toured nationally with R.E.M.
The Copyrights are a pop punk band from Carbondale, Illinois, made up of Adam Fletcher, Brett Hunter, Kevin Rotter, and Luke McNeill (drums). They are currently signed to Fat Wreck Chords. They are known for what Alternative Press calls "both the sloppy, slacker pop-punk of, say, early Green Day with the slightly more polished sheen of Teenage Bottlerocket or recent Bouncing Souls".
Apollo Up! is an American post-punk/pop punk/indie band based in Nashville, Tennessee. Billboard described the band as post-hardcore. Their sound has been compared to Ted Leo and the Pharmacists, and Fugazi.
Tenement is an American three piece rock band from Appleton, Wisconsin, United States, formed in 2006. They are often associated with the American hardcore punk scene. Their recorded output has been described as everything from "noise pop" to "fuzz punk", while in a live setting they are often known for experimentation, improvisation, and high-energy performance. The visual art of singer/guitarist Amos Pitsch is associated with most of their records, as well as several records by other notable punk and hardcore bands. In January 2013, NME included Tenement in their "rising stars of 2013". CMJ called Tenement a "breakout artist to watch" in 2014. In 2015, Tenement was included in Spin 's "The 50 Best Rock Bands Right Now". In 2016, they were included in Rolling Stone 's "10 Great Modern Punk Bands".
Dead Fucking Last is an American punk rock band that was founded in 1991 in Los Angeles, California by Tom Davis, Monty Messex, Adam (Ad-Rock) Horovitz and Tony Converse.
Chumped was an American pop punk band based in Brooklyn, New York, United States. The band formed in 2012, and released two extended plays before releasing their sole LP, Teenage Retirement, in 2014 on Anchorless Records. The band announced an "indefinite hiatus" in 2015 and performed their final show in February 2016.
The Blind Wink is an album by Appleton, Wisconsin-based rock group Tenement. It was properly released in December 2011 by Chicago hardcore punk label Cowabunga Records, following a cassette that the band released themselves for a West Coast tour in January 2011. It was re-issued in 2016 by Canadian hardcore punk record label, Deranged Records.
Bruised Music, Volume 1 is a compilation album by Appleton, Wisconsin rock group Tenement, released by Grave Mistake Records and Toxic Pop Records. It is composed of singles and rarities from the band's first four years. The album was ranked #1170 by The Village Voice on their 2015 Pazz & Jop critics poll.
Predatory Headlights is a double album by Appleton, Wisconsin-based rock group Tenement. It was released in June 2015 by New York-based record label Don Giovanni Records. Perhaps due to its length and frequent genre cross-over, it was initially ignored by many established music publications but eventually ended up on Rolling Stone's "15 Great Albums You Didn't Hear In 2015" list and Spin magazine's "2015 Overlooked Albums Report". According to The New Yorker, the album "Highlights the strongest aspects of the group's songwriting". It was ranked #100 by The Village Voice on their 2015 Pazz & Jop critics poll.
Bruised Music, Volume 2 is a compilation album by Appleton, Wisconsin rock group Tenement, released by Grave Mistake Records and Toxic Pop Records. It is composed of singles and rarities from the years 2010 to 2014.
The Self-Titled Album is an album by Appleton, Wisconsin-based rock group Tenement. It was co-released in July 2016 by Forward Records and Deranged Records, following the release of a cassette version that the band wrote and recorded in the span of a week ahead of an East Coast tour in 2015.
[1] 
[2] 